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	Rae Armantrout - Wikipedia, the free encyclopedia
		Rae Armantrout (born 1947) is an American poet generally associated with the L=A=N=G=U=A=G=E group of poets.
		Armantrout was born in Vallejo, California but grew up in San Diego.
		Armantrout teaches at the University of California, San Diego.
	en.wikipedia.org /wiki/Rae_Armantrout (134 words)

	SULAIR: AmLitStudies: Rae Armantrout Papers
		The poet and essayist Rae Armantrout was born in Vallejo, California on 13 April 1947 and grew up in San Diego.
		Internationally known, Armantrout's work has been the subject of numerous essays (some of which are gathered in A Wild Salience: The Writings of Rae Armantrout, a collection dedicated to her work), and an entry in the Dictionary of Literary Biography (vol.
		The Teaching Materials are Armantrout's lecture notes, syllabi, and course plans for classes on poetry and personal narrative taught at the Univeristy of California, San Diego from the mid-1980s to the present.
	www-sul.stanford.edu /depts/hasrg/ablit/amerlit/armant.html (482 words)

	Expert About ra:Rae
		Rae was treated afterward for bruises and a neck injury.
		Rae was handcuffed and about to be led away to his cell, when Steele persuaded the judge to defer the sentence while he appealed the case to the Idaho Supreme Court.
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	www.expertsite.biz /dir/ra/Rae.2.htm (1313 words)

	Poetry Daily Feature: Rae Armantrout - Up to Speed (Site not responding. Last check: 2007-10-09)
		Rae Armantrout is the author of seven previous books of poetry, including most recently: Veil: New and Selected Poems, a finalist for the Pen Center USA Poetry Award, as well as a memoir, True.
		Armantrout has recently been Writer-in-Residence at Bard College and the California College of Arts and Crafts and currently teaches at the University of California at San Diego, where she directs the New Writing Series.
		This collection of Rae Armantrout's poems focuses on the phenomenon of time, both as lived experience at the start of the twenty-first century and as a stubborn mystery confronting physicists and philosophers.
	www.poems.com /uptosarm.htm (351 words)

	Rae Armantrout -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-09)
		Rae Armantrout (born 1947) is an (additional info and facts about American poet) American poet generally associated with the (additional info and facts about L=A=N=G=U=A=G=E) L=A=N=G=U=A=G=E group of poets.
		Armantrout was born in (additional info and facts about Vallejo, California) Vallejo, California but grew up in (A picturesque city of southern California on San Diego Bay near the Mexican border; site of an important naval base) San Diego.
		Armantrout teaches at the (additional info and facts about University of California, San Diego) University of California, San Diego.
	www.absoluteastronomy.com /encyclopedia/r/ra/rae_armantrout.htm (163 words)

	Rae Armantrout reading per Ron Silliman
		Rae Armantrout read at Penn last week, and got one of those great audiences — at least in terms of quality — that Philly can offer up from time to time.
		Armantrout read from Veil, her selected poems, Up to Speed, and a manuscript still in progress, tentatively titled Twizzle.
		There is no doubt that I hear Rae Armantrout when I read her words.
	www.writing.upenn.edu /~wh/rae-per-silliman.html (842 words)

	UPNE \| Veil (Site not responding. Last check: 2007-10-09)
		Rae Armantrout, a core member of the Language writing movement, has long been known for the wit, emotion and punch of her social critique.
		Armantrout is interested in questions of origin, and the psychology of perception; she is interested in who is speaking and how we know what we know.
		Rae Armantrout is Adjunct Professor of Literature at the University of California at San Diego and the author of six books of poetry, most recently Made To Seem (1995).
	www.upne.com /0-8195-6449-4.html (305 words)

	Verse: NEW! Review of Rae Armantrout's Up to Speed
		Generally, the relationship among Armantroutâs sections is far from transparent, and titles seldom solve the issue.
		In âAlmost,â Armantrout speaks of disjunction as a humorous defense against death: âthe way we joke / by using non-sequiturs, elliptical remarks / which deliberately suppress context / in advance / of timeâs rub-out.â The âweâ may include Armantroutâs fellow Language Poets.
		It is not Armantroutâs job to resolve such difficulties, but to âplayâ them on her subtle instrument, to pursue them elaborately, from diverse angles.
	versemag.blogspot.com /2004/08/new-review-of-rae-armantrouts-up-to.html (908 words)

	University of Iowa Writers' Workshop presents reading by poet Rae Armantrout Oct. 26
		Armantrout was a founding member of the West Coast "Language Poetry" movement, although her work is not easily definable by that label.
		Wesleyan's selection shows that as with William Carlos Williams, to whom Armantrout owes a debt in the curious torquing of her sentences, it is not stylistic pyrotechnics, grandiose theoretical syntheses or encyclopedic references that drives these terrific poems, but an original and quirky turn of mind."
		Armantrout is a faculty member of the University of California at San Diego.
	www.uiowa.edu /~ournews/2001/october/1010armantrout.html (274 words)

	[No title]
		The poems of Rae Armantrout's which are not prose poems are marked by short lines of less than five words and stanzas as short as one line.
		Thus, some of Armantrout's poetics are traced to the influences of her peers, the Bay area experimental poets who published with The Figures press in the 70s, including Lyn Hejinian and Kit Robinson.
		Armantrout is considered to be a poet writing the self-aware "analytic lyric," and, as a lyric poet, accessible to readers new to experimental poetry.
	www.smallbytes.net /~bobkat/veil.html (825 words)

	UPNE \| Up to Speed (Site not responding. Last check: 2007-10-09)
		Rae Armantrout’s most recent collection of poems focuses on the phenomenon of time, both as lived experience at the start of the 21st century and as a stubborn mystery confronting physicists and philosophers.
		Rae Armantrout’s poems are lonely, and each thing (word, person) does stand still, waiting for meaning to explode in her and our faces.
		RAE ARMANTROUT teaches writing at the University of California, San Diego.
	www.upne.com /0-8195-6697-7.html (558 words)

	UCSD Literature Department Faculty: Rae ARMANTROUT (Site not responding. Last check: 2007-10-09)
		Her poems are telegenically “regional,” filled with bungalows, newscasters and swimming pools yet they ring with an immaterial clarity that quietly subsumes her readers and listeners in a radical and eerily funny vision.
		Rae Armantrout came up as a poet in the Bay Area, educated at UC Berkeley (AB, 1970), where she studied with Denise Levertov, and San Francisco State (MA, 1975).
		Subsequently, she was at the center of the first generation of Language Poets, the group in the US most often credited with introducing poetry to postmodernity.
	literature.ucsd.edu /faculty/rarmantrout.cfm (127 words)

	Jacket 18 - Charles Alexander reviews The Pretext by Rae Armantrout
		Armantrout, perversely, may be literal (can the literal be perverse?), in which case pretext is pre-text, before the text.
		Armantrout’s vision, equally dark, is also not cause for despair, yet there is not, as in Camus, a kind of triumph over circumstance.
		Armantrout is generally associated with language poetry, but if we widen our lens, we might as well think of her alongside Wyatt, Dickinson, Oppen — other poets who compose intelligent, tough, uncompromising, and immaculately constructed lyrics concerned with who and what we are, and how we are in the world.
	jacketmagazine.com /18/alex-arma.html (1034 words)

	Jacket 12 — Jacket 12 — Stephen Cope reviews A Wild Salience: The Writing of Rae Armantrout
		Rae Armantrout is the author of seven published books: Extremities (1978), The Invention of Hunger (1979), Precedence (1985), Necromance (1991), Made to Seem (1995), Writing the Plot About Sets (1998), True (a memoir, 1998) — and two forthcoming works, The Pretext and Veil: New and Selected Poems.
		In her work Rae Armantrout is not only referring to a specific part of the world — San Diego; she has absorbed it; and its wilderness, gardened, is justified by her genius.
		Ron Silliman, nonetheless, adds a differently sober calculation of Armantrout’s work, focussing on her use of seriality and the poetic series — or, to avoid the confusion of terms, simply writing in segments.
	pandora.nla.gov.au /pan/10059/20051027/jacketmagazine.com/12/cope-r-arma.html (1118 words)

	News Releases
		In 1988 John Ashbery was guest editor; in 2004 it is Lyn Heijinian – who among her numerous credits taught poetry and personal narrative at UCSD in the spring of 1992 and has returned a number of times to read for the UCSD New Writing Series.
		Rae Armantrout, whose poem "Almost" appears in The Best American Poetry 2004, has just been appointed professor of writing in the Department of Literature.
		Armantrout is a highly regarded poet -- both nationally and internationally – with eleven books to her credit, including most recently Up to Speed, Veil, and The Pretext.
	ucsdnews.ucsd.edu /newsrel/arts/Poetry.asp (700 words)

	Opening a 'space of unnerving honesty and complexity' - Maine Campus - Pop Culture & Infotainment
		Poet Rae Armantrout delighted last Thursday's New Writing Series audience with poetry that Ann Vickery described in "Dictionary of Literary Bibliography" as "renowned for its sharp social observation combined with an eloquent and often sparse lyricism." Armantrout held true to that description throughout her reading.
		Armantrout read mostly from her new book of selected poems, "Veil" (Wesleyan University Press, 2001), which included poems from previous books such as "Necromance," (Sun and Moon Press, 1991) "The Pretext," (Green Integer, 2001) and "Made to Seem" (Sun and Moon Press, 1995).
		Armantrout often drew from childhood and present-day personal experiences in her poetry.
	www.mainecampus.com /media/paper322/news/2002/04/22/PopCultureInfotainment/Opening.A.space.Of.Unnerving.Honesty.And.Complexity-242360.shtml (818 words)

	duration press (Site not responding. Last check: 2007-10-09)
		Rae Armantrout has published six books of poetry: Extremities (The Figures, 1978), The Invention of Hunger (Tuumba, 1979), Precedence (Burning Deck, 1985), Necromance (Sun and Moon, 1991), Couverture (Les Cahiers de Royaumont, 1991), Made To Seem (Sun and Moon, 1995), and The Pretext (Green Integer, 2001).
		Armantrout's poems have appeared in magazines and journals such as The Los Angeles Times' Book Review, Conjunctions, Grand Street, The Iowa Review, The Partisan Review, and Sulfur.
		Rae Armantrout teaches in the literature department at UCSD.
	www.durationpress.com /authors/armantrout/home.html (131 words)

	October 2004 News
		Rae Armantrout received her M.A. in creative writing from San Francisco State University in 1975.
		Armantrout began her career in the Bay Area, where she was at the center of the first generation of Language Poets.
		Armantrout has taught as a lecturer in the Literature Department with minor interruptions since 1981, and also at San Francisco State University, San Diego State University, and the California College of Arts and Crafts.
	literature.ucsd.edu /news/2005/octobernews.html (1392 words)

	Green Integer Book Detail (Site not responding. Last check: 2007-10-09)
		Linked by some criticts to the Objectivist tradition, particularly to the poet George Oppen, Rae Armantrout began her writing as a poet closely involved with members of the San Francisco "Language" writers.
		Her work indeed incorporates elements of both a close observation of the world around about her and a witty play of linguistic and syntactical elements, but her writing is of its own.
		Armantrout's work—which includes Necromance, Made to Seem and the short memoir True—has been increasingly taught in college and university courses; forthcoming is a special collection of essays by numerous authors on her writing, A Wild Salience.
	www.greeninteger.com /catbook.cfm?CFID=468923&CFTOKEN=5791949&BookID=50 (147 words)

	EPC \| Rae Armantrout \| Bio / Biblio (Site not responding. Last check: 2007-10-09)
		She is currently [May 2002] completing Up To Speed, a collection of poems, and an as yet untitled manuscript of collected prose.
		Armantrout's poetry has appeared in many anthologies, including In The American Tree (National Poetry Foundation), Language Poetries (New Directions), Postmodern American Poetry: A Norton Anthology (Norton), Out of Everywhere (Reality Street), Moving Borders (Talisman), Best American Poetry of 1989, 2001 and 2002 (Scribners), Poems for the Millennium, Vol.
		Rae Armantrout's papers are held by Stanford University Archives.
	epc.buffalo.edu /authors/armantrout/bio.html (175 words)

	Amazon.com: A Wild Salience : The Writing of Rae Armantrout: Books: Robert Drake,Tom Beckett,Bobbie West (Site not responding. Last check: 2007-10-09)
		Multifaceted examinations and appreciations of Rae Armantrout's innovative and influential poetry.
		Rae Armantrout has published seven books of poetry, including Extremities (The Figures), The Invention of Hunger (Tuumba), Precedence (Burning Deck), Necromance (Sun And Moon), Couverture (France, Les Cahiers de Royaumont), Made To Seem (Sun And Moon) and Writing the Plot About Sets (Chax).
		Armantrouts prose memoir, True, was published by Atelos in 1998.
	www.amazon.com /exec/obidos/tg/detail/-/1587110253?v=glance (472 words)

	ARRAS: little reviews: Rae Armantrout, The Pretext
		Armantrout is one of the quieter, more reliable writers associated with "language" writing, and is usually considered the "lyrical" one in a group often associated with longer, process-oriented works ("new sentence" writing or the works of Hejinian) or, when writing "lyrics," with a subversion of the genre (Bernstein, Perelman, Howe).
		She describes exquisitely the elusive interactions of time and thought, suggesting a quasi-Buddhist code of behavior:
		But for all of that, there is a recognizable human at the center of these poems, one who often comes through with an understated humor, "swinging his arms high / like a drum major, / ghost-of-a-prayer / kind of thing." [57]
	www.arras.net /the_franks/armantrout_pretext.htm (107 words)

	Jacket 27 - April 2005 - Rae Armantrout: Two pieces (Site not responding. Last check: 2007-10-09)
		As if the crystalline clarity of this ocean pool, cradled in two lava arms, meant something which we had been waiting to hear, something indistinguishable from meaning itself, and unchanging, so that, finally, it’s we who turn to go.
		Rae Armantrout’s most recent books are Up to Speed (Wesleyan, 2004), The Pretext (Green Integer, 2001) and Veil: New and Selected Poems (Wesleyan University Press, 2001).
		Her poems have been included in numerous anthologies, including Postmodern American Poetry: A Norton Anthology (1993), American Women Poets in the 21st Century: Where Language Meets the Lyric Tradition, (Wesleyan, 2002), The Great American Prose Poem: Poe to the Present (Scribner, 2003) and The Best American Poetry of 1988, 2001, 2002, and 2004.
	jacketmagazine.com /27/arman.html (253 words)

	Amazon.ca: Editorial Reviews Books: The Pretext (Site not responding. Last check: 2007-10-09)
		The San Diego-based Armantrout is usually considered the most lyrically oriented of the language poets, eschewing the longer, process-oriented works of the San Francisco wing (now geographically scattered) of her fellow travelers.
		Veil includes work from seven previous collections, including The Pretext (which Green Integer is finally issuing whole), and a section of 19 new poems clocking in at 32 pages.
		(Oct.) Forecast: Armantrout steadily gained recognition in the '90s as writers and critics of all stripes discovered her work; Veil is sure to be often assigned on campus, while the full-text Pretext will be more confined to fans.
	www.amazon.ca /exec/obidos/tg/detail/-/books/1892295393/reviews (179 words)

	Armantrout, Rae
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		A Wild Salience: the Writing of Rae Armantrout - "A Wild Salience: the Writing of Rae Armantrout", edited by Tom Beckett (with Bobbie West and Bob Drake) and published by Burning Press.
	www.supercrawler.com /Arts/Literature/Authors/A/Armantrout,_Rae (168 words)

	Small Press Traffic >Rae Armantrout (Site not responding. Last check: 2007-10-09)
		There’s almost too much to say about Rae Armantrout, with seven books of poetry, a memoir (True, from Atelos Press), a new collection of poetry (The Pretext, from Green Integer) and a collection of selected poems book about to burst into print next year from Wesleyan.
		When you finish with those you can go on to A Wild Salience: The Writing of Rae Armantrout (Burning Press) for information on all you’ve just read.
		And in the meantime, you will have come to Small Press Traffic where she helps us to kick off our 26th season with a thrilling Steadicam view of life’s smallest mishaps and most urgent social tragedies.
	www.sptraffic.org /html/authors/armantrout.html (140 words)

	News Releases
		Organized by UCSD faculty Rae Armantrout (Literature) and Roberto Tejada (Visual Arts), the evening will feature UCSD faculty members David Antin, Rae Armantrout, Michael Davidson, Eileen Myles, Jerome Rothenberg, Pasquale Verdicchio, and Wai-lim Yip, as well as, readers from around the country, and beyond.
		Rae Armantrout is the author of ten books, including Veil: New and Selected Poems (2002), which has been named a finalist for the 2002 Pen Center USA Poetry Award.
		An instructor of poetry, personal narrative, and experimental forms at UCSD since 1981, Armantrout has been director/co-director of UCSD’s New Writing Series since1989.
	www.ucsdnews.ucsd.edu /newsrel/arts/Poetry_12_03.asp (679 words)

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