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| | Alexander Pope's Rape of the Lock: An Introduction |
 | | The Rape of the Lock had its origins in an actual, if trivial, incident in polite society: in 1711, the twenty-one year old Robert, Lord Petre, had, at Binfield, had surreptitiously cut a lock of hair from the head of the beautiful Arabella Fermor, whom he had been courting. |
 | | The Rape of the Lock is the finest mock-heroic or mock-epic poem in English: written on the model of Boileau's Le Lutrin, it is an exquisitely witty and balanced burlesque displaying the literary virtuosity, the perfection of poetic "judgement," and the exquisite sense of artistic propriety, which was so sought after by Ne-classical artists. |
 | | The world of the beaux and belles of The Rape of the Lock is a an artificial one, a trivial realm of calm and decorum sustained by the strict observance of rigorous rules, a micrososm in which very real and very powerful human emotions and passions have been ignored or sublimated. |
| www.victorianweb.org /previctorian/pope/rape.html (515 words) |
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