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Topic: Raphaelle Peale

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	Love and Heartache
		Raphaelle's parents had a large home on the corner of Third and Lombard Sts.; Matthew McGlathery, his wife, also named Martha, and their feisty daughter lived in a modest row home around the corner at 25 George St., a narrow, north-south street between Second and Third Sts.
		In the Hall are two Peale portraits: Peyton Randolph, a member of the Virginia delegation to the First Continental Congress and a photographic copy of a portrait of Gunning Bedford, who carried the Company's banner (displayed on the east wall) in the parade celebrating ratification of the Constitution on July 4, 1788.
		Raphaelle, named for the most highly regarded artist of that era, was the oldest child of Charles Willson and Rachel Peale.
	www.ushistory.org /carpentershall/history/love.htm (1747 words)

	Raphaelle Peale Online
		Raphaelle Peale at the Detroit Institute of Arts, Michigan
		Raphaelle Peale at the Metropolitan Museum of Art, New York City
		Raphaelle Peale at the National Gallery of Art, Washington D.C. A Dessert, 1814
	www.artcyclopedia.com /artists/peale_raphaelle.html (285 words)

	Untitled Document
		In his lifetime Peale's still lifes were critically acclaimed and were purchased by several influential collectors.
		The subject is simple: a large bowl of peaches ornamented by two sprigs of leaves, one placed diagonally atop the pile of fruit and another on the table directly in front of the bowl.
		Unl ike other painters, including his uncle James Peale, who favored copious arrays of fruit spilling out of bowls and onto the table, Raphaelle often limited his combinations to one or two types of fruit, placed within delicate pieces of imported porcelain or chinaware.
	www.nbmaa.org /Gallery_htmls/pealer.html (384 words)

	[No title]
		Peale's was truly a remarkable life dedicated to public service and the furthering of democratic ideals, to the advancement of scientific and philosophical thinking, and, most especially, to his large and gifted family.
		Charles Willson Peale, born in Queen Anne's County, Maryland in 1741, the son of an artisan, was a man of unbridled enthusiasm for painting.
		Peale's much younger brother James (1749-1831) became a highly skilled painter of miniature portraits on ivory and the only rival to Raphaelle Peale in the area of still-life painting in the early years of the 19th century.
	www.thinker.org /fam/press/press.asp?presskey=21 (1793 words)

	Still Life; Bosschaert, Meléndez, and Peale
		Raphaelle Peale was America's first professional still-life painter.
		The elder Peale painted a portrait of Raphaelle at age twenty-one, showing him dressed as a gentleman and holding the tools of his profession.
		Raphaelle's defiant pursuit of still life resulted in some of the most beautiful American paintings of the nineteenth century.
	www.nga.gov /feature/artnation/still_life/peale_1.shtm (130 words)

	Elle Shushan - Fine Portrait Miniatures (Site not responding. Last check: 2007-11-04)
		Raphaelle Peale (1774-1825) was the eldest, and arguably the most talented of Charles Wilson Peale's sons.
		By 1796, Raphaelle and his brother Rembrandt were exhibiting their copies of Charles Willson Peale's portraits in Charleston and Baltimore as well as taking commissions themselves.
		Peale exhibited a the Columbianum from 1811-1825 and at the Pennsylvania Academy of Fine Arts and the Boston Athenaeum in 1827-1828.
	www.portrait-miniatures.com /details/amer/ap-PealeStevens.htm (321 words)

	The Charles Willson Peale Family Papers" (Site not responding. Last check: 2007-11-04)
		Charles Willson Peale, the patriarch of the family, was not only an artist, but a multifaceted man of the American Enlightenment who engaged in society and culture in a wide variety of ways.
		Peale displayed initial aptitude as a painter, and in 1767 several wealthy and generous Maryland planters sent him to London to study with Benjamin West.
		The Peale family collections are also rich in their quantity and quality of material on the inner workings of the American family.
	www.npg.si.edu /exh/peale/papers2.htm (1353 words)

	Creation of a Legacy
		The Peales were also unusual in the number of portraits they made of each other." The entire first section of the show, in fact, is devoted to these personal depictions of the extended Peale family.
		Peale had married Rachel Brewer, the daughter of a wealthy Maryland land owner in 1762, and a group of local planters and merchants sponsored his productive study trip abroad.
		In contrast, brother James Peale's artistic successors came from the ranks of his daughters, who seem to have received the same encouragement and training from members of the family as their male cousins.
	www.antiquesandthearts.com /archive/peale.htm (1137 words)

	February 17, 2001 (Site not responding. Last check: 2007-11-04)
		Born on this date in 1774, Raphaelle Peale was the eldest son of well-known artist Charles Willson Peale.
		As the first of several Peale children to be named after an artist, Raphaelle lived under the burden of his father's high hopes for his artistic career that he was never able to fully satisfy.
		Raphaelle Peale's shining artistic legacy was his still life painting.
	americanart.si.edu /1001/2001/02/021701.html (208 words)

	Peale's Mammoth Picture
		Peale peopled his scene with more than fifty anonymous workmen, plus nearly twenty of his family members and friends.
		In the foreground, ascending the ladder from the pit, is Mr.
		At ground level, under the left leg of the structure supporting the conveyor belt, stand Elizabeth DePeyster Peale, the artist's second wife (deceased at the time he painted the picture), and their son, Titian.
	www.lewis-clark.org /content/content-article.asp?ArticleID=2757 (431 words)

	Amazon.ca: The Body of Raphaelle Peale: Books: Nemerov (Site not responding. Last check: 2007-11-04)
		The American painter Raphaelle Peale (1774-1825) left a legacy of vibrantly beautiful still lifes depicting objects such as fruit, vegetables, and meat.
		Raphaelle's focus--in paintings both playful and morbid--was the pleasures and horrors of being a mere body, of being less than a self.
		To state that "The Body of Raphaelle Peale" does not all together convince seems a little too harsh, and there are some very redeeming qualities to this book.
	www.amazon.ca /Body-Raphaelle-Peale-Nemerov/dp/0520224981 (1088 words)

	The Peale Family: Creation of an American Legacy, 1770-1870
		Titian Peale (1799-1885), the youngest (and the second Peale son to bear that name), was an explorer, naturalist, and artist whose zoological illustrations rivaled those of John James Audubon; his early work in photography contributed to interest in and development of the new medium.
		There were distinguished painters in Peale's extended family as well.Peale's much younger brother James Peale (1749-1831) became a highly skilled painter of miniature portraits on ivory and the only rival to Raphaelle Peale in the area of still-life painting in the early years of the 19th century.
		Sarah Mirriam Peale (1800-1885), daughter of James Peale, was the most celebrated of the Peale women, painting portraits and still lifes through the first decades of the 19th century.
	www.tfaoi.com /aa/1aa/1aa124.htm (1728 words)

	The Body of Raphaelle Peale -- Still Life and Selfhood, 1812-1824 -- Alexander Nemerov
		The American Painter Raphaelle Peale (1774-1825) left a legacy of beautiful still lifes depicting objects such as fruit, vegetables, and meat.
		In this study, the first book-length exploration of the artist, Alexander Nemerov presents a new reading of these paintings focusing on the uncanny quality of Raphaelle's still-life objects: their physical presence is not strictly their own but that of the artist's body.
		The Body of Raphaelle Peale is a close reading not just of Raphaelle's paintings but also of the visual and intellectual culture of early-nineteenth-century Philadelphia to which they intimately relate.
	www.frontlist.com /detail/0520224981 (179 words)

	Raphaelle Peale Biography (1774–1825) Online Encyclopedia Article About Raphaelle Peale Biography (1774–1825) (Site not responding. Last check: 2007-11-04)
		Raphaelle Peale Biography (1774–1825) Online Encyclopedia Article About Raphaelle Peale Biography (1774–1825)
		Painter, born in Annapolis, Maryland, USA, the son of Charles Willson Peale.
		Based in Philadelphia, he helped his father run the Peale Museum (1790–1800).
	encyclopedia.jrank.org /Cambridge/entries/024/Raphaelle-Peale.html (98 words)

	Art/Auctions: American Paintings Auction at Sotheby's May 22, 2002 (Site not responding. Last check: 2007-11-04)
		Raphaelle Peale was the eldest surviving son of Charles Willson Peale who liked to give them names of famous Renaissance masters.
		Peale is best known for his still-lifes and Lot 135, "Still Life with Fruit, Cakes and Wine," is an exquisite example.
		In defiance of his father's wishes and despite the generally accepted public view, Raphaelle Peale became America's first professional still life painter, and the present painting is an exquisite, newly discovered example of his work." This is a lovely and very fine still life painting.
	www.thecityreview.com /s02samp.html (3062 words)

	Raphaelle Peale (1774 - 1825) Artwork Images, Exhibitions, Reviews
		Raphaelle Peale - Still Life with Cake 1818 oil on wood The Metropolitan Museum of Art American
		Raphaelle Peale - Still Life with Wine Glass 1818 oil on panel The Detroit Institute of Art American
		Charles Willson Peale - Self-Portrait with Spectacles c.
	www.wwar.com /masters/p/peale-raphaelle.html (910 words)

	Maryland ArtSource - Artists - Raphaelle Peale
		Martha Sellman Welch of Ben, by Raphaelle Peale, 1820.
		Biography: Raphaelle Peale, the first son of Charles Willson Peale, was born in Annapolis.
		Raphaelle Peale worked in Philadelphia and Norfolk until 1804; thereafter, he and his brother visited southern cities Savannah and Charleston, as well as Baltimore.
	www.marylandartsource.org /artists/detail_000000025.html (224 words)

	[No title]
		Raphaelle Peale was born in Annapolis, Maryland in 1774.
		Named for the Italian Renaissance painter Raphael, he was the eldest son of the artist and naturalist Charles Wilson Peale.
		Raphaelle Peale received his artistic training from his father.
	www.ettc.net /njarts/details.cfm?ID=117 (275 words)

	[No title]
		Raphaelle Peale was born in Annapolis, Maryland in 1774.
		He was the eldest son of Charles Willson Peale, under whom he first studied in Philadelphia.
		He was the first of Peale's children to survive infancy.
	www.askart.com /askart/p/raphaelle_peale/raphaelle_peale.aspx (266 words)

	The Poison Place: A Novel
		His voice resounding through the empty halls and corridors, Moses leads us through his adolescent friendship and rivalry with Raphaelle, Peale's son; his frustration at Peale's unfulfilled promises of freedom; and his nagging suspicion that Peale may have had a hand in his own son's death.
		Silhouette of Moses Williams attributed to Raphaelle Peale.
		Charles Willson Peale was one of America's first scientists and portrait painters.
	www.lyonsdenbooks.com /html/poison.htm (439 words)

	Still Life; Bosschaert, Meléndez, and Peale
		Raphaelle Peale, A Dessert (Still Life with Lemons and Oranges), 1814, oil on panel, National Gallery of Art, Washington, Gift (Partial and Promised) of Jo Ann and Julian Ganz Jr.
		The elder Peale painted a portrait of Raphaelle at age twenty-one, showing him dressed as a gentleman and holding the tools of his profession.
		Raphaelle's defiant pursuit of still life resulted in some of the most beautiful American paintings of the nineteenth century.
	permanent.access.gpo.gov /lps10836/peale_1.htm (129 words)

	Countrybookshop.co.uk - Body of Raphaelle Peale, The
		The American painter Raphaelle Peale (1774-1825) left a legacy of vibrant still lifes depicting objects such as fruit, vegetables, and meat.
		This study argues that the physical presence of these objects is not strictly their own but that of the artist's body, relating deeply to Peale's own time.
		Raphaelle's focus - in paintings both playful and morbid - was the pleasures and horrors of being a mere body, of being less than a self.
	www.countrybookshop.co.uk /books/index.phtml?whatfor=0520224981 (424 words)

	American Still Life Painters (Site not responding. Last check: 2007-11-04)
		Peale further softens his view of Niagara, by making the Canadian falls be seen in the distance, reducing their scale, and by having them silhouette a tree in the foreground.
		Peale's portraits are often full of celebrations of the fabrics his sitters wear.
		The cake is similar to those used by Raphaelle Peale: the cakes used by each artist have a yellow, light colored cake, with a white glaze of frosting on top.
	members.aol.com /MG4273/still.htm (15681 words)

	Raphaelle Peale Artworks and Fine Art at arthistorynet.com
		Still Life with Cake, 1818 Raphaelle Peale (1774-1825)AmericanOil on wood; 10 3/4 x 15 1/4
		Robert Oliphant 1799 Raphaelle Peale watercolor on ivory image: sight 3 x 2 3/8 in.
		Jonathan J. Wheeler 1812 Raphaelle Peale watercolor on ivory sight: 2 1/4 x 1 3/4
	www.absolutearts.com /masters/p/peale-raphaelle.html (287 words)

	Raphaelle Peale (1774 - 1825) Artwork Images, Exhibitions, Reviews
		Raphaelle Peale - Still Life - Strawberries, Nuts, & c.
		Charles Wilson Peale - Mary Claypoole Peale c.
		Charles Peale Polk, Miss Virginia Polk with Deer, 1820
	wwar.com /masters/p/peale-raphaelle.html (910 words)

	Raphaelle Peale / Melons and Morning Glories / 1813
		Raphaelle Peale / Melons and Morning Glories / 1813
		This image is one of over 108,000 from the AMICA Library (formerly The Art Museum Image Consortium Library- The AMICO Library™), a growing online collection of high-quality, digital art images from over 20 museums around the world.
		Visit www.davidrumsey.com/amica for more information on the collection, click on the link below the revolving thumbnail to the right, or email us at amica@luna-img.com.
	www.davidrumsey.com /amico/amico769256-112694.html (264 words)

	The Body of Raphaelle Peale
		Peale transformed the common items of the early-nineteenth-century kitchen and market into explorations of the American unconscious.
		Now, writing as coolly and lucidly as Peale painted, Alexander Nemerov has unpeeled those still lifes in a tour de force of formalistic analysis.
		Nemerov's novel arguments regarding still life in general and Raphaelle Peale in particular reveal much about the art, the man, and the times.
	www.ucpress.edu /books/pages/9082.html (622 words)

	Raphaelle Peale on artnet
		Find works of art, auction results & sale prices of artist Raphaelle Peale at galleries and auctions worldwide.
		Find unknown or rarely seen works by important artists
		sample: Here are the top 3 of 21 past auction results for Raphaelle Peale:
	www.artnet.com /artist/13218/raphaelle-peale.html (134 words)

	Rubens Peale [1784-1865] - Featured Artist on Artfact.com (Site not responding. Last check: 2007-11-04)
		Museum keeper and painter, brother of (3) Raphaelle Peale and (4) Rembrandt Peale.
		Following the Panic of 1837, he sold his enterprise to P. Barnum and moved to a farm near Schuylkill Haven, PA. In 1855 he began to paint still-lifes, some after James Peale and Raphaelle Peale, some original.
		Find in a Library: The Peale family : creation of a legacy, 1770...
	www.artfact.com /features/viewArtist.cfm?aID=604 (493 words)

	Amazon.fr : The Body of Raphaelle Peale: Still Life and Selfhood, 1812-1824: Livres en anglais: Alexander Nemerov (Site not responding. Last check: 2007-11-04)
		Amazon.fr : The Body of Raphaelle Peale: Still Life and Selfhood, 1812-1824: Livres en anglais: Alexander Nemerov
		The Body of Raphaelle Peale focuses on not just Raphaelle's paintings but also the visual and intellectual culture of early-nineteenth-century Philadelphia, to which these works intimately relate.
		Raphaelle's focus-in paintings both playful and morbid-was the pleasures and horrors of being a mere body, of being less than a self.
	www.amazon.fr /Body-Raphaelle-Peale-Selfhood-1812-1824/dp/0520224981 (499 words)

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