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| | Russian Opera and the Symbolist Movement: INTRODUCTION |
 | | The first, Pyotr Chaikovsky, was prescient, anticipating, rather than actually joining, the movement; the second, Nikolai Rimsky-Korsakov, was resistant, conceiving his penultimate opera as a rationalist and realist response to Symbolist decadence, yet nonetheless succumbing to it in the end. |
 | | The Russian Symbolist movement is often divided into two generations of writers: the first, "decadent" generation includes the poets Konstantin Balmont (1867-1941), Valeriy Bryusov (1873-1924), Zinaida Hippius (1869-1945), and Dmitriy Merezhkovsky (1865-1941); the second, "mystic" generation includes Andrey Belïy (1880-1934), Alexander Blok (1880-1921), and Vyacheslav Ivanov (1866-1949). |
 | | Coming late in the history of Russian Symbolism, the drama illuminates the idiosyncratic preoccupations of the movement: research into ancient myths, revival of pagan rituals, advocacy of social and political upheaval, and the fusion of art and life. |
| www.ucpress.edu /books/pages/9385/9385.intro.html (3056 words) |
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