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| | Titian |
 | | In the same way Charles V, mounted on horseback in his armor, alone on the Battlefield of Muhlberg, presents us with a perfect image, eloquent in its frankness, as effective as any political manifesto of the concept of absolute monarchy predominant at that time at the Catholic court of the Hapsburgs. |
 | | But for Titian the "things" to be understood and represented were not only the physical semblance or the psychological peculiarities of the sitter, or the various objects and props - clothes, jewels, armor which had their own role and meaning. |
 | | "Modern historians cannot refer to the intrigues of Pope Paul III without citing the Capodimonte painting, or recall the horrors of religious wars without visualizing the tragic figure of Charles V, victorious at the Battle of Muhlberg. |
| www.artchive.com /artchive/T/titian.html (1495 words) |
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