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| | Notebook |
 | | The introduction of the red figure style which in all probability was made by the 'painter of Andocides', an artist of the Kerameikos, that is, the quarter of Athens where the potters lived, opened new possibilities in the ceramic arts. |
 | | Whereas in the Mycenaean period pottery was decorated as a whole and a single motif covered the entire area, either in the form of flowers or sea life, octopi, and so on, now the surface of the pot was separated into parallel bands of geometric patterns. |
 | | The inscriptions continue to be numerous as in the black figure style, but the names of the figures represented become very rare, except in certain types of pot which portrayed handsome young men of the aristocracy of Athens usually with the name inscribed together with the descriptive 'beautiful'. |
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