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	Redon - Wikipedia, the free encyclopedia
		Historically the name "Redon" has also been used as "Rodon" to represent one of the Gods of the polytheistic ancient Illyrians.
		The God represented as "Redon" or "Rodon" corresponds to the "Lord of the Sea" or the "God of Water" identically as Poseidon has come to represent.
		Redon, a legendary king of the Britons referred to by Geoffrey of Monmouth.
	en.wikipedia.org /wiki/Redon (129 words)

	Odilon Redon - Wikipedia, the free encyclopedia
		Odilon Redon (April 22, 1840 – July 6, 1916) was a Symbolist painter, born in Bordeaux, Aquitaine, France.
		Redon started drawing as a young child, and at the age of 10 he was awarded a drawing prize at school.
		They held, between their gold-edged frames of unpolished pearwood, undreamed-of images: a Merovingian-type head, resting upon a cup; a beareded man, reminiscent both of a Buddhist priest and a public orator, touching an enormous cannon-ball with his finger; a dreadful spider with a human face lodged in the centre of its body.
	en.wikipedia.org /wiki/Odilon_Redon (843 words)

	[No title]
		Odilon Redon appreciates the disconcerting poetry of works visionaries of Bresdin and by the miraculous and instinctive faculty which was his " to raise the spirit in the area of the mystery ".
		Odilon Redon wearies himself to expose in Bordeaux because the association of the Friends of Arts is ossified by amateurs who wearied all the painters of the period.
		Maurice Denis evokes the influence of Redon on his group: " Before the influence of Cézanne, through Gauguin and Bernard, it is the thought of Redon, by his series of lithographs and his admirable charcoals which determined in a spiritualistic direction the evolution of art in 1890 ".
	www.chez.com /odilon/odilon/odilonvo.html (3307 words)

	Technical Investigation of Odilon Redon's Pastels and Noirs
		In his correspondence, Redon often lamented that his drawings sat in cartons for decades and it is likely that these two works executed in the same year could have been placed together in a box, without interleaving, for many years, during which time oil migration occurred.
		Redon's shift to color can be traced over three decades, but it was not until after 1890 that the artist devoted himself to working extensively in the pastel medium.
		Redon slowly learned to apply less fixative to his pastels, and he even changed the type he used from a resinous balsam to a glue-based fixative that did not alter the vivid color and velvety, matte surface quality as significantly.
	aic.stanford.edu /sg/bpg/annual/v14/bp14-08.html (3585 words)

	Odilon Redon
		Odilon Redon was born on April 20, 1840, in Bordeaux, France.
		In 1851, Redon was returned to the care of his parents and was sent to school, and in 1855 began drawing lessons, although he had been drawing well for many years.
		Redon’s oils and watercolors often concentrated on mythological themes, and his paintings placed him with Gustave Moreau as the prime exponent of Symbolist art.
	www.suite101.com /article.cfm/artists_retired/11426 (445 words)

	NCAW Spring 03 \| Barbara Larson on Evolution and Degeneration in the Early Work of Odilon Redon (Site not responding. Last check: 2007-10-31)
		Redon's anatomical monstrosities such as the creature in "When life was awakening in the depths of obscure matter" from Origins may have been influenced by Etienne Geoffroy Saint-Hilaire, an early nineteenth-century scientist whose work was enjoying a revival in the seventies since he was seen as a precursor to evolutionary theorists.
		Redon's interest in Darwin began when he was a young landscape artist in Bordeaux in the early 1860s and made the acquaintance of the plant physiologist who would become his intellectual mentor—Armand Clavaud.
		Redon's prehistoric battling savages, the many gruesome decapitated heads and his primitivistic commoners respond to the growing anxiety about the possibility of savage regression and mob psychology that emerged in the wake of 1870–71.
	www.19thc-artworldwide.org /spring_03/articles/lars.html (5520 words)

	Odilon Redon
		Odilon Redon (1840-1916) was born in Bordeaux, France.
		Redon was one of few who transformed literary imagery symbolically into dreamlike images, suggesting indefinite states of mind.
		Redon's "Cain et Abel" is in a 15 11/16" x 21 3/16" ebony fl raised swan back with a crinkled pattern and raised antique silver lip frame.
	www.annalies.com /Gallery/Odilon_Redon/odilon_redon.html (246 words)

	Canvas Creations - Odilon Redon Biography (Site not responding. Last check: 2007-10-31)
		Odilon Redon was mainly self-taught as a painter.
		Redon was given a prominent place in Dents' group-portrait "Hommage à Cézanne".
		His flower pieces, in particular, were much admired by Matisse, and the surrealists also regarded Redon as one of their precursors.
	www.canvascreations.com /gallery/bio_Redon.html (232 words)

	Redon
		Odilon Redon is the master of the unreal, of dreamscapes in fl and visions in brilliant pastel colors achieved by no other painter of his time.
		Redon was a literary painter: his tastes were formed by masters of the Fantastic.With his prints he created brooding accompaniments for works by Poe, a hommage to Goya, and a peerless series of interpretations of Flaubert's Temptation of St Anthony.
		With his later discovery of color and his preferred medium of pastels, Redon moved into a different realm of visions, in which the beauty of the color seems inscribed in the very silence of the dream.
	www.skidmore.edu /academics/fll/janzalon/redon.html (102 words)

	Analysis: Redon's "Isis"
		Clearly she is attempting to protect or shield the infant in some way, and this corresponds to Redon's original title of the piece, referencing the Egyptian goddess Isis, whose son Horus was injured in a fight with Thoth, the Ibis-god -- for indeed, the demonic figure could be seen as having a birdlike physique.
		Redon, usually so intent on showing eyes in his works, has turned the woman away from the viewer, and the only eyes to be seen are the dark, hollow sockets of the little demon, who adds a surreal, ghoulish, and even theatrical element to the otherwise painfully stern image.
		Redon's use of charcoal shading is striking, as always: the rough texture produced by his brush-like application leaves the work with a sketchy, indeterminate quality which corresponds perfectly to the mysterious and dreamy nature of the scene.
	www.nthuleen.com /papers/452redonan.html (711 words)

	Odilon Redon (Getty Museum)
		Odilon Redon's career spanned many of the most important art movements of the late 1800s.
		Redon's own interest in literature was reflected in his art.
		Redon insisted on reference to nature, but nature filtered through memory and imagination, producing dreamlike forms and sumptuous textures.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=23571 (237 words)

	BookRags: Odilon Redon Biography
		Odilon Redon was born on April 20, 1840, in Bordeaux.
		Redon began to study drawing in 1855 with Stanislas Gorin in Bordeaux.
		In 1900 Redon began a series of flower studies, turning away from the macabre subjects and nightmare visions of his fl-and-white lithographs and drawings to paint in the most voluptuous colors, as in Flowers in a Vase (ca.
	www.bookrags.com /biography/odilon-redon (381 words)

	Odilon Redon
		During the early part of Redon's career, the nocturnal did indeed predominate.
		Redon made it clear that they had been inspired by his dreams, and they inspire in the spectator a conviction like that of dreams.
		Redon's art was always commanded by his dreams, but the thematic content of his work over his last twenty years is more densely mythical, brimming with newfound hope and light which rose quite unexpectedly out of the depths of the artist's personality.
	artchive.com /artchive/R/redon.html (342 words)

	The Brooklyn Rail
		Redon represents the microscopic, the botanical, the half-human as in his drawing “The Chimera regarded All Things with Terror” (from the portfolio Night) or half human and half fish “Everywhere Eyeballs Are Ablaze,” his illustration from The Temptation of Saint Anthony.
		Redon made it clear that his art was inspired by his dreams, and they in turn, seduce the viewer into believing this dark dream.
		Today Redon imitators create art that is categorized as “magic realism,” but he went much further than that by inventing “magic surrealism.” This exhibition explores the beginnings of modernism, and illuminates the impact that Redon and his vision had on the art of the twentieth century.
	www.thebrooklynrail.org /archives/nov05/ART/ASredon.html (1014 words)

	Redon, Odilon - HighBeam Encyclopedia (Site not responding. Last check: 2007-10-31)
		REDON, ODILON [Redon, Odilon], 1840-1916, French painter and lithographer.
		Redon's first volume of lithographs, Dans le rêve, appeared in 1879.
		Redon stands as a precursor to surrealism, with his mysterious evocations of a dreamworld.
	www.encyclopedia.com /html/r/redon-o1d.asp (305 words)

	France : bretagne : Redon
		>« Small town, great fame » ; the Breton heraldic motto on the arms of Redon well illustrates the development of spiritual, cultural, economics and political influence, which has made this city the « Cradle of Brittany » From the union of land and water was born a seafaring port.
		In the middle of the 19th century, the opening of the Nantes-Brest canal gave Redon its new architectural style and made it the crossroads of the navigable waterway of the west.
		From mountain bike to climbing, and also rowing boats, canoes or horse —riding, you will be seduced by the grandeur of different sites and the quality of your welcome.
	www.frenchwayoflife.net /int/ville.asp?v=Redon (164 words)

	Odilon Redon (1840 - 1916) Artwork Images, Exhibitions, Reviews
		Redon served as the first Vice President of the Societe des Artistes Independants in 1884.
		Odilon Redon, Je vis une lueur large et p‚le (I saw a glimmer of light, large and pale) from La Maison HantÈe, 1896
		Odilon Redon, Selon toute apparence c"Ètait une main de chair et de sang comme la mienne (From all apppearances it was a hand of flesh and blood like mine),pl. 4 from La Maison HantÈe, 1896
	wwar.com /masters/r/redon-odilon.html (1288 words)

	Prospectus: Redon's "Isis"
		Odilon Redon's 1896 lithograph entitled "I am still the great Isis," from the third series of prints based on Flaubert's Temptation of St. Anthony, is a prime example not only of Redon's graphic style, but of his relationship to the Symbolist movement and its imagery as well.
		Huysmans' famous immortalization of Redon in A Rebours (1884), where the hero des Esseintes surveys his collection of Redon's images and feels plunged into "the horrors of a nightmare dream," [4] did, to a certain extent, set the tone for the public reception of Redon's work.
		The suggested forms and imagery of Redon's work, then, show him to be both influenced by and influential for the literary figures of his time, and are a testament to the fascination which his works continue to exert.
	www.nthuleen.com /papers/452redonprop.html (646 words)

	Controlled Negative Pressure REDON Fit Testing Protocol - 69:46986-46994
		The test subject must remove the respirator, loosen all facepiece straps, and then redon the respirator mask again; after redonning the mask, he or she must face forward and hold his or her breath for 10 seconds for test measurement.
		As is true for all quantitative fit testing protocols including the CNP REDON protocol, it is the fit factor obtained by averaging all of the fit-test scores obtained during fit testing that is important in assessing respirator fit, not the test score obtained from individual fit tests.
		The CNP REDON protocol relies on the CNP test procedures and instrumentation described in paragraphs (a) and (c) of Part I.C.4 in Appendix A of the Respiratory Protection Standard, which are similar to requirements specified in paragraph 7.3 of the ANSI standard.
	www.osha.gov /pls/oshaweb/owadisp.show_document?p_table=FEDERAL_REGISTER&p_id=18218 (7961 words)

	AIC Art Explorer : AIC : Redon : Flower Clouds
		The 2nd of 6 artworks with a classification of 'Odilon Redon'
		Redon alternated layers of pastel with sprayed fixative, wiping or brushing the pastels into each other to develop rich, velvety surfaces.
		Once he fixed these passages, Redon further manipulated them with a brush to uncover the underlying pastel colors.
	www.artic.edu /artexplorer/search.php?classification=36336&tab=1&just=2 (126 words)

	rpm.espn.com: Redon IRL's top rookie
		FORT WORTH, Texas -- Laurent Redon was the IRL rookie of the year, winning the title long before Sunday's season-ending Chevy 500 was over.
		Redon came into the race just one point behind Tomas Scheckter, the Red Bull Team Cheever driver who missed the last three races after he suddenly quit driving.
		Redon finished 10th, his third top 10 of the year, and had 229 points.
	espn.go.com /rpm/irl/2002/0915/1432276.html (726 words)

	Giornale Nuovo: Redon, Again
		I’ve mentioned the work of the French artist Odilon Redon before, and that I particularly admire his darkly atmospheric works in charcoal from the late 1870s and early 1880s.
		One of these books is a monograph on Redon published to coincide with an exhibition I had visited at the Royal Academy in London, 1995.
		They held, between their gold-edged frames of unpolished pearwood, undreamed-of images: a Merovingian-type head, resting upon a cup; a bearded man, reminiscent both of a Buddhist priest and a public orator, touching an enormous cannon-ball with his finger; a dreadful spider with a human face lodged in the centre of its body.
	www.spamula.net /blog/archives/000646.html (497 words)

	Artists: Odilon Redon
		Admired by the Symbolists and the Post-Impressionist generation of Bonnard, Vuillard, et al., claimed as an influence on the Surrealists, Redon nonetheless stands apart from any movement.
		His art is above all personal, attempting through unexpected juxtapositions to convey a logic of dreams, or, as he put it, a "logic of the visible in the service of the invisible."
		Redon owed his first fame to his lithographs, whose rich fls were the envy of fellow artists and the delight of collectors.
	www.fitch-febvrel.com /redon.html (97 words)

	Artdaily.com - The First Art Newspaper on the Net
		Beyond the Visible: The Art of Odilon Redon explores the career of Odilon Redon (1840–1916), a French artist who identified with Symbolism and Decadence, a pair of artistic and literary movements that emerged in France in the late nineteenth century and soon spread throughout Europe.
		Beyond the Visible illuminates Redon’s role within a broader and extraordinarily productive cultural milieu in and around Paris in the last decades of the nineteenth century and into the twentieth, focusing in particular on the artist’s links to writers and poets.
		Redon’s great achievements as a printmaker will also be highlighted, notably his interest in the portfolio form, examples of which will be shown in their entirety.
	www.artdaily.com /section/news/index.asp?int_sec=2&int_new=15357 (693 words)

	Malaspina Great Books - Odilon Redon (1840-1916)
		During the 1890s Redon turned to painting and revealed remarkable powers as a colorist that had lain dormant.
		Much of his early life had been unhappy, but after undergoing a religious crisis in the early 1890s and a serious illness in 1894-95, he was transformed into a much more buoyant and cheerful personality, expressing himself in radiant colors in mythological scenes and flower paintings.
		The flower pieces, in particular, were much admired by Matisse, and the Surrealists regarded Redon as one of their precursors.
	www.malaspina.org /home.asp?topic=./search/details&lastpage=./search/results&ID=556 (540 words)

	MoMA.org \| Exhibitions \| 2005 \| Beyond the Visible: The Art of Odilon Redon
		Delving into the imagination, Redon created a universe of hybrid creatures, offered his own interpretations of literary, biblical, and mythological subjects, and presented the environment in a singular way: we see grinning disembodied teeth, smiling spiders, winged chariots, unfamiliar plant life.
		Beyond the Visible: The Art of Odilon Redon presents the full range of Redon's achievements—mysterious charcoal "noirs," luminous pastels, richly textured canvases, dramatically shaded lithographs—through MoMA's unparalleled collection of his work.
		Highlighting a major gift of over 100 pieces from The Ian Woodner Family Collection, the exhibition shows the issues at stake in Redon's cultural world, explores the beginnings of modernism, and illuminates the hold that the artist's vision has had on art of the twentieth century and today.
	www.moma.org /exhibitions/2005/odilon_redon.html (204 words)

	Odilon Redon Online
		Odilon Redon at the Metropolitan Museum of Art, New York City
		Odilon Redon in the Los Angeles County Museum of Art Database
		All images and text on this Odilon Redon page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/redon_odilon.html (569 words)

	Odilon Redon [1840-1916] - Featured Artist on Artfact.com (Site not responding. Last check: 2007-10-31)
		Peyrelebade became a basic source of inspiration for all his art, providing him with both subjects from nature and a stimulus for his fantasies, and Redon returned there constantly until its enforced sale in 1897.
		Odilon Redon (1840-1916): The Temptation of Saint Anthony
		Odilon Redon Caliban In the 1870's, his "fl" period, Odilon...
	www.artfact.com /features/viewArtist.cfm?aID=22306 (700 words)

	AIC Art Explorer : AIC : Artist Biography : Odilon Redon
		A leading artist of the French symbolist movement, Odilon Redon wrote, "All my originality consists in making the most improbable creatures live like human beings, according to the laws of probability, as far as possible making the logic of what is visible minister to what is invisible."
		After 1880, with the encouragement of Paul Gauguin and members of the Nabis, Redon turned to oils and pastels, exhibiting in the eighth and final impressionist group show in 1886.
		In his late work, color became increasingly important, and his imagery is often suggestive of dreams and hallucinations.
	www.artic.edu /artexplorer/search.php?tab=2&resource=489 (156 words)

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