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Topic: Remo Mazzetti, Jr

	double play Independent, The (London) - Find Articles (Site not responding. Last check: 2007-10-30)
		Mazzetti generally puts more on the page; he's freer with the counterpoint, and much too free with the percussion, making pointed allusions to the scherzo of the Ninth Symphony with his bass drum and cymbal writing (to say nothing of an over-used and unconvincing snare drum).
		And I certainly think that he (Mazzetti) diminishes the chastity of Mahler's inspirational flute melody by filling out the supporting texture and effecting more movement in the harmony (Cooke floats his flute on gossamer string chordings, with added harp adagietto-style).
		Remo Mazzetti Jr isn't the first to want to help the Cooke score along a little and he almost certainly won't be the last.
	www.findarticles.com /p/articles/mi_qn4158/is_19960216/ai_n14032313 (920 words)

	Tenth is a journey into Mahler's mind
		Mazzetti captures the Mahlerian world perfectly, as in the muted, atmospheric third movement, with its chortling winds.
		Mazzetti's first attempt was recorded by Leonard Slatkin and the St. Louis Symphony.
		Mazzetti's drum strokes in the finale are jolting crashes, detracting from the serenity of the strings.
	www.enquirer.com /editions/2000/02/06/loc_tenth_is_journey.html (517 words)

	Mahler-Mazzetti Symphony No 10: Classical CD Reviews- Feb 2001 MusicWeb(UK) (Site not responding. Last check: 2007-10-30)
		Remo Mazzetti, on the other hand, whose second version of the work is recorded here, is different from the others in that he began work after they had finished and, in the case of Wheeler and Cooke, after both men had died.
		In his first version Mazzetti also sounded like "a kid in a candy shop" in the complexity and fussiness of his scoring so is, in the end, also unconvincing as representative of Mahler's late style there and so that version too must go.
		In spite of preferring Mazzetti's latest version to his earlier, it is still Deryck Cooke's final version that I believe is the version of choice.
	www.musicweb-international.com /classrev/2001/Feb01/Mahler10.htm (2174 words)

	Gustav Mahler (Site not responding. Last check: 2007-10-30)
		And RCA has just issued the first recording of a realization other than Cooke's: Remo Mazzetti Jr.'s version turns up in the new release from Leonard Slatkin and the St.
		Mazzetti's realization begins from the premise that Cooke was too conservative in filling in Mahler's textures, but what he adds doesn't always sound like Mahler.
		The flute melody is obscured by meretricious oboe and string counterpoint, and then the little Purgatorio-motif chorale at measures 53-54 is given to the oboes when it should logically go to the flutes (since the flute melody began the redemption process).
	bostonphoenix.com /alt1/archive/music/reviews/01-18-96/REX/MAHLER.html (1163 words)

	Gustav Mahler: Symphony No. 10 in F-Sharp (edited by Remo Mazzetti, Jr.) - Saint Louis Symphony Orchestra / Leonard ...
		Mazzetti likely took his own liberties (the consensus seems to indicate that Wheeler left it the barest and closest not only to the original notes, but also to the style Mahler had adapted in his final symphonies).
		Mazzetti may also have done the best version of the second movement, though most of the orchestrators have done well with it.
		I apologize for getting so passionate about this, but it was as if Mahler had guided Mazzetti´s pen and Slatkin´s baton to see that his unfinished symphony was set forth as a fitting gift to us, nearly a century after his death.
	store.edcal.com /an/B000003FX7.html (1457 words)

	Gustav Mahler "Symphony No. 10"
		Mazzetti contacted Clinton Carpenter and discussed his final version, which received its world premier in April of 1983.
		Mazzetti worked with Carpenter to prepare a New York premier of the work.
		When Carpenter rejected Mazzetti's changes, Mazzetti decided he would undertake the task of preparing his own version.
	home.rochester.rr.com /preming1/Reviews/mahler.htm (1047 words)

	Symphony No. 10 (Mahler) - Wikipedia, the free encyclopedia
		Carpenter reviewed the other symphonies by Mahler to guide him in his effort in orchestrating the work, though a view has been expressed that much of this process of recomposition gives the impression that he has written his own symphony, using Mahler's as a basis.
		The completion by Joseph Wheeler dates from 1953 to 1965, and like Cooke he also refined his ideas several times, so the final version of 1965 was actually the fourth iteration; the American composer Remo Mazzetti Jr.
		In recent years several further realisations of the symphony have been attempted: Remo Mazzetti initially made his 1989 version from dissatisfaction with the existing Cooke, Carpenter, and Wheeler editions, though the spur of preparing a performance of Wheeler's version in 1997 led him to recant his earlier view.
	en.wikipedia.org /wiki/Symphony_No._10_(Mahler) (2180 words)

	Mahler: Symphony no 10 / Jesus L¢pez-Cobos, Cincinnati SO Music CD is available from Bestprices.com
		Notes: The performing edition of this unfinished Mahler symphony was prepared Remo Mazzetti, Jr.
		This recording features a new performing version by Remo Mazzetti, a musicologist who has studied every available version of the work.
		The performance is by the Cincinnati Symphony under the direction of Jes£s L¢pez-Cobos, the orchestra and conductor who premiered the Mazzetti edition in 1999.
	www.bestprices.com /cgi-bin/vlink/089408056529BT.html (259 words)

	Gustav Mahler
		The latest is Remo Mazzetti, Jr., an American musicologist with degrees from the Oberlin Conservatory and the Manhattan School of Music.
		The same team is now offering the world premiere recording of the Mazzetti realization of Mahler's "10th" on a new RCA Red Seal release (09026-68190-2).
		Mazzetti, with these three versions before him, felt that Cooke and Wheeler had not gone far enough, Carpenter too far; the first two versions were too sparse, the other too dense.
	www.compactdiscoveries.com /CompactDiscoveriesArticles/Mahler.html (1035 words)

	Amazon.ca: Sym 10 Revised Performing Ver: Music: Jesus Lopez-Cobos,Gustav Mahler,Cincinnati Symphony Orchestra (Site not responding. Last check: 2007-10-30)
		Remo Mazzetti's involvement goes back over two decades: he completed his first realisation in 1989, revising it over the next decade.
		The two scherzos often benefit from this lightness of touch, particularly the capricious second movement, but the emotional impact of the outer movements is at times sold short, while the Finale's closing minutes don't have the emotional intensity that Rattle brings to them.
		In this version on the other hand the textures have a transparency reminiscent of chamber music, and the work doesn't sound nearly as dark and grim as we're used to - at times I was reminded more of the Fourth symphony than of the Ninth.
	www.amazon.ca /Sym-10-Revised-Performing-Ver/dp/B0000516ZJ (1877 words)

	Telarc International:
		The tour was launched by a performance on January 22 at New York’s Carnegie Hall.
		The orchestra’s recent Telarc recording of Remo Mazzetti, Jr.’s revised performing edition of the Mahler Symphony No. 10 (CD-80565) was named by Chicago Tribune reviewer John von Rhein as his top favorite classical recording of the year 2000.
		Here Lopez-Cobos and the CSO tap into romance, with a new recording of the Rachmaninoff’s lush Symphony No. 2 and the lush Vocalise (Orchestral Version).
	telarc.com /gscripts/title.asp?gsku=0543&mscssid=9T8DG9B5E3W38P3WGMF... (364 words)

	Classical CD Reviews February 2001 part 4: Classical MusicWeb (UK) (Site not responding. Last check: 2007-10-30)
		However, one thing I've learned about Mahler performances and recordings is that you cannot predict from one work how well a conductor will do with another.....A fine and well-recorded new version, beautifully played, short of the greatest in a competitive market.
		Symphony No.10 in F sharp minor Revised performing version (1997) by Remo Mazzetti, Jr.
		We now have available on record and in the concert hall performing editions of this material prepared by four men.....What Cooke, Carpenter and Wheeler had in common was that they arrived at their versions independently.
	www.musicweb.uk.net /classrev/2001/Feb01/Feb01_4.htm (948 words)

	cso020500
		It was this version (actually Mazzetti's second go at it) that was heard Friday.
		If balances seemed odd at times, blame it on the work's unfinished state, since Mazzetti indicated he would rather err on the spare side than tamper too much with what Mahler left.
		There were glorious moments throughout: the taupe coloration of the violas in the opening bars, the ominous spin of the brief ''Satz'' movement with its ''shuddering'' harp glissando at the end, principal flutist Randolph Bowman's serene solo in the finale.
	www.cincypost.com /living/2000/cso020500.html (508 words)

	Mahler 3, 7, 9 / Abbado Mahler 5 / Scherchen / Mahler 10
		ew York City with the help of Remo Mazzetti Jr., who was moved to make his own version in 1983; Leonard Slatkin premiered and recorded it in Saint Louis for RCA Red Seal.
		It is Mazzetti's revised version that Jess LÛpez-Cobos recorded two years ago in Cincinnati for Telarc.
		I prefer Wheeler's version to Mazzetti's, and urge Mahlerians to supplement whichever versions of No. 10 they already have with this budget-priced pearl.
	classicalcdreview.com /GM3CABPO.htm (2005 words)

	PlaybillArts: Features: Mahler in St. Louis
		In 1994 Leonard Slatkin chose to perform the United States' premiere of American composer Remo Mazzetti Jr.'s completion of Mahler's score.
		In characteristic fashion, Slatkin took the first half of the evening to describe to the audience what choices had been made in Mazzetti's revisions.
		The Orchestra would perform a phrase by Cooke, then by Mazzetti, and Slatkin would comment on the distinctions.
	www.playbillarts.com /features/article/167.html (1069 words)

	Telarc International: Jesus Lopez-Cobos
		February 1997 brought Mahler’s Symphony No. 9, and Symphony No. 3, released in 1998, was nominated for a Grammy for Best Engineered Recording.
		A highly acclaimed recording of Respighi’s Pines of Rome, Fountains of Rome, and Metamorphoseon Modi XII was released in April 2000, and a world premiere recording of Mahler’s 10th Symphony in the new revised edition by Remo Mazzetti, Jr., was released in October 2000.
		In March 2001 Telarc released a new recording of Symphony No. 2 and Vocalise by Rachmaninoff.
	www.telarc.com /biography/bios.asp?aid=57 (708 words)

	CSO matches Mahler on every other step
		The latest is by Remo Mazzetti Jr., who admitted before the CSO gave its American premiere last season, “No one could complete the symphony the way Mahler would have.”
		Mahler Symphony No. 10 in F-Sharp Minor; Revised Performing Version (1997) by Remo Mazzetti Jr.
		This new version will likely pique the curiosity of diehard Mahler buffs.
	www.enquirer.com /editions/2000/11/30/tem_cso_matches_mahler.html (299 words)

	OP37 - Abapu (Site not responding. Last check: 2007-10-30)
		Granados: Danzas españolas Op37; Valses poéticos H147 Granados: Danzas españolas Op37; Valses poéticos H147 granados Gustav Mahler: Symphony No. 10 in F-Sharp (edited by Remo Mazzetti, Jr.) - Saint Louis Symphony Orchestra / Leonard Slatkin...
		Mussorgsky: Pictures at an Exhibition No1 10; Tchaikovsky: Piano Sonata in G Op37 Mussorgsky: Pictures at an Exhibition No1 10; Tchaikovsky: Piano Sonata in G Op37 richter exhibition pictures Jr.
		Gustav Mahler: Symphony No. 10 in F-Sharp (edited by Remo Mazzetti, Jr.) - Saint Louis Symphony Orchestra...
	abapu.com /OP37 (444 words)

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