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| | History Scotland Magazine: Review - The Scottish Chateau, Charles McKean |
 | | Yet the Renaissance, with its revival of the authority of classical antiquity, was most commonly thought to have been a movement of cultural centralisation, cosmopolitanism, and reduction of local diversity: hardly, at first glance, ideal territory for the rhetoric of national pride. |
 | | The first response, by writers such as Aonghus MacKechnie and Deborah Howard, was to argue for a full and early participation by Scotland in mainstream Renaissance classicism, noting the latters considerable regional diversity, and claiming that the court style of early seventeenth century royal works closely paralleled the early classicism of other northern European countries. |
 | | He argues that the design of Renaissance castles was determined by a conscious, collective ideology, which was adopted by the entire elite stratum of national society, and which resulted in a coherent architectural style. |
| www.historyscotland.com /bookreviews/scottishchateau.html (1690 words) |
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