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| | §17. Molière and Restoration Comedy. V. The Restoration Drama. Vol. 8. The Age of Dryden. The Cambridge ... |
 | | Molières earlier work thus corresponds, in point of time, with the latest years of exile, when many Englishmen of rank were amusing themselves in Paris, and peculiarly open to lighter impressions from the idleness of their lives. |
 | | That the finer qualities of Molière, his verve, his buoyancy, ease and success of plot, and sure characterisation, escaped his English imitators is not to be denied; for, apart from the circumstance that few of them were men of more than mediocre parts, the genius of Molière towers above the imitation of any age. |
 | | DAvenant, Dryden, Sedley, Wycherley, Vanbrugh, Crowne and Shadwell all owe debts of plot, character, design and dialogue to French comedy; and, even where the debt may not be specifically ascertainable, the tone of the play, the method of its conduct and the conception of its personages declare the dominant influence of France. |
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