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| | The New Yorker: The Critics: Books |
 | | Max Ophuls is a highly distinctive name, well known to movie lovers as that of a German-born actor and stage director who, beginning in 1930, directed films in Germany, France, Russia, Italy, the Netherlands, and, after 1946, the United States. |
 | | Readers of this review will be spared, as the reviewer was not, the maddening exercise of trying to overlay Rushdie’s Ophuls with the historical one. |
 | | Why has Rushdie attached a gaudy celebrity name to a different sort of celebrity, preventing the Ambassador from coming into sharp, living focus on his own? |
| www.newyorker.com /critics/books/articles/050905crbo_books (1150 words) |
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