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| | BTA - Telematic Bulletin of Art / Texts / bta00186.html |
 | | After this date the ricercare for three voices seems to become a genre cultivated only in isolated local areas as, for example, Verona (Vincenzo Ruffo, 1564; Giovanni Bassano, 1585), for to be retaken at Naples in the beginning of seventeenth century (Ascanio Maione, 1603 and 1606). |
 | | Concluding, the Sermonetan ricercare has to be considered as an example of the so-called "formal syncretism" that, from about 1570, appeared to be a new stylistic device in the instrumental production of the sixteenth century |
 | | Yet Willaert, in his ricercares of 1551, had never broken the melodic flow in counterpoint of lines, even when he had used, for example, a subject rhythmically similar to the second Sermonetan soggetto, conserving thus the stylistic unity of his music. |
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