Richard D'Oyly Carte

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Topic: Richard D'Oyly Carte

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	Edward Connell
		In October 1875 he replaced Charles Kelleher as the Usher during the first run of Trial by Jury at the Royalty Theatre, London, when Charles Morton succeeded Richard D'Oyly Carte as general manager.
		While Connell's engagements at the Royalty and Opera Comique were not under D'Oyly Carte management, he eventually did spend six weeks with the D'Oyly Carte organization.
		He appeared as Private Willis with Carte's Second American Iolanthe Company at the Lyceum Theatre, Philadelphia, beginning December 5, 1882.
	math.boisestate.edu /GaS/whowaswho/C/ConnellEdward.htm

	Cable A La Carte
		Richard D'Oyly Carte 1: '''Richard D'Oyly Carte ''' (May 3, 1844 - April 3, 1901) 3: His father was an instrument salesman and D'Oyly Carte was raised with a musical background.
		The Carte Organisation 1: '''The Carte Organisation''' was a putative organ of French 7: itish Special Operations Executive with which Carte became entangled.
		Thomas Carte 1: '''Thomas Carte ''' (also '''John Carte ''') (1686 - April 2, 1754) was an E 5: Carte was born near Clifton upon Dunsmore (itself n 17: ng's Evil " had been cured by the Pretender, Carte lost the favour of most of his patrons.
	www.swingdancemusic.com /send/43604-cable%20a%20la%20carte.html (798 words)

	recordings
		Recorded under the direction of of Bridget D'Oyly Carte.
		Cast: John Cartier, Thomas Round, Lawrence Richard, John Banks, Gillian Humphreys, Ann Hood, Helen Landis, Joy Roberts, Donald Adams.
		Gillian Humphrey, Lawrence Richard, Thomas Round, Michael Wakeham.
	www.gilbertandsullivanonline.com /record.htm (6630 words)

	Carte, Richard D'Oyly - Hutchinson encyclopedia article about Carte, Richard D'Oyly
		A costume design for the Duke of Plaza Toro, in the Richard D'Oyly Carte company's production of The Gondoliers, by W S Gilbert and Arthur Sullivan, at the Savoy Theatre, London, England.
		The D'Oyly Carte Opera Company, founded in 1876, was disbanded in 1982 following the ending of its monopoly on the Gilbert and Sullivan operas.
		Carte Telefoniche Vaticane (Italian: Vatican phone cards bulletin)
	encyclopedia.farlex.com /Carte,+Richard+D%27Oyly (174 words)

	Greenwich Village Gazette Topsy Turvy Reviewed by Eric Lurio
		He yearns to be able to do "serious" work, and announces to Richard D’Oyly Carte (Ron Cook), with whom he has a long term contract, that he's through with popular culture and from now on it's symphonies and grand opera.
		Carte isn't pleased, not one bit, but Sullivan has a point.
	www.gvny.com /movies/topsyturvy.htm (327 words)

	Richard Dunn
		Dunn returned to the D'Oyly Carte Opera Company in September 1947, and for the next year-and-a-half appeared regularly as Cox, Samuel in The Pirates of Penzance, Second Yeoman in The Yeomen of the Guard, and Annibale in The Gondoliers.
		For the last ten years of his life Richard Dunn produced the Savoy operas for the Plymouth Gilbert and Sullivan Fellowship, his last production being an open-air Yeomen of the Guard for the City's 1970 Mayflower celebrations.
		That year Dunn filled in on one occasion as the Earl of Mountararat in Iolanthe (December 1937), and swapped the part of Antonio fo Luiz in The Gondoliers (February 1938).
	math.boisestate.edu /GaS/whowaswho/D/DunnRichard.htm (352 words)

	Seeing Double: Richard Mansfield in his dual role as Dr. Jekyll and Mr. Hyde
		He appeared in several productions of Gilbert and Sullivan operettas during stints with the D'Oyly Carte Opera Company.
		Richard Mansfield (1857-1907) was an actor and producer.
		Mansfield's performance was of such ferocity that it was rumored he was questioned by Scotland Yard in connection with the notorious Jack the Ripper murders in 1888.
	www.photographymuseum.com /jekyll.html (352 words)

	'Sullivan: The Mikado' by Sir Arthur Sullivan from The Portsmouth Chorus.
		Considering that Sir Malcolm Sargent had for some years been musical director of the D'Oyly Carte Opera Company, this recording of MIKADO is a distinct dissappointment.
		There is a distinct lack of pace, definite mis-casting (especially of Geriant Evans in the role of Ko-Ko) and a general lack of any sparkle whatsoever.
		'Sullivan: The Mikado' by Sir Arthur Sullivan from The Portsmouth Chorus.
	www.theportsmouthchorus.com /music-cd/B000002S3U (720 words)

	Who's Who in Musicals
		Dillingham, Charles B. Dixey, Henry E. D'Oyly Carte, Richard
		Most do not have biographies in print or elsewhere on the web -- this section of Musicals101 was created to fill that gap.
	www.musicals101.com /whoswho.htm (720 words)

	Miscellaneous
		(c) "Royal English Opera" Richard D'Oyly Carte by Spy Feby.
		The Beatrice, Benjamin, and Richard Bader Fund in the Visual Arts of the Theatre, 1998 (landscape: 17.5 x 12.5 cms)
		Starring: Frank Gorshin, Neil Howlett, Laurence Dale, Bernard Dickerson, Richard Jackson.
	www.gilbertandsullivanonline.com /misc.htm (720 words)

	Operetta, Part I
		(A good list of operettas performed in the 1890s, with libretti and cast lists, is available.) The D'Oyly Carte Opera Company, led first by Richard D'Oyly Carte's widow Helen, and then by his son Rupert and his daughter Bridget, continued to perform G&S and other light opera through most of the 20th century, until 1982.
		Most of the operettas were performed originally at the Savoy Theater in London, under the auspices of Richard D'Oyly Carte.
		D'Oyly Carte also sponsored performances of many other English operettas, though the G&S works of the 1880s were the most successful.
	www.suite101.com /article.cfm/opera_retired/6981/1 (720 words)

	Arthur Seymour Sullivan
		W.S.Gilbert's suit against Richard D'Oyly Carte splits up the team of Gilbert and Sullivan and sells a lot of newspapers.
		Richard D'Oyly Carte forms a company specifically for further Gilbert and Sullivan collaborations.
		Patience the inaugural performance of the new Savoy Theater, built by Richard D'Oyly Carte for them.
	christmassongbook.net /biographies/arthur_sullivan.asp (720 words)

	Operetta, Part I
		(A good list of operettas performed in the 1890s, with libretti and cast lists, is available.) The D'Oyly Carte Opera Company, led first by Richard D'Oyly Carte's widow Helen, and then by his son Rupert and his daughter Bridget, continued to perform G&S and other light opera through most of the 20th century, until 1982.
		Most of the operettas were performed originally at the Savoy Theater in London, under the auspices of Richard D'Oyly Carte.
		The fact is, though, that the operetta that people in the English-speaking world generally know best has to be the works of Gilbert and Sullivan.
	www.suite101.com /article.cfm/opera_retired/6981/1 (335 words)

	Search Results: Sir Arthur Sullivan
		from: Sir Arthur Sullivan, Royston Nash, Isidore Godfrey, Malcolm Sargent, D'Oyly Carte Opera Chorus, New Symphony Orchestra, Valerie Masterson, Peggy Ann Jones, Pauline Wales, Colin Wright
		from: Sir Arthur Sullivan, Isidore Godfrey, Sir Charles Mackerras, D'Oyly Carte Opera Chorus, D'Oyly Carte Opera Orchestra, Sadlers Wells Orchestra
		from: Sir Arthur Sullivan, Malcolm Sargent, Pro Arte Orchestra, Owen Brannigan, Richard Lewis, Sir Geraint Evans, Ian Wallace, John Cameron, Elsie Morison, Marjorie Thomas
	www.online-shopping-today.co.uk /1/search/ArtistSearch/classical/Sir+Arthur+Sullivan/4.html (335 words)

	Savoy Theatre, London WC2 : tourist information from TourUK
		The theatre was built for Richard D'Oyly Carte and it was here that the D'Oyly Carte opera first created Gilbert and Sullivan's comic operas.
		The theatre was remodelled in Art Deco form in 1929 and restored in 1990 after a devastating fire.
		, has a display illustrating the restoration of the Savoy Theatre.
	www.touruk.co.uk /london_theatres_halls/savoy_theatre1.htm (96 words)

	The Carpet Quarrel Explained
		The Quarrel began in 1890; but if we are to understand its root causes, we must look back over the previous fifteen years and examine the edgy relationships between Gilbert, Sullivan and Richard D'Oyly Carte.
		This probably led to Gilbert keeping an unusually close eye on the accounts of the D'Oyly Carte Company: he was ever on the alert for financial trickery.
		The Carpet Quarrel was the almost inevitable culmination of years of strain and tension in the partnership.
	math.boisestate.edu /GaS/html/quarrel.html (2786 words)

	Gilbert and Sullivan Highlights (Adelaide)
		In fact Olsen was Reed's understudy, or deputy, during his tenure with the D'Oyly Carte on tour in 1970-71 and was touted to be his successor as principal comedian of the company during this period.
		Olsen understudied John Reed with D'Oyly Carte for the 1970-71 season, but he left the Company when it became clear that Reed would not be retiring anytime soon.
		The previous year Olsen had played Grossmith in a radio adaptation of the play broadcast by ABC FM, which was expanded to include a number of characters including Jessie Bond and Richard Temple, in addition to the reporter.
	www.cris.com /~oakapple/gasdisc/mc-adelaide.htm (659 words)

	de Freitas Books-Gilbert & Sullivan
		Other items relate to Richard D'Oyly Carte, his company, their productions and theatres, and to members of the D'Oyly Carte Opera Company (with an occasional item on the Victorian theatre in general).
		These images are all accessible through our Gilbert and Sullivan Image Gallery, or they can be viewed directly from links in the individual descriptions.
		Here you can explore and discover books, programmes, libretti, photographs, costumes, and all sorts of ephemera related to the lives and works of Arthur Sullivan and William S. Gilbert.
	www.defreitasbooks.com /gilbert.html (177 words)

	BBC - Proms - Arthur Sullivan, HMS Pinafore; or,The Lass that Loved a Sailor — operetta in two acts (1878)
		Now, with manager Richard D’Oyly Carte’s Comedy Opera Company dedicated to staging their works and a contract to write virtually on demand, they needed something to follow The Sorcerer.
		Some of the backers who had fallen out with D’Oyly Carte staged a rival production.
		Across the Atlantic in New York the operetta was packing several theatres — but for unauthorised companies that didn’t pay a cent in royalties.
	www.bbc.co.uk /proms/aboutmusic/sullivan_pinafore.shtml (177 words)

	Gilbert and Sullivan - Wikipedia, the free encyclopedia
		Their works were originally produced by British impresario Richard D'Oyly Carte, considered by some to be the third member of this partnership, who built the Savoy Theatre in London to present their operettas, and formed the, which would perform the Savoy Operettas with exacting detail until 1982.
		The Sorcerer (1877) is the first full-length example of what came to be known as the Savoy operas (although the Savoy Theatre had yet to be built.) D'Oyly Carte asked Gilbert for a comic operetta that would serve as the centerpiece for an evening's entertainment.
		The Gondoliers (1889) pokes fun at the plot devices of opera in the setting of a kingdom ruled by a pair of gondoliers who try to run it in a spirit of "republican equality".
	www.peekskill.us /project/wikipedia/index.php/Gilbert_and_Sullivan (1902 words)

	Amazon.ca: Books: The Complete Annotated Gilbert & Sullivan
		Gilbert and Sullivan, librettist and composer, were classically Victorian gentlemen whose comic operas for the Savoy Theater under impresario Richard D'Oyly Carte have endured down to the present day despite the disappearance of the British imperial world which they lampooned.
		The D'Oyly Carte Opera Company continued successfully launching all the great titles- The H.M. Pinafore (first premiered 1878) Pirates Of Penzance (1879-1880) The Mikado (1885)
		Luckily, it's a good one: it includes all of their Savoy operettas as well as their lesser-known later works such as Utopia Ltd. The real jewels of the collection, however, remain their best operas: HMS Pinafore, The Mikado, The Pirates of Penzance, The Sorcerer.
	www.amazon.ca /exec/obidos/ASIN/019816503X (1021 words)

	classical music - andante - a more germane mikado never did in japan exist
		Before copyright expired, the D'Oyly-Carte Company, under the aegis of Bridget D'Oyly-Carte (daughter of Richard, the original producer of the "Savoy operas"), exerted a stranglehold over the GandS canon, forbidding productions that were not in the traditional style.
		In most cases, professional or high-level amateur, there is a general tendency to strive for contemporary relevance, with the evident conviction that the fusty old originals could not possibly carry a modern audience along in their natural state.
		Since that long-awaited expiration date, Australian (and other) touring companies have included popular singers (in both senses of the word) and displayed a tendency to rock up the music.
	www.andante.com /article/article.cfm?id=10571 (1021 words)

	Amazon.ca: Music: Best Of Gilbert And Sullivan ( [BEST OF]
		Arthur Sullivan (Composer), John Owen Edwards (Conductor), John Pryce-Jones (Conductor), D'Oyly Carte Opera Orchestra (Orchestra), Yvonne Barclay (Performer), Gordon Sandison (Performer), Janine Roebuck (Performer), Madeleine Mitchell (Performer), Yvonne Patrick (Performer), Richard Suart (Performer), Lawrence Richard (Performer), Marilyn Hill Smith (Performer), Eric Robertson (Performer)
		This CD samples these complete recordings and reveals wonderful singing and excellent orchestral playing led by two conductors sharing series leadership, John Owen Edwards and John Pryce-Jones.
		This highlight CD even squeezes in two overtures to fill the disk to 75 minutes.
	www.amazon.ca /exec/obidos/ASIN/B00004W5AD (1021 words)

	Henry Hallam
		Hallam appeared as the Donkeyherd in Frank Desprez and Richard D'Oyly Carte's one act musical pastoral Happy Hampstead, when it was produced at the Royalty Theatre, London, under the management of Carte and Kate Santley, in January and February 1877, with Orpheus in the Underworld and Lischen and Fritzen.
		Hallam eventually traveled to Australia and New Zealand where, in 1901, he made a lengthy tour of Australia and New Zealand in a George Musgrove production of the musical comedy A Chinese Honeymoon.
		In 1893 he appeared with Lillian Russell in a number of parts including Risotto in Gilbert and Cellier's The Mountebanks at New York's Garden Theatre.
	math.boisestate.edu /GaS/whowaswho/H/HallamHenry.htm (220 words)

	Duncan Hamilton
		In addition to his recent work with Richard, Duncan was privileged to be invited to play the Title Role in a contemporary production of "The Mikado " for Music Theatre 2000, performing alongside former New D'Oyly Carte and other profesional Principals.
		Recent credits include directing a brand new production of "Guys and Dolls" at the Wilde Theatre Bracknell, and heading an international cast in the Title Role of "The Sorcerer" at the Buxton Opera House.(The Musical Director for both these productions was Richard Stockton).
		Duncan, who has appeared in all but two of the fourteen G+S Operas, has a particular interest in the lives and work of Gilbert and Sullivan and possesses a comprehensive library on the subject.
	www.savoysingers.org.uk /cast/duncanhamilton.htm (238 words)

	sum up your history, clear up a mystery
		There was, however, one person who saw Thespis and liked it: Richard D'Oyly Carte.
		In 1876 with English comic opera beginning to show distinct signs of heartiness, Carte suggested that Gilbert and Sullivan write a full-length operetta for his newly formed Comedy Opera Comapny.
		Their first collaborative piece was Thespis; or the Gods Grown Old - the success of which was so great that no one even thought of saving the music, which now is, with the exception of two songs, lost.
	hcs.harvard.edu /~hrgsp/productions/sor63/sor63arg.htm (238 words)

	Savoy Theatre - Wikipedia, the free encyclopedia
		The Savoy Theatre, which opened on 10 October 1881, was built by Richard D'Oyly Carte (1844 - 1901) on the site of the old Savoy Palace in London as a showcase for the works of Gilbert and Sullivan, which became known as the Savoy Operas as a result.
		King Richard II was still a child, and his uncle John of Gaunt was the power behind the throne and so a main target of the rebels.
		The House of Savoy was the ruling family of Savoy descended from Humbert I, Count of Sabaudia (or "Maurienne") (became count in 1032).
	en.wikipedia.org /wiki/Savoy_Theatre (292 words)

	Gilbert, Sir William Schwenck. The Columbia Encyclopedia, Sixth Edition. 2001-05
		The Savoy Theatre, built by Richard D’Oyly Carte in 1881 to house Gilbert and Sullivan operas, gave them the name Savoy operas.
		About 1896 a quarrel between Gilbert and Sullivan concerning a business arrangement with Carte terminated their collaboration.
	www.bartleby.com /65/gi/GilbertWS.html (321 words)

	UK
		The Savoy Theatre Originally built by Richard D´Oyly Carte as the home of Gilbert and Sullivan´s Savoy Operas, it was the first theatre in London with electric lighting.
		In 1896, Carte decided to convert it into a hotel, no doubt as a country retreat close to London for guests at his Savoy Hotel.
		This plan was thwarted by the local magistrates, who refused to grant a license to sell alcohol.
	myweb.tiscali.co.uk /sandham/uk.htm (480 words)

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