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| | Richard Strauss |
 | | Strauss followed it with Ariadne auf Naxos, at first linked with a Moliere play, later revised as prologue (behind the scenes at a private theatre) and opera, mixing commedia dell'arte and classical tragedy to a delicate, chamber orchestral accompaniment. |
 | | Of his remaining operas, Capriccio (1942), a 'conversation-piece' in a single act set in the 18th century and dealing with the amorous and artistic rivalries of a poet and a musician, is the most successful, with its witty, graceful, serene score. |
 | | When Germany was defeated, and her opera houses destroyed, Strauss wrote an intense lament, Metamorphosen, for 23 solo strings; this is one of several products of a golden 'Indian summer', which include an oboe concerto and the Four Last Songs, works in a ripe, mellow idiom, executed with a grace worthy of his beloved Mozart. |
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