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| | Richard Yates' Classical Guitar Transcriptions |
 | | Many of we RMCG participants are already familiar with Richard Yates' multi-various, multi-media contributions to the transcriptive precinct of our corpus--through his extensive web-site library of music, his column, "The Transcriber's Art", in the journal, Soundboard, his Mel Bay publications, among them. |
 | | The rest of Yates’ introduction to Morley's Canzonets rehearses some of the more quotidian editorial problems facing a 21st-century scholar encountering music nearly half a millenium remote from his own epoch: the absence of tempo markings, bar lines, meter vagaries, voice alignments and residues, note durations and other messy contingencies. |
 | | At bottom: it means re-enacting Yates’ examination, interpretation and traversing of the ebb and flow of those three human voices; it means hugging the shores of the sometimes remote, but always redolent rhythmic 'thee's and 'thou's', wave by wave, into an meaningful sea; it means musing on the inventory of pigments in your tonal palette. |
| www.yatesguitar.com /morley/morleyreview.html (2378 words) |
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