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| | Pound's Quest for the Paradiso |
 | | Pound explains, "A Risorgimento implies a whole volley of liberations, liberations from ideas, from stupidities, from conditions and from tyrannies of wealth or army" (112). |
 | | But just as Benjamin's notion of destruction doesn't mean a destruction of the past, Pound's risorgimento and its "liberations" imply not a "reborn/newly-born" ideal, not a "renaissance", but a "renewal", an awakening which, instead of severing ties to the past, reawakens the past into the present. |
 | | In "The State" (1927), Pound lays out a grid of items, rating them according to their ability to be "'consumed' but not destroyed by consumption" (1973: 215); he labels "well-constructed buildings" as "durable," but he labels "works of art" as "permanent," and as Bernstein shows us, Pound valued poetry more than any other art. |
| webdoc.sub.gwdg.de /edoc/ia/eese/artic96/northcut/9_96.html (5783 words) |
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