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 | | Although they used the landscape model developed by early European artists, Cole and the other Hudson River School artists developed an individual iconography that was expressive of this vision, of the characterization of American as a Garden, provinically set aside by God for his chosen people, the Americans. |
 | | While they would eventually come to represent both the coming sectional crisis and tension over the encoaching technology that threaten the landscape, their original purpose was to represent the dark and violent side of the sublime, the terribilita, the primitive garden of which Leo Marx writes. |
 | | Trees are the true heros of Hudson River art, as Cole wrote "they are like men...they exhibit striking peculiarities, and sometimes grand originality." The trees of the American landscape have a primitive quality that sets them apart from Europe, and their autumnal color "surpasses all the world in gorgeousness". |
| xroads.virginia.edu /~HYPER/DETOC/hudson/icon.html (582 words) |
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