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Topic: Rob Schnapf

	Recording The Album in LA
		However, at producer Rob Schnapf's request the sessions were moved to Los Angeles, and time given for recording and mixing was extended to a more comfortable eight weeks.
		In fact Rob Schnapf had insisted they all continue recording in spite of the tragedy, recalling his times spent watching the Gulf War on CNN in the studio.
		Schnapf was later indignant that this version had been done without his approval or knowledge, but given his initial disinterest or opposition to it being recorded at all in their preferred manner, it seemed the only way around the stalemate.
	www.the-vines.net /RecordingTheAlbuminLA/la.htm (7758 words)

	rob schnapf (Site not responding. Last check: 2007-09-15)
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	rob-schnapf.b3.getherbalifeonline.com (615 words)

	Odelay - Wikipedia, the free encyclopedia
		Beck Hansen and The Dust Brothers, with: Mario Caldato, Jr, Brian Paulson, Tom Rothrock and Rob Schnapf
		In 1994, when Beck started to record tracks for his follow-up to Mellow Gold, he recorded a number of songs with Tom Rothrock and Rob Schnapf of Bong Load, but then decided to work with the Dust Brothers instead.
		Three songs from these Bong Load sessions have been released: one, "Ramshackle", on Odelay, and two others: "Feather In Your Cap", which was released on its own as a single and on the soundtrack to the film, Suburbia, and "Brother", which was not available to the public until the release of "Jackass" in 1997.
	en.wikipedia.org /wiki/Odelay (422 words)

	sweet adeline \| learning to play in the womb
		in a recording studio last month, rob schnapf, a bearded, baseball-capped producer, and joanna bolme, a fl-haired indie rock bassist, were sitting around listening to the latest elliott smith song, called "let's get lost." the voice pouring out of the speakers sounded familiar, conversational.
		schnapf, who worked with smith in the 90's, and ms.
		schnapf added, "i was kind of hoping he'd show up."
	www.sweetadeline.net /nytimes71804.html (1440 words)

	sweet adeline \| june 04 news archive
		rob schnapf and joanna bolme completing 'songs from a basement on the hill
		times reported today that rob schnapf and joanna bolme are working together to complete elliott's final music.
		also, rumor is that rob, joanna and elliott's family are finishing up the mastering and sequencing of the record.
	www.sweetadeline.net /june04.html (1055 words)

	Blogger: Email Post to a Friend
		Both have long histories with Smith: Schnapf co-produced "XO" and "Figure 8," and Bolme was Smith's girlfriend in Portland, Ore., in the mid-'90s.
		Though he left scores of songs behind, Schnapf and Bolme were able to assemble the album based on a list Smith had made indicating his vision for the record.
		One day, Schnapf recalls, a casual reference by Smith's sister to "the Fourth of July grand finale" instantly explained the musician's intention for a previously puzzling fusillade of drums.
	www.blogger.com /email-post.g?blogID=6928365&postID=10879861048390844 (920 words)

	Boston.com / A&E / Music / Final Smith album is in the works with a little help from his friends
		Both have long histories with Smith: Schnapf coproduced "XO" and "Figure 8," and Bolme was Smith's girlfriend in Portland, Ore., in the mid-1990s.
		Although he left scores of songs behind, Schnapf and Bolme were able to assemble the album based on a list Smith had made indicating his vision for the record.
		Schnapf says: "This is the last living body of work.
	www.boston.com /ae/music/articles/2004/06/26/final_smith_album_is_in_the_works_with_a_little_help_from_his_friends?mode=PF (717 words)

	Elliott Smith's Final Album Nears Completion
		Elliot Smith had virtually completed the record before his death from a (possibly) self-inflicted stab wound to the chest in October 2003, but it was felt, as it stood, it was not suitable for release.
		However the record, entitled ‘Songs From A Basement On A Hill’, is now nearly ready for an Autumn release after Rob Schnapf (co-producer of Smith’s 1998's ‘XO’ and 2000's ‘Figure 8’ albums) and Joanna Bolme (Smith's former girlfriend and bassist with The Jicks) tied up the loose ends on the recordings.
		Schnapf and Bolme have reportedly tried to recreate what the singer would’ve done, referencing Smith’s early demos, written notes and even conversations Smith had with people during his time in the studio.
	www.xfm.co.uk /Article.asp?b=news&id=30490 (345 words)

	sweet adeline \| either/or
		but this was the first solo elliott release to be mixed by tom rothrock and rob schnapf.
		of course rob and tom have since worked on 2 more releases and worked on a couple of heatmiser's last releases as producers
		mixed at the shop by tom rothrock and rob schnapf except: no name no. 5, rose parade, 2:45 am mixed by elliott at undercover inc. alameda mixed at undercover by joanna bolme and elliott smith.
	www.sweetadeline.net /eitherorlp.html (351 words)

	This is Fake DIY: Elliott Smith - From A Basement On The Hill (Site not responding. Last check: 2007-09-15)
		Released on Monday 18th October, From a Basement on the Hill features 15 of the songs completed by Elliott prior to his death in October 2003.
		The album features Elliott's final recordings compiled by his immediate family, Joanna Bolme and producer Rob Schnapf, who worked on three of Elliott's albums (either/or, xo, and figure 8).
		Rob Schnapf was responsible for the final mix of From a Basement on the Hill.
	www.thisisfakediy.co.uk /view.php?id=1932 (201 words)

	San Francisco Bay Guardian Arts and Entertainment
		They hired producer Rob Schnapf – who previously helmed Smith's Either/Or (Kill Rock Stars, 1997), XO (DreamWorks, 1998), and Figure 8 (DreamWorks, 2000) and who is married to Smith's former manager Margaret Mittleman – and Smith's ex-girlfriend, musician and engineer Joanna Bolme (currently of Stephen Malkmus's Jicks), to mix the songs for Basement.
		On another side is musician and girlfriend Jennifer Chiba, with whom Smith was living at the time of his death and from whom his family have distanced themselves.
		"Rob Schnapf is a really brilliant guy, and he did a great job with the album, but Elliott Smith pretty explicitly did not want Rob Schnapf being the producer on the album.
	www.sfbg.com /39/02/art_music_elliott_smith.html (2202 words)

	testblog
		Final production touches and mastering were done by his former producer Rob Schnapf and ex-girlfriend Joanna Bolme, currently the bassist for Stephen Malkmus and the Jicks.
		Rob Baker (Guitar) and Paul Langlius (rhythm Guitar) wove in licks that were sometimes edgy and other times delicate.
		Judas Priest has been around for 30 years, but over a third of that time without original frontman, Rob Halford, a man whose voice is so respected in the metal world that his coming out did little to damper the reverence he inspires in a demographic believed to be largely intolerant of homosexuals.
	velouriatest.blogspot.com (5750 words)

	Rob Schnapf: Reviews, Discography, Audio Clips, and more \|\|\| Music.com
		Rob Schnapf: Reviews, Discography, Audio Clips, and more
		Rob Schnapf: Reviews, Discography, Audio Clips, and more
		All Music Guide is a registered Trademark of AEC One Stop Group, Inc.
	www.music.com /person/rob_schnapf/1 (112 words)

	DB Tech 3
		to give the track even more "drive", Rob suggested I overdub another 16th note snare part which I did with brushes but played with no accents, unlike the part on the basic track.
		I also recall a tricky left hand change ; because I felt that sticks were too heavy/big for the song I went with "Blasticks", but needed to change to cross-stick for the backbeat on the verses and guitar solo - just about managed it!
		After we'd done the take, Rob suggested - similar to "Cooksferry.." that I overdub another 16th note brushes-on-snare pattern with no accents - you can probably hear the flams proving that my accuracy leaves a lot to be desired.
	www.dmattacks.co.uk /tech3.htm (995 words)

	L.A. GRAPEVINE
		Roth-rock/Schnapf, perhaps best known for their cutting-edge work with artists such as Beck, Elliott Smith and Foo Fighters, have their own independent label (Bong Load) and were hooked up with Thompson by Capitol A&R exec Kim Buie, who had long thought that the three would make a good team.
		Rothrock had dropped out of college with the goal of finding work at a studio; Schnapf had arrived in L.A. from Washington, D.C., with his band, and when the band broke up, he also decided on a studio career.
		Rob dropped by to see what poor schmo was stuck there, found nobody at the front desk and me in a studio with two DAT machines dubbing this EP.
	mixonline.com /mag/audio_la_grapevine_37/index.html (1879 words)

	bvs_theblogproject: Elliott Smith's Uneasy Afterlife (Site not responding. Last check: 2007-09-15)
		Snapshots taped up around the room showed Smith in a lighthearted mood: making a silly face in one, eyes closed in another.
		Bolme, who dated him for a while, know, Smith had a goofball sense of humor and a well of curiosity.
		As Smith sang, however, the sadness that flooded his five CD's swamped the room.
	www.blueverticalstudio.com /05/archives/001227.html (1441 words)

	Guided By Voices: Isolation Drills - PopMatters Music Review
		However, as GBV distanced itself from the tried-and-true four-track aesthetic, naysayers complained that the band's "authentic" rock essence was getting lost, or at least considerably diluted, in the mix.
		Produced by Rob Schnapf (whose previous credits have included work with Elliot Smith, Beck, the Foo Fighters, and Moby), GBV's follow-up, Isolation Drills, represents something of a compromise.
		For Isolation Drills, however, Rob Schnapf didn't impose such restrictions and, as Pollard himself says, "the performances were better this time around".
	www.popmatters.com /music/reviews/g/guidedbyvoices-isolation.shtml (782 words)

	Toadies History
		What made the situation even stranger was that Charles Mooney, the original guitarist, had quit right before the label interest occurred, leaving Todd about a month to relearn the guitar parts as he moved back to the simultaneous handling of guitar and vocals.
		In the fall of 1993, the Toadies began recording "Rubberneck" with Tom Rothrock and Rob Schnapf producing.
		After continually getting the shaft by Interscope pushing ahead the release date, (it was originally supposed to come out in February 1994) the Toadies played numerous shows in the Dallas/Ft. Worth area to keep the bills paid (Mark even took in a day job, working at a local comic book store).
	www.musicfanclubs.org /toadies/toadies/history.htm (1408 words)

	Elliott Smith - From A Basement On A Hill :: Folk Music - Bluegrass Music - Alt Country - Americana Music - Roots Rock ...
		His final effort, From A Basement On The Hill brings together songs that Smith worked on while touring in support of Figure 8 in 2000 on through to the work he did in his own studio, New Monkey, in 2003.
		Mixed by Rob Schnapf and Joanna Bolme, it has all the hallmarks of a classic Elliott Smith album: stunning, `60s-tinged melodies, heart rending imagery, a sad swagger, those vocals that go from glinting, hushed campfire tones to epic pop epiphanies (even within the same song, as on "Pretty (Ugly Before)").
		Most of the tunes are fully arranged, often with wild piano and crashing cymbals, though a few, like "Shooting Star" offer Smith at his most breathtakingly vulnerable: just guitar and a few delicately layered vocal tracks.
	store.milesofmusic.com /30827.html (187 words)

	Pitchfork: Daily Music News (Site not responding. Last check: 2007-09-15)
		The record, as most of you are probably aware, had been mostly completed before Smith's death from a (possibly) self-inflicted stabwound to the chest last October, but was not yet in a condition suitable for release.
		Concerned parties can take solace in the fact that the album is shaping up as a labor of love for producers Rob Schnapf (co-producer of 1998's XO and 2000's Figure 8) and Joanna Bolme (Smith's former girlfriend and bassist for Stephen Malkmus' backing band, The Jicks).
		Schnapf and Bolme are doing their best to complete the album in the way they believe Smith would have, taking cues from his written notes, early demos, and even conversations with people who had been in the studio with him while he worked.
	www.pitchforkmedia.com /news/04-07/07.shtml (2009 words)

	mtv.com - News - A Lonely Road Trip Inspires GBV's Isolation Drills
		Written while Pollard drove cross-country after the end of last year's Do the Collapse tour, Isolation Drills was inspired by the loneliness of that solo road trip and the dissolution of his home life.
		But lineup changes are usually temporary in GBV, as evidenced by former guitarist Tobin Sprout's guest stint on piano on Isolation Drills' "Fine to See You." Another change sees Rob Schnapf (Foo Fighters, Beck) behind the studio boards where former-Cars-frontman-turned-producer Ric Ocasek sat for the recording of Do the Collapse.
		Schnapf was easier to work with in the studio than Ocasek was, Pollard said.
	www.mtv.com /news/articles/1442434/04022001/guided_by_voices.jhtml (1388 words)

	NPR : 'From a Basement': Elliott Smith's Posthumous Gift
		He was working on the CD at the time of his death, and the difficult task of completing it fell upon Rob Schnapf, who produced Smith's last four CDs, and Joanna Bolme, Smith's former girlfriend.
		More than anything else, Bolme and Schnapf say they wanted to make a CD that Smith would have liked, but they are emphatic that this is not the CD Smith would have made -- because he wasn't here.
		To produce the CD, Bolme and Schnapf scoured Smith's studio, going through all his tapes and brief, cryptic notes.
	www.npr.org /templates/story/story.php?storyId=4109711 (415 words)

	Lil Rob New Cd on Almondnet (Site not responding. Last check: 2007-09-15)
		Find lil rob new cd and more at Lycos Search.
		Read about lil rob new cd in the free online encyclopedia and dictionary.
		Find lil rob new cd at one of the best sites the Internet has to offer!
	www.ncpm.co.uk /popmusic/lil_rob_new_cd.html (411 words)

	All-Reviews.com Music Review: Isolation Drills by Guided by Artists
		The music, produced by Rob Schnapf, sounds better than ever and the songs are generally good.
		At its best, Isolation Drills is a great mix of the big sound of guitar rockers like the Who, that GBV leader Robert Pollard clearly loves, with Pollard's very likable, poppy writing.
		Without taking the juice out of GBV's music, Schnapf, who's produced Elliott Smith, Beck and Foo Fighters, and good musicians give the band their biggest, best sound ever.
	www.all-reviews.com /music/isolation-drills.htm (656 words)

	Welcome to Tone-Cool Records featuring the Tone-Cool Online Store (Site not responding. Last check: 2007-09-15)
		Living, rocking proof that the blues is more a state of mind than a music genre, Holmstrom progressively invents a sound entirely his own.
		On Hydraulic Groove, Holmstrom enlisted the very special help of innovative sound producer/mixer Rob Schnapf whose prior project roster includes forward-thinking, on-the-cusp artists like Beck, R.L. Burnside, Elliot Smith and the Foo Fighters.
		With Schnapf at the nobs, Holmstrom's music comes alive with an eclectic and exciting vitality.
	www.tonecool.com /artists/rickholmstrom.html (212 words)

	Saves The Day : Message Board: Why did Stay What You Are get such bad reviews? (Site not responding. Last check: 2007-09-15)
		Bringing in producer Rob Schnapf (Beck, Elliott Smith) to play Higgins to their Eliza Dolittle, the results are predictably disappointing.
		While Schnapf and Saves the Day (probably) didn't fall in love with each other like the protagonists in the play, they still managed to prove once again that you can't make a silk purse out of a sow's ear, Audrey Hepburn notwithstanding.
		When so much pop-punk relies on the same retreaded musical crutches, the recent standouts usually get by on the strength of their lyrics, or better yet, their marketing.
	bb.dreamworksrecords.com /savestheday/showthreaded.php?&Number=115504 (710 words)

	sweet adeline \| music
		with the help of rob schnapf and joanna bolme, who mixed the album, elliott's family, loved ones and friends over the years were able to finalize the album recently and here is the final tracklisting for the record:
		The unreleased album that Elliott Smith had been preparing for an early 2004 release might see release on a label other than Dreamworks, according to comments on an hour-long tribute broadcast last weekend on the syndicated radio program New Ground.
		Producers Rob Schnapf and Tom Rothrock remembered Smith's creative drive and an often jovial atmosphere in the studio.
	www.sweetadeline.net /music.html (917 words)

	\|[ ALBUMS ]\| \|[ SAVES THE DAY ]\| (Site not responding. Last check: 2007-09-15)
		Together again with surly producer Rob Schnapf and prophetic engineer Doug Boehm, the band learned how to watch basketball games on the tube while tracking vocals.
		Tucked away in the smallest room of Cello Studios, Studio 7, the band was just down the hall from Studio 3, where Brian Wilson and The Beach Boys recorded Pet Sounds.
		One fatefull evening, the boys persuaded Rob to let them record piano and organ in Studio 3.
	www.savestheday.com /std/albums/album_reverie.asp (222 words)

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