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| | Cabell Prize, 2000, Bill Patterson. |
 | | Heinlein adores Woman, yearns after Her, and makes Her the centerpiece of his view of the human community, which degree of abstraction marks him a pre-modern thinker, as it is no longer fashionable to think of "woman" in the abstract. |
 | | Heinlein was, even in this early stage of his writing career, an artist of considerable technical ability, and any native clay he found he made into his own figures of earth, that bear more family resemblance to Heinlein than to their original sources. |
 | | Heinlein may or may not have been a formal initiate himself, but the figure of the Initiate and his Preceptor/Guide appear so commonly in his writing that his leading explicators to date, George Edgar Slusser and Leon Stover, have felt compelled to build their primary interpretations around this figure. |
| www.library.vcu.edu /jbc/speccoll/exhibit/cabell/prize3.html (19790 words) |
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