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	Estienne - LoveToKnow 1911
		ESTIENNE (or Etienne; the French form of the name; anglicized to Stephens, and latinized to Stephanus), a French family of scholars and printers.
		In 1539 Robert was appointed king's printer for Hebrew and Latin, an office to which, after the death of Conrad Neobar in 1540, he united that of king's printer for Greek.
		Robert also printed numerous editions of Latin classics, of which perhaps the folio Virgil of 1532 is the most noteworthy, and a large quantity of Latin grammars and other educational works, many of which were written by Maturin Cordier, his friend and co-worker in the cause of humanism.
	www.1911encyclopedia.org /Estienne (2558 words)

	Robert Estienne
		Robert Estienne, also known as Robert Stephens or Stephanus, was a 16th century printer in Paris.
		In 1539 he received the distinguishing title of "Printer in Greek to the king." But the official recognition and the crown's approval to his undertaking could not save him from the censure and ceaseless opposition of the divines, and in 1550, to escape the violence of his persecutors, he emigrated to Geneva.
		With his title of "royal typographer" Robert made the Paris establishment famous by his numerous editions of grammatical works and other school-books (among them many of Melanchthon's), and of old authors, as Dio Cassius, Eusebius of Caesarea, Cicero, Sallust, Caesar, and Justin.
	www.ebroadcast.com.au /lookup/encyclopedia/ro/Robert_Estienne.html (601 words)

	Henry Estienne
		The first was the father of Robert Estienne, and the second was the son.
		Henry, the second, the eldest son of the great Robert, and without doubt the most distinguished member of the family, was born in Paris, 1528, and died at Lyons March, 1598.
		The high standard that had been established by the early Stephens was maintained to the last, and the publications of the later publishers were mainly in the division of Greek and Roman classics.
	www.ebroadcast.com.au /lookup/encyclopedia/he/Henry_Estienne.html (694 words)

	Robert Estienne - Wikipedia, the free encyclopedia
		Robert I Estienne (Paris 1503 – Geneva September 7, 1559), also known as Robert Stephens (Latin: Stephanus), was a 16th century printer in Paris.
		French writers identify him with a printer by the name of Estienne in Normandy, to which he is supposed to have emigrated in 1582.
		Robert, the second (1530–1570), began to print in Paris on his own account in 1556, and in 1563 received the title of Typographus regius; his presses were busily employed in issuing civil documents.
	en.wikipedia.org /wiki/Robert_Estienne (682 words)

	Robert Estienne Summary
		Born to a family of printers, Robert Estienne made his mark not only by printing the first editions of many Greek and Roman works but by using the distinct symbol of the olive tree to represent his enterprises.
		Estienne paid special attention to the quality of his printing, not only by using the olive tree insignia designed by Proofreader Geogroy Tory but with types designed by Claude Garamond specifically for the printing house.
		Robert's son, named for Henri Estienne, eventually inherited his father's press under the condition that it would not be moved from Geneva.
	www.bookrags.com /Robert_Estienne (1155 words)

	Estienne. The Columbia Encyclopedia, Sixth Edition. 2001-05
		The printer’s mark used by him, the Olive Tree, was apparently designed by Geofroy Tory, who is said to have been a proofreader for the elder Estienne; some of the Estienne types were designed by Claude Garamond.
		Robert Estienne, a thorough humanist, upheld the cause of the Reformation.
		The second Henri Estienne, 1531?–1598, the greatest scholar of the family, was one of Robert’s sons.
	www.bartleby.com /65/es/Estienne.html (629 words)

	Bibliography of Textual Criticism "E"
		The text of the fourth and fifth edition (1527, 1535) was closely followed by Robert Estienne in his influential third edition (1550), which in turn provided the basis for all editions later published by Beza (1565-98), subsequently followed by the translators of the King James version.
		Although Estienne professed to have collated them himself, it is now known that this was done by his son Henry, who in his collation (which is very defective) indicated them separately by various letters of the Greek alphabet which he had assigned to them.
		The text of Estienne's third and fourth edition (1550, 1551) was used by William Whittingham and his colleagues as the basis for the English version of the New Testament included in the Geneva Bible, which was the most widely used English translation prior to the appearance of the King James version (1611).
	www.bible-researcher.com /bib-e.html (2884 words)

	Estienne: Dictionarium latinogallicum
		Data capture of Robert Estienne's Dictionarium latinogallicum (1552) was completed by Professor T.R. Wooldridge of the University of Toronto, who has provided extensive editorial assistance for this project.
		Estienne, the father of modern Classical Latin and French lexicography (cf.
		The filiation of Estienne's dictionaries and subsequent editions can be seen in Figure 1 (taken from Wooldridge 1992/1996: 1); a diagram of the two series of Estienne's tripartite system can be seen in Figure 2 (taken from Wooldridge 1977/1997: 1.5).
	www.lib.uchicago.edu /efts/ARTFL/projects/dicos/ESTIENNE (404 words)

	Jackson on Greek Editions (Site not responding. Last check: 2007-11-03)
		Robert Stephanus became involved in disputes with the Faculty of Theology at Paris over his interpretation of passages in biblical texts and his printing of unacceptable variant readings.
		Robert now fully embraced Protestantism and devoted his time, almost completely, to publishing religious works, many for John Calvin, who was his friend and associate in Geneva.
		When Robert Estienne fled to Geneva in 1550, the new king of France, Henry II, was left without a printer in Greek.
	www.lib.uiowa.edu /spec-coll/Bai/jackson.htm (3354 words)

	XII Caesares. Ex vetusto exemplari emendatiores multis locis. Paris, Robert Estienne, 17 November 1543. [Bound with:] ...
		This is also one of the earliest of Robert Estienne's classics to be printed in his new italics of which the first example was the Cato, printed on 17 July 1543.
		Estienne had been most anxious to produce editions of the Latin classics at a low price and in a compact form, in the manner of the classics printed by the Aldine Press.
		Bound at the end is the the first Estienne edition of works on the Roman legal system by Andreas Dominicus Floccus (written under the pseudonym Lucius Fenestella) and Pomponius Laetus.
	www.maggs.com /title/CO15602.asp (208 words)

	Robert Estienne ( - ) Artwork Images, Exhibitions, Reviews
		Robert Batty, View from the Pastey, plate 19 in the book Hanoverian and Saxon Scenery after drawings by Lieut.
		Robert Batty, Chateau of the Prince of Waldeck, plate 24 in the book Hanoverian and Saxon Scenery after drawings by Lieut.
		Robert Batty, The Place and Bridge at Munden, plate 36 in the book Hanoverian and Saxon Scenery after drawings by Lieut.
	wwar.com /masters/e/estienne-robert.html (733 words)

	Estienne - HighBeam Encyclopedia
		Estienne Étienne, or, Latinized, Stephanus, family of Parisian and Genevan printers of the 16th and 17th cent., distinguished through five generations in scholarship as well as in their craft.
		1553, was of minor importance as a bookseller, but another brother, Charles Estienne, c.1504-1564, succeeded Robert in the management of the Paris establishment in 1551.
		The second Henri Estienne, 1531?-1598, the greatest scholar of the family, was one of Robert's sons.
	www.encyclopedia.com /doc/1E1-Estienne.html (803 words)

	Robert Estienne - Wikipédia
		Robert Estienne (1503, Paris - 7 septembre 1559, Genève) est un imprimeur français.
		Robert Estienne était gendre de Simon de Colines, imprimeur, et fut d'abord son associé.
		Robert Estienne sur le Musée virtuel du protestantisme français [1].
	fr.wikipedia.org /wiki/Robert_Estienne (327 words)

	LIBER ANTIQUUS > SELECTED OFFERINGS
		This, the second edition, was the first publication from the press of Robert Estienne II.
		Estienne's basilisk device appears on both the main and divisional title.
		However, of all Robert Estienne’s publications, it is also the one most directly responsible for his departure to Geneva, following his final clash with the theologians of the Sorbonne, who saw in Estienne’s marginal variant readings an instance of the most brazen heresy.
	www.liberantiquus.com /CAT2006/CAT_A.html (9184 words)

	Some Rare Bibles from Special Collections
		Simon de Colines was a Parisian scholar and printer, the step-father of Robert Estienne.
		The collation of manuscripts for this edition was done by Robert's son Henri, who, with others of his family, was an outstanding figure of the Renaissance.
		According to the account given by Robert's son, the verse divisions (which are still used today) were made by his father while journeying on horseback from Paris to Lyons.
	library.dts.edu /Pages/TL/Special/sc_bibles.shtml (2531 words)

	Plautus, COMOEDIAE XX, EX ANTIQUIS, RECENTIORIBSQUE EXEMPLARIBUS INVICEM COLLATIS, DILIGENTISSIME RECOGOGNITAE (Site not responding. Last check: 2007-11-03)
		First Estienne Folio Edition Printer'solive tree device on title-page (Schreiber no. 3) Folio (305 x 202mm), 18th century polished calf, the spine with raised bands gilt ruled and bordered with double gilt fillet lines, red morocco lettering label gilt, the covers with wide gilt fillet rule.
		This was a highly important edition of the comedies of Plautus which was instrumental in the forming of Estienne's highly influential THESAURUS "in which Estienne had virtually founded modern Latin lexicography" (thus replacing the outdated work of Calepinus).
		Estienne had failed to persuade any suitable scholar to compile a new Latin dictionary and so prepared for this work by reading and making exhaustive notes on the whole of Terence and Plautus; these notes were then written out and put in alphabetical order to form the basis of the new work.
	www.polybiblio.com /bud/18662.html (474 words)

	6. Early Modern
		Robert Estienne: Royal Printer: An Historical Study of the Elder Stephanus.
		Downie, J. Robert Harley and the Press: Propaganda and Public Opinion in the Age of Swift and Defoe.
		Kingdon, Robert M. "Christopher Plantin and His Backers, 1575-1590: A Study in the Problems of Financing Business During War." In Melanges d'histoire economique et sociale en hommage au professeur Antony Babel, v.
	web.ku.edu /~bookhist/bibl6.html (2484 words)

	ROBERT ESTIENNE'S INFLUENCE ON LEXICOGRAPHY - DeWitt T Starnes
		The span of Robert Estienne's life (1503 - 1559) encompassed the historical epochs and events which shaped his career: the Renaissance, the Reformation, and the invention of printing by movable type.
		His keen interest in the revival of ancient literatures and languages and his training in the art of printing pointed the road he would travel, and the climate of opinion in the Reformation determined his destiny.
		Robert Estienne promoted classical learning by printing the works of good authors; to spread knowledge of ancient literature he compiled dictionaries and grammars which were adopted by most of the universities of Europe.
	www.biblio.com /books/85257233.html (345 words)

	ROBERT ESTIENNE (1503–... - Online Information article about ROBERT ESTIENNE (1503–...
		ESTIENNE (or ETIENNE; the French form of the name; anglicized to Stephens, and latinized to Stephanus)
		size were the first ready, and with these Robert printed the editio princeps of the Ecclesiasticae Historiae of See also:
		Theseeditions, all in folio, except the Moschopulus, which is in 4t0, are unrivalled for beauty.
	encyclopedia.jrank.org /RHY_RON/ROBERT_ESTIENNE_15031559_.html (1142 words)

	artnet.com: Resource Library: Estienne, Robert (Site not responding. Last check: 2007-11-03)
		After training with his father, the printer and publisher Henri Estienne (?1460–1520), and then with his stepfather, Simon de Colines (fl 1520–48), he checked and proofread the family editions of the Epistles, Apocalypse, Acts and Psalms in 1522–3.
		Estienne’s entire output is estimated to have been between 460 and 470 editions, and he printed books for other publishers as well as his own works.
		From 1540 Estienne was involved in the acquisition of Greek manuscripts for the royal collection.
	www.artnet.com /library/02/0268/T026811.asp (388 words)

	5. The First Fifty-two Years of Greek Printing / Formatting the Word of God (Site not responding. Last check: 2007-11-03)
		Members of the Estienne family, in particular Henri the Elder, Robert, and Henri the Younger, were among the most brilliant of these.
		So important was the authority of this text that a later scholar called Estienne the "Protestant Pope." This version of the Greek New Testament is often referred to as the "received text" (textus receptus), which means that it established a standard so authoritative that subsequent editors need to record deviations from it.
		As of 1539, Robert Estienne called himself the "Typographus Regius," the royal printer, an office he held under King Henri II.
	www.smu.edu /bridwell/publications/ryriecatalog/5_6.htm (435 words)

	Chapters And Verses In The Bible
		Robert Estienne (he is better known in the English transliteration, Robert Stephens) was riding from Paris to Lyons "on horseback" whereupon he undertook this mamoth task.
		That is why, he suggested that sometimes the first one or two verses of the following chapter should have been at the end of the previous one, as the horse jumped a bit as Robert Estienne put his separated pencil mark on the flowing text.
		The divisions made by Hugo with the letters of the alphabet, and those adopted by Pagninus in his Latin Bible of 1528, were inconveniently large, and Robert Estienne (better known to us as Stephens) introduced a system of numbered verse divisions in his Greek New Testament published at Geneva in 1551.
	jmm.aaa.net.au /articles/2805.htm (1988 words)

	Amazon.com: "Robert Estienne": Key Phrase page (Site not responding. Last check: 2007-11-03)
		Etienne Dolet the Martyr of the Renaissance 1508 to 1546 by Richard Christie
		Nicolas Bourbon of Vandceuvre, all passed several years of their lives at Lyons between IS 3o and 1540, whilst Erasmus, Robert Estienne, Pole, Sadolet, Calvin, Beza, Antoine de Gouvea, mile Ferret,...
		Robert Estienne, ever practical as well as scholarly, 42...
	www.amazon.com /phrase/Robert-Estienne (558 words)

	Hélène Cazes :: UVic French Dept
		More specifically, she has spent the last decade in the company of a French humanist family : the Estiennes, who were remarkable printers and editors as of the beginning of the XVIth century.
		In so doing, she was brought to study history of medicine (particularly, of the human anatomy), history of rhetorics and, more significantly, history of family and familial relationships.
		Last, but not least, she is not tired of working on Henri Estienne and is preparing two annotated translations of his Latin and Greek poems (to be published by Les Belles Lettres and by Jean-Michel Place in Paris).
	web.uvic.ca /french/faculty/cazes_research.html (1649 words)

	Claude Garamond Summary
		From the late 1520s, Garamond was commissioned to cut types for the publishing firm of the scholar-printer Robert Estienne.
		He was one of the leading type designers of his time, and several of the typefaces he designed are still in use, notably the font Garamond, named in his honor.
		Claude Garamond's career and typefaces, of Robert Granjon's italic types which were combined with Garamond roman types, and a brief summary of subsequent revivals through Garamond Premier Pro.
	www.bookrags.com /Claude_Garamond (315 words)

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