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| | Robert Johnson's Blues |
 | | Johnson capitalized on the story that he had sold his soul to the Devil in order to play guitar better than anyone else, in part by emphasizing in his lyrics themes of damnation and of lost souls, especially in Crossroad Blues. |
 | | Johnson's songs capture the complex traditions which became the Blues: African (especially Yoruban) legends of meeting Legba at the crossroads, European traditions about the crossroads as a mystical place, Judeo-Christian beliefs about the soul, Mississippi Delta spiritual traditions, and, of course, the complicated African, European, and American musical strains behind the music. |
 | | The University of Virginia's Robert Johnson Notebooks provides a wealth of information, including the words to his songs, discographies, biography, and critical essays about Johnson and his work. |
| www.library.csi.cuny.edu /dept/history/lavender/bluesques.html (492 words) |
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