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| | La Gia-Honda: Robert Williams' car-crashes on canvas - Robert Williams, artist for underground comic Zap ArtForum - ... (Site not responding. Last check: 2007-10-13) |
 | | To Williams, the no-holds-barred creative freedom of Zap was an expression of social dissent as important to him as dodging the Vietnam draft; and indeed, as if to prove the point, the magazine's publisher and various of its distributors were harassed by the FBI, and the artist began to receive hate mail from right-wing types. |
 | | At first sight, Williams' paintings may shock, titillate, or disgust as readily as bloody bodies and mangled metal, but they differ from the spectacle of auto fatalities insofar as they are not senseless. |
 | | Williams distributes key narrative moments across the surface of the painting: in an inset panel, a boy gets a scolding from his father for reading a comic; in the central image, thuglike police rush onstage as the boy's head explodes, leaving Mr. |
| www.findarticles.com /p/articles/mi_m0268/is_n3_v32/ai_14875081 (884 words) |
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