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| | Oxford American.com |
 | | The parsing of music into verbal and nonverbal categories is also one of the hallmarks of “rockism,” the logocentric attitude that subscribes to a host of false dichotomies such as hip vs. square, hard vs. soft, raw vs. slick, authentic vs. fake, and rock vs. pop. |
 | | Rockism is what prompts people to ask, “Beatles or Stones?” as if they couldn’t imagine that the answer could be, “Both, and James Brown, Martha Reeves, and Dusty Springfield too!” Rockism induces people to size up, canonize, and suppress music instead of abandoning themselves to its pleasures and powers. |
 | | Rockism betrays a divide-and-conquer mentality rooted in phallocentrism, the hierarchal identification of the masculine with logic, and thus as the animating and grounding force in the universe. |
| www.oxfordamericanmag.com /content.cfm?ArticleID=84&Entry=Home (2088 words) |
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