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| | Roger Fenton's Photography |
 | | Silly and strange as it may seem to us now, dressing up like an Arab and having your picture made was a standard pastime in Victorian Britain: Orientalism was a common motif in the painting of Fenton's time, and it must have been natural for him to carry it over into photography. |
 | | Most of the people posing in the series from which this image is taken are friends, and some are members of his family, though the woman in this one, louche as it is, is apparently a model. |
 | | Note, for relativism's sake, how stereotypes about the Near East have shifted: To Fenton, as to his contemporary, Flaubert, it stands for sensuality, licentiousness, and a kind of dreamy exoticism. |
| www.slate.com /id/2114884/slideshow/2113145/entry/2114903/fs/0 (157 words) |
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