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	Rogier Van Der Weyden - LoveToKnow 1911
		Two pictures of St Luke painting the Virgin, at Brussels and St Petersburg respectively, are attributed to him.
		Van der Weyden attracted many foreigners, notably Martin Schongauer, to his studio, and he became one of the main influences in the northern art of the 15th century.
		His descendant, Rogier Van Der Weyden the younger, is known to have entered the Antwerp gild in 1528, but no work of his has yet been satisfactorily authenticated.
	www.1911encyclopedia.org /Rogier_Van_Der_Weyden (245 words)

	Roger van der Weyden Summary
		Rogier van der Weyden, probably born at Tournai, was the son of a master cutler.
		Rog(i)er van der Weyden, also known as Roger de la Pasture or Rogier de Bruxelles, (1399/1400 – June 18, 1464) was, on the par with Jan van Eyck, the greatest Flemish and Northern European painter of the 15th century.
		Roger was born at Tournai, where in 1427 he entered the studio of Robert Campin, previously known as the Master of Flémalle.
	www.bookrags.com /Roger_van_der_Weyden (1677 words)

	Roger Van Der Weyden - LoveToKnow 1911
		He established himself in Brussels about 1 435 He was in Italy in 1449-1450, but his visit shows no result on his style, which owes nothing to Italian models; and he returned to Brussels, where he died on the 18th of June 1464.
		He was not a pupil of Jan van Eyck, as was at one time supposed.
		There are Lives of the elder Van der Weyden by A. Wauters (1856) and Alex.
	www.1911encyclopedia.org /Roger_Van_Der_Weyden (231 words)

	Rogier Van der Weyden
		Maar terwijl Van Eyck meester is van de observatie, blinkt van der Weyden uit in de weergave van de emotie.
		Van der Weyden staat ook dichter bij het volk en de burgerij dan Van Eyck die vooral voor de adel schilderde.
		In 1435 vinden we van der Weyden terug als stadsschilder in Brussel.
	www.degrootstebelg.be /dgb_master/100belgen/dgb_vanderweyden_rogier/index.shtml (310 words)

	Encyclopedia: Roger van der Weyden (Site not responding. Last check: 2007-10-14)
		Rog(i)er van der Weyden, also known as Roger de la Pasture or Rogier de Bruxelles, (1399/1400 - June 18, 1464) was a Flemish painter.
		It is generally accepted that this is Rogier van der Weyden (the French and Flemish forms of the name both meaning `Rogier of the Meadow'), although it is uncertain why he should have started his apprenticeship so late.
		Unlike Jan van Eyck he seems to have had a large workshop with numerous assistants and pupils, and many of his compositions are known in several versions.
	www.nationmaster.com /encyclopedia/Roger-van-der-Weyden (473 words)

	School Of Roger Van Der Weyden
		Roger certainly spent some time in Ferrara, where his presence can scarcely have been without influence on the school of painting which was just coming into life there.
		Roger van der Weyden's influence on contemporary art was so far-reaching that, though the number of works known to be actually from his own hand is small, there are in nearly every gallery some anonymous or wrongly-named pictures which evidently belong to his school.
		The beautiful cherry-red of the Virgin's drapery, a favourite colour with Memlinc, is repeated in the canopy of her richly-decorated throne, hung with a strip of costly brocade, boldly patterned in fl and gold, and in the oriental carpet at her feet.
	www.oldandsold.com /articles34/german-flemish-masters-3.shtml (7859 words)

	Roger van der Weyden - HighBeam Encyclopedia
		Weyden, Roger van der, c.1400-1464, major early Flemish master, known also as Roger de la Pasture.
		Van Eyck, however, had been a master at objective rendering of detail, whereas Roger in his work portrayed emotions with an assurance that has not been surpassed.
		Roger is believed to have made a pilgrimage to Italy in the holy year 1450.
	www.encyclopedia.com /doc/1E1-Weyden-R.html (582 words)

	Roger van der Weyden - Wikipedia, the free encyclopedia
		He did not study with Jan van Eyck, his older colleague, who perfected the art of oil painting during Roger's lifetime.
		His style differs from van Eyck's in its direct appeal to emotion and the sometimes highly dramatic composition; but his handling of paint is akin to van Eyck in its lucid, gemlike perfection.
		The Crucifixion in the Royal Museums of Fine Arts, Brussels, assigned either to him or to Memling, and containing portraits of the Sforzas, probably represents Roger van der Weyden in some of the principal figures at least, though Memling may have completed the picture.
	en.wikipedia.org /wiki/Roger_van_der_Weyden (426 words)

	Roger van der Weyden: Definition and Links by Encyclopedian.com - All about Roger van der Weyden
		He was in Italy in 1440-1450, but his visit shows no result on his style, which owes nothing to Italian models; and he returned to Brussels, where he died.
		Memlinc was his greatest pupil; and his place in the early Flemish school is second only to that of the Van Eycks.
		The Crucifixion in the Brussels Museum, assigned either to him or to Memlinc, and containing portraits of the Sforzas, probably represents Roger van der Weyden in some of the principal figures at least, though Memlinc may have completed the picture.
	www.encyclopedian.com /ro/Roger-van-der-Weyden.html (254 words)

	Biography
		Jan van Eyck, the great painter from Bruges, also profoundly affected the developing artist, introducing elegance and subtle visual refinements into the bolder, Campinesque components of such early paintings by Rogier as St.
		Although as an apprentice Rogier must certainly have met Jan van Eyck when the latter visited Tournai in 1427, it was more likely in Bruges, where Rogier may have resided between 1432 and 1435, that he became thoroughly acquainted with van Eyck's style.
		Every Flemish painter of the succeeding generation - Petrus Christus, Dierik Bouts, Hugo van der Goes, and Hans Memling (who may have studied in Rogier's atelier) - depended on his formulations; and, during the 16th century, Rogierian ideas were transformed and revitalized by Quentin Massys and Bernard van Orley.
	www.wga.hu /bio/w/weyden/rogier/biograph.html (1154 words)

	Stockt - AMAM
		Works ascribed to Vrancke van der Stockt are distinguished by their slim, elegant figures with rather angular, mannered silhouettes; they are further characterized by a consistent use of Rogerian motifs, repeated virtually unchanged from the original.
		The inclusion of Christ's temptations in representations of the Baptist is relatively rare; the central panel of Rogier's Saint John Altarpiece in Berlin, representing the Baptism of Christ, incorporates the three temptations of Christ in the painted archivolt surrounding the scene and probably served as a prototype for van der Stockt's composition.
		Van der Stockt was a friend and possibly a collaborator of van der Weyden, and succeeded him as official painter to the town of Brussels in 1464.
	www.oberlin.edu /allenart/collection/stockt.html (1458 words)

	WEYDEN ROGER VAN DER (Site not responding. Last check: 2007-10-14)
		Weyden, whose father was Roger de la Pasture, was born in Tournai and studied with Robert Campin whose works are among the best produced by Flemish artists of the 15th Century.
		Roger entered the studio the Campin as an apprentice in March 1427 and became a master in Tournai on August 1st 1432.
		Van der Weyden, who knew so well how to instil much sensuality in his works, managed to transmit his emotional art to two of his main pupils, Thierry Bouts and Hans Memling with whom the school of Bruges managed to shine for another few decades.
	www.artcult.com /weyden.html (375 words)

	[No title] (Site not responding. Last check: 2007-10-14)
		Van der Weyden was a Flemish artist born around 1400, which puts him very early in the Northern Renaissance era.
		Van der Weyden was able to incorporate the Flemish realism of Van Eyck, marrying it to the stark, emotionalism of Robert Campin, and in so doing, evolved a style imbued with such touching human emotion that his work often moved viewers to tears.
		Van der Weyden probes every different kind of grief in the faces and figures of his mourners while never letting the pathos get out of hand.
	users.1st.net /jimlane/98arch/11-28-98.htm (469 words)

	Encyclopedia article: Hubert van Eyck (Site not responding. Last check: 2007-10-14)
		Hubert was the oldest of the Van Eyck (Flemish painter who was a founder of the Flemish school of painting and who pioneered modern techniques of oil painting (1390-1441)) family of painters.
		After this great work was finished it was placed, in 1432, on an altar in St Bavon of Ghent, with an inscription on the framework describing Hubert as “maior quo nemo repertus,” and setting forth, in colours as imperishable as the picture itself, that Hubert began and Jan afterwards brought it to perfection.
		Jan van Eyck certainly wished to guard against an error which ill-informed posterity showed itself but too prone to foster, the error that he alone had composed and carried out an altarpiece executed jointly by Hubert and himself.
	www.absoluteastronomy.com /encyclopedia/h/hu/hubert_van_eyck.htm (672 words)

	Kids.Net.Au - Encyclopedia > Rogier van der Weyden (Site not responding. Last check: 2007-10-14)
		1400 - June 18, 1464), Flemish painter, also known as Roger de la Pasture, Rogier de Bruxelles, etc., was born at Tournai, where in 1427 he entered the studio of Robert Campin[?].
		He was in Italy in 1440-1450, but his visit shows no result on his style, which owes nothing to Italian models; and he returned to Brussels, where he died.
		The Crucifixion in the Brussels Museum, assigned either to him or to Memlinc, and containing portraits of the Sforzas, probably represents Roger van der Weyden in some of the principal figures at least, though Memlinc may have completed the picture.
	www.kids.net.au /encyclopedia-wiki/ro/Rogier_van_der_Weyden?title=Robert_Campin (244 words)

	Roger Van Der Weyden, roger van der weyden biography, roger van der weyden paintings, abstract art painting, famous art ...
		Rog(i)er van der Weyden, also known as Roger de la Pasture or Rogier de Bruxelles, (c.
		His style differs from van Eyck's in its direct appeal to emotion and the sometimes highly dramatic composition; but his handling of paint is akin to van Eyck in its lucid, gemlike perfection.
		Unlike other Flemish masters, Roger used little underdrawing for his oil paintings, only blocking out the positions of the major elements in the composition.
	www.reviewpainting.com /Roger-Weyden.htm (297 words)

	Roger van der Weyden - Encyclopedia, History, Geography and Biography
		His great family portrait in the Ufizzi Gallery in Florence had an important influence on the spread of oil painting into Italy in the late 15th century.
		His style differs from van Eyck's in its direct emotionality and his sometimes melodramatic composition.
		Roger van der Weyden, Life, Works, See also and External link.
	www.arikah.com /encyclopedia/Roger_van_der_Weyden (420 words)

	Encyclopedia: Rogier van der Weyden (Site not responding. Last check: 2007-10-14)
		His original name was De la Pasture, which was transformed in Flemish into Van der Weyden.
		He was said to have been a pupil of van Eyck, e.g.
		His work is far more religious than that of van Eyck, and the figures in his pictures much more dramatic, animated, and at times almost tragic.
	www.nationmaster.com /encyclopedia/Rogier-van-der-Weyden (486 words)

	Robert Campin - HighBeam Encyclopedia
		Campin, Robert, 1378-1444, Flemish painter who with the van Eycks ranks as a founder of the Netherlandish school.
		His works are characterized by a robust and highly developed realism and concern for the details of daily life, which constituted an important stage in the stylistic progression leading to the art of Jan van Eyck.
		It is believed that Roger Van der Weyden was apprenticed in Campin's workshop.
	www.encyclopedia.com /doc/1E1-Campin-R.html (444 words)

	Roger van der Weyden : Rogier van der Weyden (Site not responding. Last check: 2007-10-14)
		Roger van der Weyden : Rogier van der Weyden
		terms defined : Roger van der Weyden : Rogier van der Weyden
		He was thinking how long it would take him to ETEXT EDITOR'S BOOKMARKS: Being a man of very few ideas, he cherished those he had.
	www.termsdefined.net /ro/rogier-van-der-weyden.html (435 words)

	Search: Rogier Van Der Weyden
		Art by rogier van der weyden and More Professional framing available.
		Rogier van der Weyden was born in Tournai as 'Rogier de le Pasture'(E:Roger of the Pasture) in 1399 or 1400.
		Rogier van der Weyden [Netherlandish Northern Renaissance Painter, ca.1400-1464] Guide to pictures of works by Rogier van der Weyden in art museum sites and...
	www.classifieds2000.com /webmkt.cls2k/search/web/Rogier%2BVan%2BDer%2BWeyden/-/-/1/-/-/-/1/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/-/302349/right (152 words)

	Memling, Hans. The Columbia Encyclopedia, Sixth Edition. 2001-05
		He may have studied with Roger van der Weyden in Brussels, but after 1466 he was in Bruges, working for Flemish patrons and for the many Italian businessmen there.
		His religious works reflect van der Weyden’s figure types, but without their religious intensity.
		Important works include The Adoration of the Magi Triptych and the Diptych of Martin van Nieuwenhoven (both Bruges); other pictures are in the Metropolitan Museum and the Pierpont Morgan Library, New York City; the National Gallery of Art, Washington, D.C.; and the museums of San Diego, Houston, and Montreal.
	www.bartleby.com /65/me/Memling.html (223 words)

	Joel Upton: Petrus Christus (Site not responding. Last check: 2007-10-14)
		Long hidden in the shadows of Jan van Eyck and Roger van der Weyden, Petrus Christus was one of the crucial painters active in the complex development of Flemish painting during a period of remarkable vitality and attainment.
		From the time of Jan van Eyck's death in 1441 to the arrival of Hans Memling in 1465, Christus was the only panel painter who lived in Bruges whose oeuvre is known.
		While Upton acknowledges the acclaimed virtuosity of Jan and Roger in the portrayal of religious truths through compelling physical and emotional specificity, he argues that they preserve a conceptual distance between the image and the beholder that Christus deliberately closed.
	www.psupress.psu.edu /books/titles/0-271-00672-2.html (283 words)

	Roger van der Weyden at Philly Wire
		Title: Rogier van der weyden en zijn tijd : internationaal colloquium, 11-12 juni 1964 = roger van der weyden et son bepoque : colloque international, 11-12...
		roger van der weyden (1399/1400-64), fue el artista mÃ¡s importante de...
		Rogier van der weyden (roger de la Pasture) (1399 ou 1400-1464) Ã©tait un peintre flamand.
	www.phillywire.com /Roger_van_der_Weyden.html (691 words)

	Van Der Weyden (1399 - 1464) Artwork Images, Exhibitions, Reviews
		Van der Weyden’s expressive and colorful portraits were known for their technical and compositional aptitude.
		Rogier van der Weyden - Saint George and the Dragon c.
		Portrait of Antony of Burgundy by WEYDEN, Rogier van der
	wwar.com /masters/w/weyden-van_der.html (518 words)

	Jan van Eyck : The Play of Realism (Site not responding. Last check: 2007-10-14)
		This is not a biography of van Eyck nor is it a comprehensive analysis of all of the painter's work.
		The early Netherlandish painters, such as Dirk Bouts, Roger van der Weyden, Robert Campin, Hans Memling, and Petrus Christus, are characterized by their crystalline light, saturated colors, and obsession with clearly-rendered detail.
		However, Jan van Eyck's realism, especially his sensitively wrought faces, his evocative landscapes, and his almost miraculous ability to render the textures of brocade, metal, glass, armor, and architecture, was the never-surpassed inspiration for so many of his contemporaties and followers.
	www.textkit.com /0_0948462795.html (427 words)

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