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Surrealist Subversions: Foreword (Site not responding. Last check: 2007-10-21) |
 | | Even more importantly, Sakolsky never forgets--and in his writings, never lets the reader forget--that the purpose of social revolution is not just to seize the means of production and to smash the state, but to create the conditions for new ways of life in which freedom, play and pleasure will supersede slavery, work and misery. |
 | | In Sakolsky's case, it is surely his passion for such protosurrealist and objectively surrealist creators as Blake, Fourier, Lindsay (in his wilder moments), Angela Carter, Thelonious Monk, Joseph Jarman and Henry Threadgill that have made him feel right at home in surrealism's garden of earthly delights. |
 | | Sakolsky's anthology thus supersedes the narrow and tiresome literary/artistic categorizations to which surrealism is usually assigned by critics, and situates it in the much broader context that surrealists themselves have always preferred: the revolutionary context. |
| www.autonomedia.org /surrealistsubversions/excerpt.html (1199 words) |
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