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Topic: Root note

	Learn more about Chord (music) in the online encyclopedia. (Site not responding. Last check: 2007-10-22)
		The triad formed using the C note as the root would consist of C (the root note of the scale), E (the third note of the scale) and G (the fifth).
		Each note has a function within the chord, the note the chord is built on is called the root of the chord, the second note a third above it is called the third of the chord, and the third note a third above the second note is called the fifth of the chord.
		The strongest form of motion has root movement by fifth, which is the characteristic sound used as finality in most music of the baroque and classical periods, and is also exploited to modulate a piece of music into a different key.
	www.onlineencyclopedia.org /c/ch/chord__music_.html (2645 words)

	PlanetMath: nth root
		The nth root operation is distributive for multiplication and division, but not for addition and subtraction.
		This is version 20 of nth root, born on 2001-11-11, modified 2005-09-16.
		The odd n'th root (cube root etc.) of a real number b can not be identified with the "fractional power" a^{1/n}, although so has been done in the entries "n'th root" and "cube root".
	planetmath.org /encyclopedia/NthRoot.html (535 words)

	Electronic musical instrument providing chord tones in just intonation - Patent 4248119
		The root note assigning channel detector 24 operates to detect a channel which is assigned with a depressed key of the lower keyboard having the detected root note name, and comprises a coincidence detection circuit 240.
		The subordinate note assigning channel detectors 25-1 through 25-7 operates to detect channel which are assigned with depressed keys of the lower keyboard corresponding to the respective subordinates notes or intervals and are constituted by a coincidence detection circuit 250 and a code converting circuit 251.
		The root note signal RN read out from the chord root name encoder 23 is applied to one input of the coincidence detector 240 of the root note assigning channel detector 24 and to the code converters 251 of each one of the subordinate tone assigning channel detectors 25-1 through 25-7.
	www.freepatentsonline.com /4248119.html (4798 words)

	An Introduction To Chords (Site not responding. Last check: 2007-10-22)
		A major chord consists of a 'root' (the note on which the chord is based, usually also the lowest note of the chord), the note a 'major third' (four half-steps) higher than the root, and the note a 'minor third' (three half- steps) higher than the second note.
		Note that the 6th note of the major scale is the tonic of the relative minor.
		Note that the difference between Gmaj7 and G7 is that the "seventh" we add in G7 is a half-step lower than it is in Gmaj7.
	www.radix.net /~dglenn/chords/chords.html (3231 words)

	Music Theory for the Short Attention Span from FolkBlues.Com
		Note that the top and bottom rows are identical -- that's where the repetition begins -- every 12th fret.
		Just a reminder that that note is really the 5th note of the "regular" major scale, but because the pentatonic skips the 4th and 7th notes, we call it Pattern 4.
		This pattern also returns us to the root note on the E strings, which means we have moved up one whole octave, or 12 frets, from root to root.
	www.folkblues.com /theory/penta_patterns1.htm (784 words)

	Cyberfret.com: Primer covering scales on the guitar
		This is the basic note that the scale is named after, and the main note that you should hear all of the other notes in the scale in relationship to.
		From the root on the 6th string to the root on the 4th string is 1 octave.
		Below is a major scale form where the lowest root note is on the 5th string, and the highest is on the 2nd string.
	www.cyberfret.com /scales/primer/page4.php (463 words)

	[No title]
		For example, we might play this: (all notes are 8th notes) E A E A E G----------------------------------------------------- D----------------------------------------------------- A--------------0--0--0-----------------0--0--0-------- E--0--0--0--4-----------4--0--0--0--4-----------4--0-- In this figure, we play the note G# (a half-step below the A) as a transition between the E and the A. Such a note is called a leading tone, or passing tone.
		Note the use of the octaves on the E and G roots.
		Observe how the root note is played, but never on the first beat of the measure: in the verse, the bass is resting, while in the chorus either the previous root is tied over, or a leading tone is played on the first note.
	www.electricbluesclub.co.uk /text/basslines_lesson3.txt (1638 words)

	Guitar chords 4th string root guitar chords
		This is the root for the A chord.
		Notice the root note on the D string is now on the C note 10th fret.
		The root of the each chord is found on the 4th string, this would be the D string.
	guitarsecrets.com /4th_string_root_chords.htm (644 words)

	Welcome To The Essential Guitar Guide
		To use the calculator, first select the root note of your chord, indicating whether you require the note to be sharpened or flattened by checking the relevant radio button.
		Note that you specify a Dom chord type when calculating chords that are actually written without a chord type, but do have at least 1 extension (don't confuse this with a chord simply written as 'C' - that refers to a Cmaj chord).
		Although the Eb note is correct, the strict key signiture would require that note to be referred to as a D#.
	www.essentialguitar.com /cal-instructions.htm (1019 words)

	Triads
		It should be noted that the D# in the Augmented triad is enharmonic to Eb; a note that is diatonic to the key of C minor.
		2) the triad rooted on the seventh note.
		When a tone other than the root is the lowest tone, the triad is referred to as either 1st inversion (3rd of the chord is the lowest note) or 2nd inversion (5th of the chord is the lowest tone).
	www.guitarland.com /Music10/MusFund/Triads/Triads.html (1725 words)

	PlaneTalk
		This lesson demonstrates the use of bass notes OTHER than root notes when playing chords.
		The usual "root note", or tonic, can be replaced by other notes, usually the 3 or 5 of the chord
		notes) which tends to lead the ear to the next chord, making this rendition much more interesting and musical.
	www.thatllteachyou.com /bass_notes.html (179 words)

	Lab 10 Plant Tissues
		Note that they are quite small, have tiny cell walls, and a large nucleus.
		Note that in the surrounding cells a nucleus is present but no chloroplasts.
		Note the red cross-like structure in the center of this cross section.
	www2.volstate.edu /msd/BIO/1020/lab10planttissues.htm (1600 words)

	The Harp Reference: Jamming Over Chords
		The root note, C, of the I chord, C7, is the same as the 5 (dominant) of the IV chord, F7.
		(IV) F7: F A C Eb The F7 and G7--IV and V chord--share the F note, the root of the IV and the 7 of the V. The 7 is a note of tension, the root, a note of resolution.
		Arpeggios begin on the root note, scales go from root (tonic) to root, and interval relationships are revealed based on the root note.
	www.angelfire.com /tx/myquill/JammingOverChords.html (1136 words)

	Jeffrey Ryan Smoots Progressive Music
		This means the root is on the G string, and that determines the name of the arpeggio.
		The name of the arpeggio is determined by which note you decide is the root (either the note on the G string or the note on the B string).
		To put it plainly, you decide whether the root of the arpeggio is on the G string, or the B string.
	www.jrsmoots.com /guitarlessons/mlesson3.htm (821 words)

	MusicLab \| Rhythm'n'Chords for Cakewalk \| Manual
		Root Position is a chord identification mode allowing you immediately select any chord from Chord Menu in a simple way: just play its piano version on MIDI keyboard (keep in mind that the root note should be the lowest voice in the incoming chord).
		Press 'g' (root note), 'a' (9th), 'e' (13th), 'f' (7th) in 1 octave range ('g' should be the lowest note).
		All the notes you play on a MIDI keyboard will appear on the virtual keyboard, the same time the chord symbol named User1 will appear in the score (the lowest note will be considered as the root note).
	www.musiclab.com /products/rncmanual/rncman4.htm (1824 words)

	Version 3.01
		ROOT is available in binary and source form.
		ROOT 3.03/09 complete source tree for all systems (6.2 MB).
		ROOT 3.03/09 classes html documentation compressed tar file(15.6 MB).
	root.cern.ch /root/Version303.html (829 words)

	Root notes (of chords) (Site not responding. Last check: 2007-10-22)
		So, the note C is the root note of the C major chord.
		In the above chord diagrams, the circles for the root notes have been replaced with R. You should memorize where the root notes are in every chord shape you learn (scales too).
		One of the more basic strums is to first pick the root note (usually the lowest one), and then down strum the rest of the chord.
	members.aol.com /snglstring2/chords/root.html (254 words)

	Inversion (music) - Wikipedia, the free encyclopedia
		Chords of four notes or more, however, can be in their third inversion: the third inversion of a dominant seventh in C major, for example (made up of the notes G, B, D and F) has the seventh, F, in the bass.
		A written note C with no digits stands for C 5 3, which is a root position C major triad (given a key signature that does not alter E or G), as G and E are a fifth and third above this note.
		An interval is inverted by raising or lowering either of the notes the necessary number of octaves, so that both retain their names (pitch class) and the one which was higher is now lower and vice versa, changing the perspective or relation between the pitch classes.
	en.wikipedia.org /wiki/Inversion_(music) (1716 words)

	iBreatheMusic Forums - Anoter Simple Question..
		I think that you would, because if you played one of each note and the root on top of it, you would be doubling the root.
		The position of the remainder notes of the triad can change making a different chord "disposition", but it doesn't change the chord cualification, that is determined by the bass note.
		Interpreting 'interval' to mean distance, then yes, although the distance between a note and itself, referred to as a unison interval, is a formal defintion as well.
	www.ibreathemusic.com /forums/showthread.php?t=1711 (559 words)

	Chords - 1000 Great Guitar Sites on the Web
		Notes in chords are referred to by their note number, so that a single scheme can be used, regardless of the chord's root note, or the key and scale you're using.
		Note in order for the first finger to be used as a barre, the fingering has to be changed slightly; use your 2nd, 3rd and 4th fingers instead of the usual 1st, 2nd and 3rd fingers.
		A minor chord of notes 1, b3,5 and a diminished chord of 1.b3,b5.
	www.guitarsite.com /chords.htm (1725 words)

	ROOT version 4.00/08 Release Notes
		Note that with this release, we are supporting binaries for more platforms/compilers.
		Note that when creating a Tree, the default maximum size for a Tree is set to 1.9 GBytes.
		Note that if you use the same 'variable' twice, it is more efficient to 'cache' the value.
	root.cern.ch /root/Version40008.news.html (3600 words)

	Guitarsecrets.com - Guitar chord inversions and diatonic guitar chords
		For example, the C chord is constructed with the (root 1st), 3rd and 5th intervals in the major key.
		The next chord Dm, has the notes (root D), F and A. These are the notes of the Dm chord.
		Notice that the C note is no longer the root note, but the E is. In the 2nd inversion below the G note is now the root note G, C and E. All chords can be played using these different types of construction.
	guitarsecrets.com /lessons/inversions.htm (685 words)

	Guitarwheel.com
		“1” is the root note and is therefore in a white dot.
		The 6 Note Blues Scale is formed by adding the flat 5th (blue) note to the Minor Pentatonic Scale.
		Notes with two names are shown in this example to correct the spelling for Major Scales.
	www.guitarwheel.com /?page=instructions (841 words)

	Root Anatomy
		Cell files in the Root Body converge upon these cells in the meristem and they thus bear a resemblance to apices which have an apical cell.
		This trait was used to devise some imaginative experiments on the root cap and geotropism by Swiss and Scottish scientists.
		The root in the center is producing lateral or secondary roots.
	www.botany.hawaii.edu /faculty/webb/BOT410/Roots/ApicalMeristems.htm (385 words)

	Uncle Tim's Fine Guitar Books
		so for the C major scale the I chord would have a root of C, the IV chord would have a root of F and the V chord would have a root of G. i dont understand how the rest of the IV and V chords are made.
		You build each chord by stacking the first (root) note, the third note (or degree) and the fifth note.
		The gray notes are in the chords, the white notes are notes in the scale but not in the chord.
	www.uncletim.com /answers/aminorchords.htm (782 words)

	#57436: Verisign Class 3 and Class 2 PCA Root Certificate Expiration (Site not responding. Last check: 2007-10-22)
		Note: JDK 1.1.8 and earlier releases are not affected by this issue.
		However, please note that you should not choose these options unless you are prepared to trust the software that you are going to run or the web site that you are trying to connect to via https.
		Note: You should examine the certificate for validity by comparing the fingerprints in the output above with the output from keytool to confirm that they are the same before importing it.
	sunsolve.sun.com /search/document.do?assetkey=1-26-57436-1 (1503 words)

	modes2scales
		To standardize music so musicians from one area could play with musicians of another area, a standard note tuning was instituted, and the C Major scale was assigned as the common Major scale, and would be harmonious to Major and minor compositions written with C Major scale notes.
		Likewise if a composition passage was written with C Major notes but with an E root, it would be an Eminor7b6b9 scale, and would therefore be harmonic to everything else in the composition written from C Major notes under that old standard.
		So the tuning standard we use today does not have pure harmonious notes and the notes are off harmony slightly, but we do not recognize it because our ears are attuned to the tuning we use.
	www.homestead.com /dennysguitars/modes2scales.html (4178 words)

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