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Topic: Rosario Castellanos

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	Castellanos, Rosario Criticism and Essays
		Castellanos is best known for works that reveal and challenge social hierarchies and systematic discrimination in her native Mexico.
		Using a tone of ironic humor, with which she mocked social conventions, Castellanos employed historical and religious metaphors to illuminate a cultural tradition of oppression in which women and native people are deprived of individual freedom.
		Castellanos was buried in the Rotunda de los Hombres Illustros, a tomb reserved for Mexico's most respected leaders and heroes.
	www.enotes.com /short-story-criticism/castellanos-rosario (739 words)

	Rosario Castellanos - Wikipedia, the free encyclopedia
		Rosario Castellanos (25 May 1925 – 7 August 1974) was a Mexican poet and author.
		In recognition for her contribution to Mexican literature, Castellanos was appointed ambassador to Israel in 1971.
		Throughout her career, Castellanos wrote poetry, essays, one major play, and two novels: the semi-autobiographical Balún Canán and Oficio de tinieblas (translated into English as The Book of Lamentations) depicting a Tzotzil indigenous uprising in Chiapas based on one that had occurred in the 19th century.
	en.wikipedia.org /wiki/Rosario_Castellanos (647 words)

	Rosario Castellanos
		This social division was complicated, for Castellanos, by her awareness of the alienated and disempowered situation of women in both traditions.
		Castellanos’ friend Elena Poniatowska characterized this complex position in personal terms: "Rosario was always alone, Her childhood was lonely, her adolescence desperately so, and as an adult she lived under the sign not just of loneliness but of singleness.
		According to Castellanos, her poetic vision was determined in large part by the Mexican Indian’s mystical understanding of the interconnectedness of all life; further, the influence of Gabriela Mistral is sometimes clear in her later poems.
	www.geocities.com /poesiamsigloxx/rosario/rosario-bio.html (775 words)

	Selected Poems of Rosario Castellanos
		Because Rosario Castellanos was a feminist in her actions and her writings I am going to relate this poem mainly to women.
		Castellanos becomes the earth, she becomes the mother, and yet she rejects the motherhood that the sky forces down on her.
		Castellanos’ fight to reject what was expected of her writing came through the honest truth telling of a woman’s feelings and a woman’s opinion on how she (speaking for all women) was treated.
	www.wmich.edu /dialogues/texts/selectedpoemsofrosariocastellanos.htm (2005 words)

	Rosario Castellanos at AllExperts
		Rosario Castellanos (25 May 1925 – 7 August 1974) was a Mexican poet and author.
		In recognition for her contribution to Mexican literature, Castellanos was appointed ambassador to Israel in 1971.
		Throughout her career, Castellanos wrote poetry, essays, one major play, and two novels: the semi-autobiographical BalÃºn CanÃ¡n and Oficio de tinieblas (translated into English as The Book of Lamentations) depicting a Tzotzil indigenous uprising in Chiapas based on one that had occurred in the 19th century.
	en.allexperts.com /e/r/ro/rosario_castellanos.htm (497 words)

	Amazon.fr : City of Kings: Livres en anglais: Rosario Castellanos,Robert S. Rudder (Site not responding. Last check: 2007-09-17)
		A subtle paradox inhabits these unrelenting stories: Castellanos (1925-1974) was herself a wealthy ladina or white woman of mixed (European and indigenous) ancestry.
		Castellanos focuses on the exploitation of the indigenous population by the ladinos (whites) and the deep-seated racism and blind prejudice of both groups.
		A prolific writer in many genres, Castellanos (1925-74) is part of the Mexican "Generation of 1950" and is considered one of Mexico's leading feminist authors.
	www.amazon.fr /City-Kings-Rosario-Castellanos/dp/0935480633 (526 words)

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	Experience Literature - Poetry (Site not responding. Last check: 2007-09-17)
		When Castellanos was a teenager her family moved back to Mexico City, where, after graduating from high school, she studied sociology at Universidad Nacional Autonoma Mexico.
		Castellanos added the study of literature to her course work and in 1950 graduated with a master's degree in philosophy.
		Castellanos was living in Tel Aviv when she was accidentally electrocuted in 1974.
	www.bedfordstmartins.com /introduction_literature/poetry/castellanos.htm (324 words)

	Castellanos,Rosario Books - Signed, used, new, out-of-print
		Rosario Castellanos was born in Mixico City in 1925.
		In the stories Castellanos describes the struggle of the local Indians, who are discriminated against by the mestizo and white inhabitants of the city.
		At the time of Rosario Castellanos's death (1974) in an accident in Tel Aviv (she was serving as her country's ambassador to Israel), she was considered Mexico's most important modern woman poet and exponent of feminism.
	www.alibris.com /search/books/author/Castellanos,Rosario (649 words)

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	WashingtonPost.com: The Sorrows of the Maya
		When Rosario Castellanos -- Mexican writer, scholar and diplomat -- was 8 years old, a cousin who consulted spiritists stormed into Rosario's parents' dining room with her gray hair standing on end and announced that one of their children was destined to die.
		Rosario Castellanos has described her childhood traumas as defining events in her life.
		Feminist writers on both sides of the border have claimed Castellanos as one of their own: Elena Poniatowska wrote of her, "It is in her life and her writing that we Mexican women recognize each other." And yet the opposing forces that shaped Castellanos's sensibility do not conform readily to feminist discourse in this country.
	www.washingtonpost.com /wp-srv/style/longterm/books/reviews/bookoflamentations.htm (855 words)

	University of Texas Press: A Rosario Castellanos Reader
		Thinker, writer, diplomat, feminist Rosario Castellanos was emerging as one of Mexico's major literary figures before her untimely death in 1974.
		Ahern reveals how Castellanos integrated women's images, bodies, voices, and texts to feminize her discourse and create a plurality of new signs/messages about women in Mexico.
		Castellanos observes, "...it's not good enough to imitate the models proposed for us that are answers to circumstances other than our own.
	www.utexas.edu /utpress/books/casros.html (231 words)

	'A Woman Schooled in Latin': Rosario Castellanos, Ambassador of Mexico and Chiapas
		Life in Chiapas as Rosario narrates it, with tenderness and compassion and without lapsing into exotic stereotypes, is harsh, marked by the ever-more explosive antagonism between whites and Indians, and also by the sufferings of another subaltern group, namely women, whatever their ethnicity.
		The peninsular reader may share a common language with Rosario Castellanos in general terms, but still stands in need of guidance if the goal is a full and accurate understanding of both the many particularities of the Spanish of Mexico and the cultural circumstances that frame them.
		In this context and in the light of Rosario's own feminist essays, she locates the Mexican writer as a member of a greater 'colectivo de mujeres libres' ('collective of free women' - 39), committed to 'la construcción de una cultura femenina posible' ('the construction of a possible female culture' - 36).
	www.seikilos.com.ar /RosarioCastellanos_en.html (3213 words)

	MavicaNET - Castellanos, Rosario (1925–1973) (Site not responding. Last check: 2007-09-17)
		Rosario Castellanos was born on May 25, 1925, in Mexico City, to a family of means.
		Castellanos grew up among the Indigenous people who have for centuries lived in the region, and at the time worked at her father's property.
		In the family home, it was also during these first years that the young Castellanos discovered that she was not the favorite of the family and, to make her feelings of alienation even worse, when her younger brother died she experienced rejection and solitude.
	www.mavicanet.com /lite/bel/40590.html (266 words)

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	Monstrous mothers and a the cult of the Virgin in Rosario Castellanos’ - Lisa Davies
		25 Castellanos may have chosen a very extreme example to demonstrate the capacities for violence and cruelty that a mother can possess but through the characters of Marcela and Catalina, she destroys the sentimental image of the Virgin-identified mother revealing this to be a myth which is impossible to recreate.
		In her theoretical work, Castellanos denounces the self-abnegation intrinsically associated with the institution of motherhood in Mexico referring to it as, ‘una virtud loca’, a mad virtue.
		Some have argued that Rosario Castellanos’ feminism is profoundly pessimistic as it offers no real alternatives for women. Often the only options for her female characters who break away from the traditional feminine role are madness and death.
	www.cf.ac.uk /euros/newreadings/volume6/davisl.html (1186 words)

	Rosario Castellanos Reader Review - Rosario Castellanos
		A Rosario Castellanos Reader presents English translations of selected works by Rosario Castellanos from 1948 to 1974.
		Castellanos’ fiction depicts the damaging effects of women’s economic and social dependence on men and of the patriarchal expectations that shape women’s lives.
		Castellanos’ play, The Eternal Feminine, offers an extended examination of the stereotypical roles assigned to women in Mexican culture.
	www.enotes.com /salem-lit/rosario-castellanos-reader (331 words)

	Rosario Castellanos Summary
		Rosario Castellanos is one of the preeminent poets in twentieth-century Mexican literature and one of the most significant women writers of Latin America.
		Consequently her fiction sprang from a deep-felt need to respond to issues close to her own reality; mainly the problems of Indians and the oppression of women.
		Rosario Castellanos(25 May 1925 – 7 August 1974) was a Mexican poet and author.
	www.bookrags.com /Rosario_Castellanos (257 words)

	Amazon.com: Balun-canan (Coleccion Popular): Books: Rosario Castellanos (Site not responding. Last check: 2007-09-17)
		Rosario Castellanos, one of Mexico's greatest writers, does a wonderful job of portraying life in ancient Chiapas.
		Rosario shares her life as a young girl alongside her nanny and her family.
		Both Rosario and her nanny narrate this story at certain points, allowing us readers to infer their opinions and views on certain problems and dilemmas, which refer to a hard time in the history of Mexico.
	www.amazon.com /Balun-canan-Coleccion-Popular-Rosario-Castellanos/dp/9681607287 (1131 words)

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	Rosario Castellanos.htm (Site not responding. Last check: 2007-09-17)
		She started life as the daughter of a white, wealthy, landowner and his overprotective wife and went on to become Mexico's ambassador to Israel.
		Castellanos brother died young and she lead a solitary life as a young girl.
		Some of her titles were: Director of Chiapas cultural programs, Professor in Latin American Literature, director of a traveling puppet show and finally Ambassador to Israel for Mexico, where she was electrocuted in an accident while doing her hair.
	www.cocc.edu /hum299/colleen/latinawomen/RosarioCastellanos.htm (339 words)

	SORDID MEDITATIONS ON WHAT MIGHT OCCUR IF FRANTZ FANON, ROSARIO CASTELLANOS,
		Listing a gaggle of male philosophers, scientists and knowitalls from centuries previous, Castellanos relents and allows the terms of one Moebius to be emblematic of Western intellectual attitudes towards women: “Moebius found women physiologically retarded” (242).
		Castellanos chronicles the risks of resisting this process as she speaks to a similar problem in the realm of gender: “the victor―who plants his heel on the cervix of the vanquished enemy―feels in each heartbeat a threat.
		Castellanos is every bit as theoretically sophisticated as Irigaray and Kristeva, surveying terrain similar to that of the French dynamic duo in the 1960’s.
	tell.fll.purdue.edu /RLA-Archive/1991/Spanish-html/Nericcio,William.htm (6760 words)

	Monstrous Projections of Femininity in the Fiction of Mexican Writer Rosario Castellanos
		One of the most unfathomable aspects of Castellanos’s work is the parade of female deformities within it, a record of the pain of women’s oppression in its diverse and varying forms, and the female body as a site of shame, disease, disfigurement and pain.
		“The author’s reading of Rosario Castellano’s female characterization is from a definite feminist perspective, but she also looks towards the various cultural forces at work in the Mexico of the 1950s to 70s (for example, the all-important indigenous question).
		This pioneering study (re)locates Rosario Castellanos as the major literary figure she has always been and provides us with an enabling intellectual framework for discussion of our textual constructions of femininity, especially but not exclusively in relation to her use of metaphor….
	www.mellenpress.com /mellenpress.cfm?bookid=3685&pc=9 (583 words)

	Biografías_Club de Lectores: Rosario Castellanos
		Rosario Castellanos Figueroa nació en la ciudad de México en mayo de 1925 y murió en Tel Aviv, Israel, en agosto de 1974.
		La obra de Rosario Castellanos tiene el precedente de sus tiempos.
		Rosario Castellanos siempre se manifestó como una intelectual que se encontraba en la primera línea de un frente contra la discriminación, la inferiorización y la desigualdad de relaciones y derechos que corresponden a la mujer.
	www.clublectores.com /biografias/rosario.htm (421 words)

	Rosario Castellanos, bibliografía sobre su obra ensayística
		A Rosario Castellanos Reader: An Anthology of her Poetry, Short Fiction, Essays, and Drama.
		Anderson, Helene M. "Rosario Castellanos and the Structures of Power".
		"Rosario Castellanos: The Inclusion of Plural Languages and the Problematic of Class and Race in Texts Written by Women".
	www.evergreen.loyola.edu /~TWARD/COURSES/biblio/castellanos.html (321 words)

	Rosario Castellanos Biography \| Encyclopedia of World Biography
		Rosario Castellanos considered literature a means of understanding the world around her.
		Moreover, she felt she had to write of how misery had atrophied their best qualities.
		Castellanos included women in significant roles in her indigenous and neo indigenous writings, so that class, race, and sex could be seen as constitutive parts of the economics of oppression.
	www.bookrags.com /biography/rosario-castellanos (187 words)

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