| | The Metropolitan Museum of Art - Special Exhibitions: Roy Lichtenstein on the Roof (Site not responding. Last check: 2007-10-01) |
 | | Also, with the reverse curve of her single supporting leg, counterbalanced by her off-center belly, Lichtenstein hints that Galatea is standing in a posture of contrapposto, a pose in which one part of the body is twisted in the opposite direction from the other part. |
 | | In Lichtenstein's Brushstroke Nude (1993) contrapposto is exaggerated to the point that the female figurered and white on one side, blue and white on the other, mirror-image sidehas the appearance of a fashion model twisting to show her outfit as she minces down the runway. |
 | | Endless Drip revives a characteristic of certain Lichtenstein sculptures of the late 1970s, in which the materialization of something evanescent, such as bronze steam rising from a sculptural coffee cup or bronze light beams cast by an overhead sculptural lamp, is conspicuous. |
| www.metmuseum.org /special/Roy_Lichtenstein_Roof/roy_images.htm (803 words) |