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| | Guardian Unlimited | Arts critics | Macbeth, Royal Shakespeare Theatre, Stratford-upon-Avon |
 | | And, while it is Shakespeare's greatest dramatic poem, it has severe defects as a play; which is why I suspect it works best in studio spaces where it is easier to create a claustrophobic imaginative world. |
 | | In a large theatre, however, we became spectators at a defective, helter-skelter tragedy in which much of the real drama is internal. |
 | | For, as Colin Chambers says in his new book, Inside the Royal Shakespeare Company, the question of whether it can once again become a centre of innovation rather than a corporation "is as critical for an increasingly uncertain Britain as it is for the company itself". |
| www.guardian.co.uk /arts/critic/review/0,1169,1173497,00.html (1059 words) |
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