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	Rubin Goldmark - Wikipedia, the free encyclopedia
		Rubin Goldmark (August 15, 1872 (New York City) - March 6, 1936 (New York City)) was an American composer, pianist, and educator.
		Goldmark taught composition at the National Conservatory and at the College Conservatory in Colorado, and spent the last twelve years of his life as head of the composition department at Juilliard.
		Rubin Goldmark was the nephew of composer Karl Goldmark.
	en.wikipedia.org /wiki/Rubin_Goldmark (206 words)

	Karl Goldmark - Wikipedia, the free encyclopedia
		Karl Goldmark, also known originally as Károly Goldmark and later sometimes as Carl Goldmark, (born in Keszthely, Hungary on May 18, 1830; died in Vienna on January 2, 1915) was a Hungarian composer from a large Jewish family, one of 20 children.
		Among the musical influences Goldmark absorbed was the inescapable one, for a musical colorist, of Richard Wagner, whose anti-semitism stood in the way of any genuine warmth between them; in 1872 Goldmark took a prominent role in the formation of the Vienna Wagner Society.
		Goldmark's chamber music, in which the influences of Schumann and Mendelssohn are paramount, although critically well-received in his lifetime, is now rarely heard.
	en.wikipedia.org /wiki/Karl_Goldmark (865 words)

	Rubin Goldmark (1895-1902)
		Rubin Goldmark, nephew of Karl Goldmark and teacher of Aaron Copland, received his general education at the New York City College and the University of Vienna.
		Goldmark reorganized the Music Department as a "Conservatory of Music" and created a first period of musical excellence and splendor for the college and the community.
		Goldmark gave the principal address at the cornerstone ceremony, which contained the following often quoted remark: "The destiny of art pointed westward; art had come out of the East and its progress had been toward the West".
	www.coloradocollege.edu /dept/MU/mu2/DeptHistory/Goldmark.html (1299 words)

	Karl Goldmark (Site not responding. Last check: 2007-10-09)
		Peter Goldmark (1906 – 1977) was a Hungarian-born, American engineer who, during his time with Columbia Records, was instrumental in developing the long-playing (LP) microgroove 33-1/3 rpm vinyl phonograph discs which defined home audio for two generations.
		Goldmark's LP records were introduced by Goddard Lieberson (April 5, 1911 – May 29, 1977), who later became president of Columbia Records from 1956 – 71 and 1973 – 75.
		In addition to developing the technology for the 33-1/3/RPM record, Goldmark claimed to have developed competitive technology for color television and videotape early in his career at Columbia, but he received limited support for this research from the company.
	www.wwwtln.com /finance/109/karl-goldmark.html (900 words)

	The Database of Recorded American Music (Site not responding. Last check: 2007-10-09)
		Goldmark was the nephew of Karl Goldmark, composer of the then-popular opera The Queen of Sheba, and had studied with Antonin Dvorak.
		Copland remembered that Rubin Goldmark "had an excellent grasp of the fundamentals of music and knew very well how to impart his ideas." As a result, the young man was spared "the flounderings that so many American musicians have suffered through incompetent teaching at the start of their training."
		He considered especially the first-movement sonata-allegro form the key to all future composition, and would not allow me to leave town without it!" The result was Copland's most ambitious early score, the Sonata in C Major for Piano, written from 1920 to June 1921.
	dlib.nyu.edu /dram/note.cgi?id=34461 (2520 words)

	Direct Testimony
		Rubin Goldmark is a nephew of Carl Goldmark, composer of the sensationally successful opera "The Queen of Sheba." After reading the manuscript of a trio which the nephew had written for his class, Dvorak exclaimed delightedly: "Now there are two Goldmarks." And so there were.
		Rubin's creative genius developed gradually and in later years the premiere of a new tone poem from his pen was always pleasurably looked forward to by Philharmonic audiences.
		Rubin Goldmark has also been a leading spirit at clubs and social gatherings of musicians.
	homepage.mac.com /rswinter/DirectTestimony/Pages/179.html (2008 words)

	MPR Music Feature: Copland 10 x 10
		They were friends, fellow composers, fellow conductors - their careers, as Copland biographer Howard Pollock says, are "inextricably linked." Copland was a musical idol to the younger Bernstein (Bernstein called Copland "the only composition teacher I ever had.") As a conductor, Bernstein promoted Copland's music, and is usually considered the finest of all Copland conductors.
		When Antonin Dvorak came to America to teach in the 1890s, there were high hopes that he would train a generation of important American composers.
		Rubin Goldmark didn't become a great composer, but his students - Copland and George Gershwin - went on to make their mark
	music.minnesota.publicradio.org /features/0011_copland/figures.shtml (461 words)

	Karl Goldmark: biography and encyclopedia article (Site not responding. Last check: 2007-10-09)
		Goldmark's Violin Concerto A violin concerto is a concerto for solo violin and orchestra....
		It includes the String Quintet A string quintet is an ensemble of five string instrument players or a piece written for such a combination....
		Karl Goldmark's nephew Rubin Goldmark Rubin goldmark (august 15, 1872 (new york city) - march 6, 1936 (new york city)) was an american composer, pianist, and educator....
	www.absoluteastronomy.com /k/karl_goldmark (877 words)

	The Aaron Copland Collection ca. 1900-1990 - Aaron Copland Timeline - (American Memory from the Library of Congress)
		In the fall of 1917, began his study of harmony and counterpoint with Rubin Goldmark, who had studied at the Vienna Conservatory and later in New York with Dvoák and became head of the Composition Department at the Juilliard School of Music at its founding (1924).
		At Goldmark's suggestion, Copland subsequently studied piano with Victor Wittgenstein and in 1919 began piano lessons with the well-known pedagogue Clarence Adler.
		During the four years of his studies with Goldmark (until the spring of 1921), Copland composed numerous short pieces of musical juvenilia for piano or piano and another instrument or voice.
	memory.loc.gov /ammem/collections/copland/actime.html (252 words)

	Search Results for "Tone poem"
		Although he studied harmony with Rubin Goldmark (see under Goldmark,...
		...Copland was a pupil of Rubin Goldmark and of Nadia Boulanger, who introduced his work to the United States when she conducted his Symphony for Organ and Orchestra...
		He studied for 11 years at the Paris Conservatory, receiving its Grand Prix de Rome in 1884 for his cantata L'Enfant...
	www.bartleby.com /cgi-bin/texis/webinator/65search?query=Tone+poem (245 words)

	Karl Goldmark (Site not responding. Last check: 2007-10-09)
		Karl Goldmark (May 18, EHandler: no quick summary.
		A string quartet is a musical ensemble of four string instruments-usually two violins, a viola and cello-or a piece written to be performed by such...
		Karl Goldmark's nephew Rubin Goldmark Rubin Goldmark quick summary:
	www.absoluteastronomy.com /enc1/karl_goldmark (1040 words)

	Riegger Wallingford - Search Results - MSN Encarta
		Gershwin was born in Brooklyn, New York, on September 26, 1898.
		He studied with the American composers Rubin Goldmark, Henry Cowell, and Wallingford...
		In the 1930s and 1940s a number of Europe's leading composers fled from fascist oppression to the United States.
	uk.encarta.msn.com /Riegger_Wallingford.html (100 words)

	NewMusicbox
		I owe [Rubin Goldmark] something in the sense that I don't know who else I might have studied with, and I don't know whether they would have been so intent on giving me a solid academic grounding and all those harmony exercises, which are so boring to do.
		We sort of graduated from [Rubin Goldmark]'s "class" - which it wasn't in my case - by writing the first movement of a sonata - which is to say, the first movement has a subject, then a second subject, a development section, and a recapitulation.
		But still wide open - you could convince her of something else if you really wanted to try hard enough and was good enough - in that sense of being in touch with all the latest developments and being openminded about them.
	www.newmusicbox.org /printerfriendly.nmbx?id=397 (2694 words)

	Willem Mengelberg, Bach's St. Matthew/Matthäus Passion and The Philips Miller Optical Recording System
		Cover of the menu (Picture taken from the Dutch monthly Caecilia of February 16th 1926 which also contained Rubin Goldmark's speech).
		This is purely personal, and I apologize beforehand to any of the distinguished critics here present, if I am trespassing on their prerogatives.
		Rubin Goldmark surely used a different meaning of "faithful" than in the pure musicological sense.
	www.soundfountain.com /amb/phmil.html (3506 words)

	Rubin, Robert Edward articles on Encyclopedia.com (Site not responding. Last check: 2007-10-09)
		Rubin, Robert Edward RUBIN, ROBERT EDWARD [Rubin, Robert Edward], 1938-, U.S. business executive and government official, b.
		A graduate of Harvard, he attended the London School of Economics before receiving his law degree from Yale in 1964.
		Look up Rubin, Robert Edward on HighBeam Research.
	www.encyclopedia.com /articles/11193.html (170 words)

	NPRN Composer of the Month
		He was attracted to music early in life; he began studying piano with his sister and commenced more official studies in both piano and composition while still in his teens.
		When he was seventeen, he came under the tutelage of Rubin Goldmark, one of the leading composition teachers in New York.
		One of the most successful works he wrote while studying with Goldmark shows his more Debussian orientation: "The Cat and the Mouse," a brief piano work based on the poem of that name by La Fontaine, remains one of Copland's most entertaining pieces.
	net.unl.edu /musicFeat/composer/cmcoplandday1.html (1814 words)

	Anton Wagner: Frederick Jacobi and Herman Voaden:The Prodigal Son
		Jacobi’s early piano studies with Paolo Gallico and Rafael Joseffy, composition studies with Rubin Goldmark, and studies with Paul Juon at the Berlin Hochschule für Musik were all turning points in his development as a composer.
		Born in New York, Rubin Goldmark (1872-1936) studied music at the Vienna Conservatory and later composition with Antonin Dvorak (October 1892-93) while attending the National Conservatory in New York 1891-93.
		Jacobi was appointed to teach composition at Juilliard following the death of Rubin Goldmark in June 1936 and later became head of the composition department.
	www.lib.unb.ca /Texts/Theatre/voaden/theprodigalson_article.htm (16283 words)

	Clipper Erickson, piano
		Harris and Goldmark capture the sound of the American frontier in a way that avoids clichés (Roy Harris, after all, invented much of the vocabulary of "cowboy" music).
		The pieces here by John Work and Nathaniel Dett highlight the neglected world of fl American academic music from the first part of the century, which featured spirituals, African dances and other original material.
		The recording, as usual from this South Jersey label, is vibrant and realistic.
	citypaper.net /articles/021199/dq2.shtml (176 words)

	Songwriters Hall of Fame (Site not responding. Last check: 2007-10-09)
		She was born on December 3, 1911 in Kansas City, Missouri.
		She studied piano and composition under such renowned instructors as Alexander Siloti, Rubin Goldmark, Nadia Boulanger.
		Before she was a teenager she had won numerous piano competitions including the NFMC contexts.
	www.songwritershalloffame.org /notable_bio.asp?notableWriterId=36 (247 words)

	Aaron Copland
		Of Russian Jewish descent, he spent his childhood living above his parents' Brooklyn shop.
		His music education included time with Rubin Goldmark[?], also one of George Gershwin's teachers, and with Nadia Boulanger[?] in Paris from 1921.
		His first significant work was the necromantic ballet Grohg which contributed thematic material to his later Dance Symphony.
	www.ebroadcast.com.au /lookup/encyclopedia/aa/Aaron_Copland.html (276 words)

	[No title]
		The excitement of the discovery was enhanced because I came upon a few streets at a time, but before long I began to suspect the full extent of this city.
		Aaron Copland continued to study composition with one of the leading instructors in Manhattan,Rubin Goldmark.
		He studied with Goldmark between the ages of 17 through 21.
	courses.wcupa.edu /frichmon/sum98/music0002 (1508 words)

	Goldmark, Peter Carl articles on Encyclopedia.com (Site not responding. Last check: 2007-10-09)
		Home > Search Results > Goldmark, Peter Carl
		Goldmark, Peter Carl GOLDMARK, PETER CARL [Goldmark, Peter Carl] 1906-77, Hungarian-American engineer, b.
		Look up Goldmark, Peter Carl on HighBeam Research.
	www.encyclopedia.com /articles/05202.html (79 words)

	Untitled (Site not responding. Last check: 2007-10-09)
		A first step in this direction was the undertaking of a correspondence course in harmony and counterpoint, which he started after graduating high school.
		This course led to theory lessons with Rubin Goldmark, a composer and instructor at the Juilliard School in New York.
		Copland had visions of studying in France, and he began saving money for a trip there.
	www.suite101.com /print_article.cfm/music_history_retired/32665 (466 words)

	Dreams and Realities: Reinventing American Music 1929-42
		He did not wield the heavy hand of presumed cultural superiority as did many European musicians who worked in the New World.
		Dvorák students included Will Marion Cook, the African American composer who helped create the American musical theater; Harry Burleigh, another distinguished African American musician; and Rubin Goldmark, the nephew of Karl Goldmark and one of Aaron Copland's teachers.
		Dvorák encouraged his students to seek in African American and Native American music the sources for a new American musical vocabulary and sound.
	www.americansymphony.org /dialogues_extensions/96_97season/4th_concert/leon.cfm (2198 words)

	ARTIST
		Copland, born in Brooklyn in 1900, became a classic in his time.
		He first studied with Rubin Goldmark and then, in 1921, with Nadia Boulanger in Paris.
		Returning in 1924, he sought a style "that could speak of universal things in a vernacular of American speech rhythms." Copland seemed to know what to remove from the music of the European tradition, simplifying the chords and opening the melodic language, in order to make a fresh idiom.
	www.phoenixcd.com /search/BioInfo.cfm?Biography__Performer=COPL (199 words)

	Goldmark, Karl - The Columbia Encyclopedia, Sixth Edition - HighBeam Research (Site not responding. Last check: 2007-10-09)
		Goldmark, Karl - The Columbia Encyclopedia, Sixth Edition - HighBeam Research
		His concert overture Sakuntala (1865), his symphony A Rustic Wedding (1870), and an opera, The Queen of Sheba (1875), were very popular.
		Our archive contains millions of documents from thousands of sources and goes back over 23 years.
	highbeam.com /library/docfree.asp?DOCID=1E1:GoldmrkK&... (83 words)

	[No title] (Site not responding. Last check: 2007-10-09)
		Born in Brooklyn, New York, the fifth child to Russian-Jewish immigrants, he did not look to music until his teen years.
		On graduating high school, Copland studied harmony and counterpoint through a correspondence course, after which he studied harmony with Rubin Goldmark.
		However, he always had wished to study in France, which he finally did in the early 1920’s becoming the first American pupil of the famed Nadia Boulanger.
	www.zanedalal.com /ProgNotes/quietcity.htm (358 words)

	Power To Learn - Creative Expressions
		Compared to other musical geniuses, Copland was a bit of a "late-bloomer," delaying his compositional debut until the age of nine.
		He likens his musical awakening to "coming upon an unsuspected city--like discovering Paris or Rome if you never before heard of their existence." This exploration process extended into adolescence as Copland studied under Rubin Goldmark, sampled literature by Freud and Ellis, while attending a performance by the leading radical composer, Leo Ornstein.
		This early affinity for the avant-garde would place Copland at the forefront of change.
	www.powertolearn.com /themes_creativeexp/about_ac_bio.html (532 words)

	Aaron Copland & His Music, Reading ESL School (Site not responding. Last check: 2007-10-09)
		His dreams of becoming a composer began when he was young.
		When he was sixteen, he urged his parents to let him study composing with Rubin Goldmark.
		When he was in his early twenties, Copland went to Paris where he studied music with Nadia Boulanger.
	www.xinconet.com /esl_school/free_esl/reading_human_interest06.html (805 words)

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