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	Harman and Ising -- Facts, Info, and Encyclopedia article (Site not responding. Last check: 2007-10-22)
		Hugh Harman (1908–1982) and Rudolf "Rudy" Ising (1903–1992) were (The technician who produces animated cartoons) animators best known for founding the (Click link for more info and facts about Warner Bros.) Warner Bros. and (Click link for more info and facts about MGM) MGM animation studios.
		Harman and Ising still found some work as animation freelancers, directing, for example, the (Click link for more info and facts about Silly Symphony) Silly Symphony Merbabies for (United States film maker who pioneered animated cartoons and created such characters as Mickey Mouse and Donald Duck; founded Disneyland (1901-1966)) Disney in 1938.
		Ising created the character (Click link for more info and facts about Barney Bear) Barney Bear for MGM at this time, basing the sleepy-eyed character partially on himself.
	www.absoluteastronomy.com /encyclopedia/h/ha/harman_and_ising.htm (761 words)

	Bosko - Wikipedia, the free encyclopedia
		Bosko is an animated cartoon character created by animators Hugh Harman and Rudy Ising.
		Ising returns Bosko to the inkwell, and the short ends.
		Despite the parallels between Bosko, Mickey, and the flface performers, Ising in later years would deny that the character was ever supposed to be a fl caricature.
	en.wikipedia.org /wiki/Bosko (900 words)

	HARMAN AND ISING FACTS AND INFORMATION (Site not responding. Last check: 2007-10-22)
		Hugh Harman (1908 – 1982) and Rudolf "Rudy" Ising (1903 – 1992) were an animator/film_director/film_producer team best known for founding the Warner_Bros.
		Even while still with Disney Harman and Ising had aspired to start their own studio, and had created and copyrighted the cartoon character Bosko in 1928.
		After losing their jobs at the Winkler studio, Harman and Ising financed a short Bosko demonstration film called ''Bosko,_the_Talk-Ink_Kid'', notable for being the first sound cartoon of the late-1920s "talkie" era with dialogue.
	www.witwib.com /Harman_and_Ising (628 words)

	Bosko
		Bosko is a cartoon character created by animators Hugh Harman and Rudy Ising.
		Harman designed the character (consciously modeling him after Felix the Cat) and, in 1929, starred him in a short film called "Bosko, the Talk-Ink Kid[?]" that showcased their ability to animate soundtrack-synchronized speech and dancing.
		Although Harman and Ising based Bosko's looks on Felix the Cat, Bosko, like Mickey, got his personality from the flface characters of the minstrel and vaudeville shows popular in the 1930s.
	ebroadcast.com.au /lookup/encyclopedia/bo/Bosko.html (780 words)

	bosko (Site not responding. Last check: 2007-10-22)
		Hugh Harman and Rudy Ising were veterans of Walt Disney Studios, and they created Bosko to capitalize on the new "talkie" craze that was sweeping the motion picture industry.
		Keeping with the stereotypes of the minstrel shows, Bosko is a natural at singing, dancing, and playing any instrument he encounters.
		Vaudeville was the major entertainment of the time, and the cartoons of the era are better understood when compared to it rather than to animation of later decades.
	www.yourencyclopedia.net /bosko.html (869 words)

	Valerie Ising - index page - Free MP3 downloads, CDs, Bio Info, Tour Dates, Lyrics and More!" (Site not responding. Last check: 2007-10-22)
		From the bittersweet innocence of first time heartbreak to the cutting anger and mournful despair of life’s harsh realities, Beyond the comfort zone is a musical catharsis of one human heart’s search for truth, love and light in the midst of pain and deception.
		Valerie Ising is a dynamic and expressive singer and songwriter.
		Rudy Ising has been writing music for over 20 years, and is currently writing songs with Valerie.
	artists.iuma.com /IUMA/Bands/Valerie_Ising/index-0.html (513 words)

	[No title] (Site not responding. Last check: 2007-10-22)
		Hugh Harman (1908 – 1982) and Rudolf "Rudy" Ising (1903 – 1992) were an animator/film director/film producer team best known for founding the Warner Bros. and MGM animation studios.
		After losing their jobs at the Winkler studio, Harman and Ising financed a short Bosko demonstration film called Bosko, the Talk-Ink Kid, notable for being the first sound cartoon of the late-1920s "talkie" era with dialogue.
		The sound cartoon, which featured Bosko at odds with his animator (portrayed in live-action by Rudy Ising) impressed Leon Schlesinger, who paired Harman and Ising with Warner Bros..
	www.everybase.com /Rudolf_Ising (708 words)

	CONK! Encyclopedia: Friz_Freleng (Site not responding. Last check: 2007-10-22)
		Freleng was born in Kansas City, Missouri, where he began his career in animation at Walt Disney Pictures.
		He worked alongside other early animators, including Carmen Maxwell, Ub Iwerks, Hugh Harman, and Rudy Ising.
		The cartoon finally sold to Leon Schlesinger, who soon secured Harman and Ising to star Bosko in the Looney Tunes series he was producing for Warner Bros. Freleng soon moved back to California to work with Harman and Ising once again.
	www.conk.com /search/encyclopedia.cgi?q=Friz_Freleng (865 words)

	The Warner Brothers Cartoon Companion: I
		Ising started out at Disney in the mid-1920s, eventually leaving partly because of his habit of falling asleep on the job.
		Ising joined the 18th Air Force Base Unit (First Motion Picture Unit) as a major, helping produce animation for the war effort during World War II.
		Ising appears briefly in live action for the pilot film, Bosko The Talk-Ink Kid (1929).
	www.conmicro.cx /~eocostello/wbcc/eowbcc-i.html (976 words)

	BOSKO FACTS AND INFORMATION
		Hugh Harman and Rudy Ising were veterans of Walt_Disney_Studios, and they created Bosko to capitalize on the new "talkie" craze that was sweeping the motion picture industry.
		Leon_Schlesinger saw the Harman-Ising test film and signed the animators to produce cartoons at their studio for him to sell to Warner_Bros.
		Through these early ''Looney Tunes'', Harman and Ising would turn Bosko into a near duplicate of Walt_Disney's creation, Mickey_Mouse, who was then the most popular character in cartoons.
	www.palfacts.com /Bosko (837 words)

	Friz Freleng
		Freleng was born in Kansas City, Missouri, where he began his career in animation at Walt Disney Studios.
		Freleng soon teamed up with Harman and Ising to try to create their own studio.
		Harman and Ising left Schlesinger's studio over disputes about budgets in 1933.
	www.starrepublic.org /encyclopedia/wikipedia/f/fr/friz_freleng.html (816 words)

	Merrie Melodies (Site not responding. Last check: 2007-10-22)
		The Merrie Melodies series was taken on by Rudy Ising, one of the two animators (the other being Hugh Harman) who had worked on the original Looney Tunes short.
		Ising attempted to introduce new characters in his Merrie Melodies films, such as Piggy, Foxy, and Goopy Geer, but Foxy was so derivative of Mickey Mouse that he was dropped, possibly at Disney's urging.
		In 1934, Schlesinger produced his first color cartoons, the Merrie Melodies shorts "Honeymoon Hotel" and "Beauty and the Beast" which were produced in Cinecolor (Disney had exclusive rights to the richer Technicolor).
	www.1-free-software.com /en/wikipedia/m/me/merrie_melodies.html (368 words)

	DVDtoons.com - Animation on DVD - Cartoons on DVD (Site not responding. Last check: 2007-10-22)
		Both Harman and Ising then returned in 1939 to bring some stability and expertise to the animation department, and both Hanna and Barbera soon found themselves sitting across from each other in Rudy Ising’s story department.
		Rudy Ising was still proving to be a slow director, and the two story men found they had ample time to discuss new ideas.
		Quimby was finally told (by Joe, and confirmed by Bill--- who had continued to feel loyal to Ising even then) that Rudy Ising had nothing to do with “Puss in Boots”, and Bill and Joe were given free reign to work on Tom and Jerry on their own.
	www.dvdtoons.com /features/51 (3667 words)

	BBC - h2g2 - Hanna and Barbera - Before the Company - A798212
		Rudy Ising, one half of the company's namesake, would arrive each day at about lunchtime and work until midnight every night.
		Ising encouraged Hanna to stay late with him, and soon he added story material and gags for early Looney Tunes episodes and after a short bit even began writing music and lyrics for the cartoons.
		Harman and Ising went back to work with MGM and about that time Freleng returned to Warner Brothers, working there until they closed in 1963.
	www.bbc.co.uk /dna/h2g2/classic/A798212 (1619 words)

	:: :: :: grrrll artist page - Valerie Ising :: :: :: (Site not responding. Last check: 2007-10-22)
		While working in counseling and teaching to support her son, Valerie pursued her singing and songwriting by studying voice, performing in local nightclubs, coffeehouses, and community musical theatre productions and wedding receptions.
		Later, Valerie worked with her co-writer (now husband) Rudy Ising, recording and writing songs, including songs for a feature film.
		Now available on Ocean Door Records, Beyond the Comfort Zone, is the new CD with 12 original songs written by Valerie and Rudy Ising.
	i.domaindlx.com /ambergrrrllz/ArtistPages/artistpage_valerieising.html (526 words)

	Sample Chapter from "Hanna-Barbera Cartoons" -- The Founders
		Before long he was contributing songs to the shorts and pitching gags to Rudy Ising, who used some of them in the studio's Bosko cartoons.
		Hanna's loyalty to Harman and Ising, the men he considered his teachers and benefactors, prompted him to decide to stay on with them.
		Harman and Ising set to work making new cartoons and non-series shorts, all under the blanket title "Happy Harmonies." One such short, To Spring, released in June of 1936, was the first directorial effort of Bill Hanna.
	www.hlla.com /reference/hanna-chapter.html (1590 words)

	Filboid Sudge: June 5, 1944
		Rudy's brother (or other relation) seems likely, but I haven't found a mention of him anywhere.
		UPDATE: A drawing for next week seems to indicate that Sid Ising was a camera operator at the studio.
		This is a paragraph of text that could go in the sidebar.
	filboidsudge.blogspot.com /2005/06/june-5-1944.html (64 words)

	Don Markstein's Toonopedia: MGM Studios Cartoons
		Harman and Ising quickly succeeded in making MGM a major player in the cartoon market, and their reward was to be booted out.
		In 1937, the studio established an in-house cartoon department, and installed Fred Quimby, who had years of meritorious service to the company as a film salesman, as its producer.
		But the staff he put together (even Harman and Ising came back in 1939, and stayed a couple more years) eventually started putting out some pretty decent cartoons.
	www.toonopedia.com /mgm.htm (1021 words)

	MichaelBarrier.com -- Funnyworld Revisited: Bob Clampett Interview
		Rudy appeared in live action combined with Bosko, who at the end went back into the inkwell and said, "So long, folks!," which was the origination of the present "That's all, folks!" end title.
		Rudy made a cartoon that started a trend—one character in a cave.
		Then in 1942, Rudy went to the Roach studio, where he was the officer in charge of all animation and training films for the Air Force, over 150 service and civil service people, including John Hubley and some of our boys.
	www.michaelbarrier.com /Funnyworld/Clampett/interview_bob_clampett.htm (17611 words)

	Harman and Ising \| TutorGig.co.uk Encyclopedia (Site not responding. Last check: 2007-10-22)
		'Hugh Harman' (1908 – 1982) and 'Rudolf "Rudy" Ising' (1903 – 1992) were an animator/ film director/ film producer team best known for founding the Warner Bros. and MGM animation studios.
		Schlesinger wanted the Bosko character to star in a new series of " talkie" cartoons he dubbed Looney Tunes.
		Classical Music See all 1 results in Harman and Ising..
	www.tutorgig.co.uk /ed/Rudolf_Ising (796 words)

	CD Baby: VALERIE ISING: Beyond the Comfort Zone - from collectedsounds
		ISWM Indie Pick of the Month--Beyond the Comfort Zone is a musical catharsis of one human heart's search for truth, love and light in the midst of pain and deception.
		"Ising boasts a four octave vocal range, and these songs find her putting it to work..."
		Through Valerie's insightful lyrics, provocative melodies and powerful, multifaceted voice, Valerie paints her vividly inspired pictures.
	www.cdbaby.com /cd/ising/from/collectedsounds (307 words)

	GAC Forums - Happy Harmonies LD Contents?
		The Bosko cartoons were Harman and Ising's earliest Warner Bros. cartoons, though I do believe that a small handfull did get produced under MGM's studio as a part of the Happy Harmony series in later years, and am interested myself to learn of the context...
		The Bosko cartoons were Harman and Ising's earliest Warner Bros. cartoons, not Happy Harmonies which were produced under MGM's studio and I'd say would be most comparable to Disney's Silly Symphonies series.
		The character of Bosko was copyrighted by Hugh Harman in July 1928 while he and Rudy Ising were still producing the Oswald cartoons for Charlie Mintz.
	forums.goldenagecartoons.com /showthread.php?t=1405 (877 words)

	iqexpand.com (Site not responding. Last check: 2007-10-22)
		Bosko's Trattoria was created over twenty years ago out of a love for Italian food.
		Bosko was the creation of ex-Disney animators Hugh Harman and Rudolf Ising.
		He first appeared in an unreleased pilot film called Bosko the Talk-Ink Kid, which was created...
	bosko.iqexpand.com (1107 words)

	BBC - h2g2 - Hanna and Barbera - Before the Comapny
		Ising encouraged Hanna to stay late with him, and soon he added story material and gags for early Looney Tunes and after a short bit even began writing music and lyrics for the cartoons.
		In mid-1933, for reasons never exposed Harman and Ising cut off ties with owner Leon Schlesinger.
		Herman and Ising went back to work with MGM and about that time Freling returned to Warner Brother's until they closed in 1963.
	www.bbc.co.uk /dna/ww2/A792452 (1562 words)

	William Hanna (Site not responding. Last check: 2007-10-22)
		This ability carried itself with Hanna until, as a young man, the Harman-Ising studio hired him, where he soon became in charge of the ink and paint department.
		After Harman-Ising dissolved their relationship with Warner Bros., Hanna decided to follow Hugh Harman and Rudy Ising on their way to other projects, one of which was Hanna’s directorial debut in “To Spring” (1936).
		It was in 1937 that Hanna met Joe Barbera, who was touted as “a great story man.” The two joined forces soon after the Harman-Ising-created animation division within MGM studios shut down.
	www.clampettstudio.com /bios/william_hanna.htm (254 words)

	DVDtoons! - Database - Uncensored Bosko #1 DVD (Site not responding. Last check: 2007-10-22)
		Volume One starts out with a rare demo film called "Bosko the Talk-Ink Kid" (1929) which was produced by Harman and Ising to introduce their new character to potential financial backers.
		The film follows the format of Fleischer's Out of the Inkwell series, with Rudy Ising himself acting alongside his animated creation.
		This pilot film caught the attention of Leon Schlesinger, who sold the series to Warner Brothers.
	www.dvdtoons.com /database/667 (99 words)

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