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| | VENICE 2000 REVIEW: Running on Empty, Tykwer's Comedown with "The Princess and The Warrior" |
 | | After the adrenaline rush of last year's "Run, Lola, Run," with its pulse-racing techno score and smooth kinetic grace, it would seem impossible for the German wunderkind to concoct anything harder, faster and louder than "Lola." In "The Princess & The Warrior," economy is the last thing on Tykwer's mind. |
 | | Running nearly an hour longer than its 78-minute predecessor, incorporating an expansive sound and vision that's as meandering and baroque as a Pink Floyd fever dream, this awkward film is unlikely to attract the same art-house devotion as "Run, Lola, Run." |
 | | Tykwer has said that music was his inspiration for "The Princess and The Warrior," but rather than use the score as the film's furious heartbeat, like he did in "Lola," Tykwer makes it its sluggish lifeblood, infusing minimalist piano tinklings to build tension in scenes that were moribund and chilly to begin with. |
| www.indiewire.com /movies/rev_00Venice_000906_Tykwer.html (879 words) |
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