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 | | He imagines Hodges' thoughts: "Isn't it possible that this midcentury moment enters the skin more lastingly than the vast shaping strategies of eminent lead-ers...The mapped visions that pierce our dreams?" The skin is important; DeLillo has always weighed ideas in relation to tangibles. |
 | | Cut to the radio booth, zero in on Russ Hodges, his jowls, his expert presentiments: "something big's in the works, something's building." Cut to the field, the choreography of the players: Thomson, Lockman, Pafko, Cox, Robinson, Mays. |
 | | Russ Hodges is going nuts in the radio booth, a changed man. There is a feeding frenzy in section 35. |
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