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| | Michael Dirda (washingtonpost.com) |
 | | Whatever its intended age group, Hoban's best work repeatedly explores the same themes: the search for love, the nature of creativity, the power of ancient symbols (Punch and Judy, the Orpheus legend, Indian deities) and the shimmering, shifting, unreliable nature of reality. |
 | | Russell Hoban depicts a novelist named Max Lesser, who is much like himself (albeit 30 years younger). |
 | | Hoban certainly does that here, with his usual self-deprecating wit, a bit of melodrama and a real sense of both life's complexity and how deeply we sometimes yearn to redeem the past. |
| www.washingtonpost.com /wp-dyn/articles/A26006-2004Jul29.html (1041 words) |
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