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Topic: Ruth Kligman


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  Untitled Document
Kligman was the survivor of the car crash that killed Pollock and Kligman’s friend, Edith Metzger.
Perhaps Ruth chose to emphasize her affair with Pollock because her innate flair for the dramatic told her that it was more compelling for a love story to end in tragedy.
Stevens and Swan are entirely correct, however, when they tell us that Ruth’s Zowie is “an early example of de Kooning’s muscular imperial style,” for he “seemed to throw his own body (not just an arm or a wrist) into the rhythms of the painting; the picture has his physical impress.
www.galleryandstudiomagazine.com /gsinterview2.htm   (3443 words)

  
 OFFOFFOFF art review RUTH KLIGMAN: DEMONS — THE LIGHT (Demons — The Light) works by Ruth Kligman
Ruth Kligman's new work evokes opposites and builds emotive layers that record moods.
This art lives in the 'zone' where the abstract expressionists left the illustrative shackles of Surrealism and defines the 'surrealist expression' as a state of mind to be experienced directly.
Kligman can lose herself in the process of creation, thereby freeing her pre-conceived restraints to create a new art from the depths of her subconscious — a true surrealist experience in a completely unpredictable format.
www.offoffoff.com /art/2005/ruthkligman.php   (732 words)

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