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	010101 Contnet (Site not responding. Last check: 2007-10-12)
		SFMOMA opted for everyone to ride elevators to and from the fourth floor to the atrium.
		SFMOMA is finally on the way to becoming what it should have been for a long time: a reflection of San Francisco's alternative and experimental nature as well as representing its new technological face.
		Across the street from the SFMOMA is the lush Yerba Buena Gardens with its own gallery and performance space as well as the new shopping/entertainment center, The Metreon, with its postmodern Japanese architecture, and the adjacent Space Odyssey-ish exterior of the Moscone Center.
	www.headlightjournal.com /art-reviews/sfmoma/content.html (4785 words)

	Podcast.net - The Podcast Directory
		SFMOMA Artcasts: "Shomei Tomatsu: Skin of the Nation" Gallery Exploration (enhanced with images)
		SFMOMA Artcasts: "Richard Long: The Place Is the Place Is the Line" Gallery Exploration (enhanced with images)
		SFMOMA Artcasts: "Richard Long: The Place Is the Place Is the Line" Gallery Exploration (no images)
	www.podcast.net /tag/sfmoma (316 words)

	Major Survey of Anselm Kiefer's Works at SFMOMA \| Art Knowledge News
		SFMOMA’s presentation will include extraordinary works by Kiefer from the Museum’s own collection, such as the monumental paintings Isis and Osiris (1985–87) and The Sixth Trumpet (1996), as well as other critically important pieces from a renowned private collection in San Francisco that did not travel to previous tour venues.
		Drawing on the physical characteristics of his media to underscore intellectual concerns, Kiefer embraces a complex array of subjects—medieval alchemy, occult philosophy, astronomy, pagan ritual, religious mysticism—in order to address the dialogue between history and spirituality.
		The title is drawn from the chapter in the Book of Revelations entitled “The Trumpets,” signifying the instruments carried by the seven angles to herald the end of the world.
	www.artknowledgenews.com /Anselm_Kiefer-at-SFMOMA.html (1196 words)

	SFMOMA to cut back on exhibits / Endowments frozen after losses on market
		SFMOMA, which has built an international reputation in the past decade, will gradually reduce its exhibits from about 25 per year to perhaps 18 to bring its spending in line with the shrinking economy and the realities of the museum business, Director Neal Benezra told The Chronicle.
		While its managers say SFMOMA has cash to keep its operations running and has thus far made only modest cuts, the museum's most recent financial report shows it ending the 2002 fiscal year with nearly a $10 million cumulative operating deficit -- part of which is due to losses in its endowment fund.
		Walker said SFMOMA is planning to hold on to its investments and hope the market revives.
	www.sfgate.com /cgi-bin/article.cgi?file=/c/a/2003/02/26/MN199670.DTL (1456 words)

	felixsalmon.com: — Chagall at SFMOMA
		But SFMOMA's reaction to the Chagall crowds was so idiotic that almost nobody ended up seeing anything else: the 5th floor, home to the Chagalls, was packed, while the rest of the museum was a ghost town.
		But here's where SFMOMA's unique brand of genius comes in to play: at the end of the Chagall show, when demand for tickets was higher than it had ever been, the museum simply stopped selling them through TicketWeb.
		SFMOMA sits in the heart of Silicon Valley, where sporting stadiums are named things like Network Associates Stadium and 3Com Park.
	www.felixsalmon.com /000205.php (1699 words)

	Webby Awards
		The prize pool of $50,000-provided through the generosity of an anonymous SFMOMA donor-will be granted to an individual or divided among up to three artists, at the discretion of the panel.
		SFMOMA has distinguished itself museums internationally as one of the leading exploring art-making and arts education in digital media and on the World Wide Web.
		SFMOMA has pioneered the exploration of design using digital media and was the first museum in the United States to acquire Web sites for its permanent collection of design.
	www.webbyawards.com /press/press-release.php?id=38 (970 words)

	SFMOMA Hosts Matthew Barney ~ " Drawing Restraint " \| Art Knowledge News
		SFMOMA will be the sole U.S. venue for this major traveling survey, the first to gather all of Barney’s work to date made under the title DRAWING RESTRAINT.
		Matthew Barney: DRAWING RESTRAINT originated at the 21st Century Museum of Contemporary Art, Kanazawa, Japan, and was co-organized by Yuko Hasegawa, artistic director at the Kanazawa, and Soyeon Ahn, chief curator at Leeum, Samsung Museum of Art, Seoul, Korea.
		SFMOMA was the first museum to acquire Barney’s work, including his first major installation, TRANSEXUALIS, 1991.
	www.artknowledgenews.com /Matthew_Barney-at-SFMOMA.html (589 words)

	Extreme Networks
		As one of the world's most innovative museums of modern and contemporary art, San Francisco Museum of Modern Art (SFMOMA) is committed to an active technology refresh program based on the idea that a museum should continually strive to improve the ways in which it serves a diverse public.
		The Education Department at SFMOMA organizes a wide range of programs for audiences of all ages, and unique among United States art museums, SFMOMA's Koret Visitor Education Center offers new pathways to enjoying art.
		SFMOMA also uses EPICenter management suite to create and manage virtual local area networks (VLANs), including those used to keep the wireless network traffic separate from the wired network for increased security.
	apps.extremenetworks.com /libraries/casestudies/SFMoma_CS.asp (1021 words)

	San Francisco Public Relations
		The light-colored emphasis lends an open, airy feeling to the space and is harmonious with the Nordic birch paneling that appears throughout the rest of the Museum.
		The SFMOMA MuseumStore now has three locations: the San Francisco Museum of Modern Art at 151 Third St., Four Embarcadero Center on the Lobby Level, and the Departure Level at the new SFO International Terminal.
		SFMOMA is a private, not-for-profit institution supported by its members, individual contributors to the Donor Circle, corporate and foundation support, federal and state government grants and admission revenues.
	www.landispr.com /press/clientnews/sfmoma_2.htm (1220 words)

	Cool Hunting: Chuck Close: Self-portraits 1967-2005 at the SFMOMA
		I meant to post this earlier this fall when this show (a collaboration between the SFMOMA and the Walker Art Center) opened in Minneapolis but by the time I got around to it the show was nearly over.
		Opening at the SFMOMA on November 19th and running until February 28th, the exhibit has more than 80 self-portraits in many different media.
		The artists who won the honor to show in MOMA are all extremely talented--and range from very detailed ink and gouache drawings like this to a 30-foot wide installation made up only of small loops of cellophane tape.
	www.coolhunting.com /archives/2005/11/chuck_close_sel.php (579 words)

	Podcast channel: SFMOMA Podcasts
		SFMOMA's December 2006 Artcast spotlights textile designer Alexander Girard; the video works of Jane and Louise Wilson and Fikret Atay; Youth Speaks poet Michelle Lee on the work of Anselm Kiefer; the voices of visitors to "Anselm Kiefer: Heaven and Earth".
		SFMOMA's November 2006 Artcast features exhibition curator Michael Auping on "Anselm Kiefer: Heaven and Earth"; Youth Speaks poets on the work of Jeff Koons and Phil Collins; Deborah Luster on her photographs of inmates in the Louisiana prison system; a whirlwind recap of SFMOMA Scavengers.
		SFMOMA's August 2006 Artcast juxtaposes two different views of postwar Japan: those of photographer Shomei Tomatsu and American Matthew Barney.
	recap.ltd.uk /podcasting/creative/arts/sfmoma.php (574 words)

	Shades of gratitude and history color 'Taking Place,' SFMOMA's big show of photos from Sack collection
		SFMOMA photography curator Sandra Phillips organized the show, with her assistant Corey Keller, inevitably corroborating her importance to the institution.
		Without her friendship, Paul Sack, despite serving on the museum's board, might not have channeled his support to SFMOMA to the remarkable extent that he has, or not so soon.
		The Sack collection's confinement to fl and white and the '70s end of its chronology gestures mutely toward the fact that digital media, which achieve fl and white by neutralizing color, portends the end of the age of the film camera.
	www.sfgate.com /cgi-bin/article.cgi?f=/c/a/2005/06/30/DDGCJDGBKS1.DTL (773 words)

	SF360:Features - Talking restraint with SFMOMA curator Benjamin Weil
		The word is that "Drawing Restraint 9" will not be making its way to DVD (see Glen Helfand's Matthew Barney, 'Drawing Restraint,' getting attention" in SF360.org), so the SFMOMA show may be one of the last ways to see the film for some time.
		SFMOMA, which was one of the first museums to feature Barney way back in 1991, runs "Drawing Restraint" until September 17th.
		Benjamin Weil: Matthew Barney was given his first museum exhibition at SFMOMA in 1991.
	www.sf360.org /features/2006/07/by_thomas_logor.html (1226 words)

	SFMOMA \| Search Results (Site not responding. Last check: 2007-10-12)
		The Museum strives to engage and inspire a diverse range of audiences by pursuing an innovative program of exhibitions, education,...
		Hold your event at SFMOMA, where you and your guests will enjoy our stunning architecture and the best of modern and contemporary art.
		SFMOMA has launched a series of podcasts that you can download here and bring along on your visits to the Museum.
	catsearch.sfmoma.org /search/catsearch?sp-p=all&sp-f=ISO-8859-1&sp-a=sp10026505&sp-q=*&click=news (399 words)

	SF Station: SFMOMA (Site not responding. Last check: 2007-10-12)
		SFMOMA's growing architecture and design collection focuses on the areas of architecture, industrial design, and graphic design and features both historical and contemporary works.
		SFMOMA's world-renowned photography collection includes pictures from the mid-1800s to the present that capture key moments in the development of the medium and reflect a wide range of practices.
		In addition to information spotlighting photographs, paintings, and sculptures in the SFMOMA collection, this audio guide includes the musical tour A Few Notes on Modern Art, an exploration of the connections between 20th-century art and music.
	www.sfstation.com /sfmoma-b350/2 (1340 words)

	SFMOMA Contemporary Extension : MATCHES (Site not responding. Last check: 2007-10-12)
		Contemporary Extension and the SFMOMA Education department have partnered to create the Matches program, which pairs students from around the Bay Area with Museum members who have diverse professional backgrounds and interests.
		SFMOMA Matches provides and encourages CX members to participate in teens' experience of modern and contemporary art.
		Now in its eleventh year, SFMOMA Matches has served more than 1,000 youth, providing a fun, safe, and interactive space where young people can explore art ideas and interact with adults who share an enthusiasm for the arts.
	www.sfmomacx.org /matches/index.html (427 words)

	SFMOMA and San Francisco Film Society Announce New Film Series to launch in January 2002
		The series is organized by Benjamin Weil, SFMOMA curator of media arts, and Roxanne Messina Captor, executive director of the San Francisco Film Society.
		Advance tickets may be purchased at the SFMOMA admissions desk.
		This work, presented in conjunction with the exhibition Sampling/Christian Marclay on view at SFMOMA from April 10 to July 28, 2002, has never been shown on the West Coast.
	www.exodusnews.com /entertainment/Entertain083.htm (1108 words)

	San Francisco Museum of Modern Art - Wikipedia, the free encyclopedia
		The San Francisco Museum of Modern Art (SFMOMA) is a major modern art museum and San Francisco landmark.
		In a major transformation and expansion, in 1995 the museum moved to its current location adjacent to Yerba Buena Gardens in the SOMA district and its iconic architectural showpiece facility designed by Mario Botta.
		Inviting comparison to the preeminent MOMA in New York City, the museum re-branded itself "SFMOMA".
	en.wikipedia.org /wiki/San_Francisco_Museum_of_Modern_Art (258 words)

	SFMOMA Artcasts podcast (Site not responding. Last check: 2007-10-12)
		SFMOMA's May 2006 Artcast features the work of Japanese photographer Shomei Tomatsu; storyteller Brenda Wong-Aoki on the Japanese-American experience; Whitney Chadwick on the women of the Surrealist movement; and visitors on the work of Xefirotarch.
		SFMOMA's November Artcast features Exhibition Highlights for the Chuck Close and Kiki Smith exhibitions, an interview with sculptor and installation artist Doris Salcedo, a Guest Take by sound and performance artist Pamela Z, and Vox Pop commentary by SFMOMA visitors.
		Presented as excerpts from the artist?s own writings, this SFMOMA podcast features photographer Robert Adams?s reflections on the legacy of the Lewis and Clark expedition and the impacts of human encroachment on the American landscape, as well as meditations on what is lost and what has been retained.
	www.digitalpodcast.com /detail.php?id=4203 (3260 words)

	sfmoma e•space home
		As SFMOMA confronts the reality of works produced in digital media, it must meet yet another challenge to the integrity and logic of its method of presenting art.
		Throughout the past century, the museum's traditional role as the framer of unique and valuable objects has been challenged by artists who embrace technologies of mass reproduction, appropriate everyday objects, or create ephemeral work.
		If we accept the idea that a museum is an institution that enhances and, some might even say, creates art by framing objects and images, then we must respond to the installation, performance, and digital artists who demand new ways of framing their work.
	a.parsons.edu /~melissam/jthe_iapro4_arch.html (133 words)

	SFMOMA \| Education \| Podcasts: Current (Site not responding. Last check: 2007-10-12)
		Welcome to SFMOMA Artcasts, the Museum’s podcast series produced in collaboration with Antenna Audio.
		SFMOMA Artcasts is the proud recipient of the 2006 American Association of Museums Muse Award in Two-Way Communication (Bronze).
		SFMOMA Artcasts: December 2006 (with images) 14.7 MB Zip file, for photo-capable iPods only; contains 9 audio tracks with images; 28 min.
	www.sfmoma.org /education/edu_podcasts.html (235 words)

	SFMOMA - Mario Botta - Great Buildings Online
		An image-oriented design for a prominent building, a strictly symmetrical composition of Platonic masses with stripes.
		SFMOMA, the San Francisco Museum of Modern Art, is the institutional anchor of the Yerba Buena arts and entertainment redevelopment around the Moscone Convention Center.
		We appreciate your suggestions for links about SFMOMA.
	www.greatbuildings.com /buildings/SFMOMA.html (122 words)

	Typophilia: SFMOMA Archives
		To imagine a terraine so grand and alien-like, one would have to embark on a full scale acid trip or take the modest route, by visiting the Xefirotarch exhibit at the SFMOMA.
		To compare the most obtuse, ominous electronica music to this exhibit is the only way I can describe and comprehend it for myself.
		My good friend Pat and I spent last wednesday evening at the SFMOMA's glamorous after party for Matthew Barney's latest cinematic creation:drawing restraint 9.
	www.somerandomdude.net /kellie/archives/sfmoma (792 words)

	American Institute of Architects San Francisco Chapter (Site not responding. Last check: 2007-10-12)
		Our focus on high design creates buildings that not only act as cultural landmarks, interpreting and invigorating their context, but also gracefully project the identity of the patrons who commission them.
		Tickets can be purchased directly at SFMOMA with no surcharge, through www.museumtix.com, or by calling 415.357.4000.
		Lectures take place at AIA San Francisco or in the SFMOMA Phyllis Wattis Theater, at 151 Third Street (between Mission and Howard Streets) in San Francisco.
	www.aiasf.org /Programs/Public_Programs/AIA_SFSFMOMA_Lecture_Series.htm (276 words)

	graffiti takes over sfmoma online
		He typed in www.sfmoma.com but found there was no such site (the museum's url is sfmoma.org).
		Drapiewski had been running the site for several months before he got the sfmoma.com url, but with the new address, his traffic has nearly tripled, from 40 or 50 hits a day to almost 150.
		Drapiewski, 18, hopes that by luring people to his site via the sfmoma address, he'll open people's minds about the artistic value of graffiti.
	sunsite.icm.edu.pl /hifiart/index/art-sfmoma.html (303 words)

	SFMOMA turns 'timeshare' gifts into an art form - San Francisco Business Times:
		SFMOMA has emerged as a big player in the art world's timeshare market.
		SFMOMA has been a leader in fractional giving among Bay Area arts organizations in part because the practice has been pushed from the top and is ingrained in the donor culture there, Benezra said.
		For the past two years, nurtured by Benezra and abetted by donors again in search of tax deductions, fractional gifts have climbed to 20 percent of donations to the museum.
	www.bizjournals.com /sanfrancisco/stories/2005/08/22/story3.html (980 words)

	sfmoma press release
		Andrea Zittel: New Work is organized by Gary Garrels, SFMOMA Elise S. Haas chief curator and curator of paining and sculpture.
		Zittel has drawn significant attention with her "living spaces." These all-in-one units Offer a greatly simplified liberating alternative to the complexities of contemporary life, and, at the same time, encourage a high degree of individualism.
		Similarly Zittel has attempted to reduce the complications of dressing by designing simple outfits that could be worn daily (owners have multiple copies of each outfit)--one for warmer weather and one for cooler.
	www.zittel.org /texts/sfmoma_press.html (1010 words)

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