Sachs-Hornbostel - Factbites

Sachs-Hornbostel - Factbites
Where results make sense
About us | Why use us? | Reviews | PR | Contact us

Topic: Sachs-Hornbostel

Note: these results are not from the primary (high quality) database.

In the News (Sat 14 Nov 09)

Northern Trust

Marvin Harrison

Peter Chernin

Gary Locke

Match Play

Penelope Cruz

Mickey Rourke

AR Rahman

Danny Boyle

Hugh Jackman

	Erich von Hornbostel - Wikipedia, the free encyclopedia
		Hornbostel also argued that music should be a part of more general anthropological research.
		Hornbostel was born in Vienna into a musical family.
		Erich Moritz von Hornbostel (February 25, 1877 - November 28, 1935) was an Austrian ethnomusicologist and scholar of music.
	en.wikipedia.org /wiki/Erich_von_Hornbostel (326 words)

	History of Musical Instruments Classification Systems
		Hornbostel and Sachs really broke with tradition in 1914 by developing their system which improves on the Mahillon model.
		Although the Schaeffner and Buchner systems are both worthwhile, Hornbostel and Sachs is still the model that ethnomusicologists use today.
		The German musicologist, Buchner, also made changes to the famous Hornbostel and Sachs model by creating a system that grouped together three categories: idiophones, aerophones and symphones.
	www.virtualmuseum.ca /Exhibitions/Instruments/Anglais/classement_en.html (328 words)

	CHAPTER 2
		According to Hornbostel and Sachs, the neck of an arched harp curves away from the resonator while the neck of an angular harp makes a sharp angle with it.
		Hornbostel and Sachs further sub-divided open harps into two sub-categories: 'arched' and 'angular' harps.
		Hornbostel and Sachs divided them into two categories: 'frame harps' and 'open harps'.
	www.angelfire.com /music2/grau/ch2/ch2.htm (6724 words)

	ETHNOMUSICOLOGY
		Curt Sachs theories on the origins of musical instruments, include the theory that music produced by the body (clapping hands, stamping feet, etc.) generated other mediums (musical instruments).
		Kunst visited Java in 1919 and studied the gamelan tradition; he and E.M. Von Hornbostel were interested in the two gamelan tuning systems: the pelog (7-tone) and the slendro (5-tone).
		As mentioned in the article on "Ethnomusicology" in The New Groves Dictionary of Music and Musicians, the origin of the term ethnomusicology is attributed to Jaap Kunst (1891-1960): Musicologica: a Study of the Nature of Ethno-musicology, its Problems, Methods, and Representative Personalities, 1950 (Pegg 2001:367).
	cfaonline.asu.edu /haefer/classes/568/568.papers/1960.kunst.barrionuevo.html (1333 words)

	1964.nettl.senko.html
		Another landmark Hornbostel publication is "Systematik der Musikinstrumente." Together with Curt Sachs, Hornbostel created a method of classifying musical instruments that is used even today.
		Overall, Sachs’ works are of a general nature, presented in simple terms, and the information within provides a guide for the beginning student.
		Sachs wrote not only about the history of music but also about musical instruments.
	cfaonline.asu.edu /haefer/classes/568/568.papers/1964.nettl.senko.html (2618 words)

	Calling a Fiddle a Lute: The Hornbostel-Sachs System for the Classification of Musical Instruments
		Hornbostel and Sachs proposed a more flexible modular framework that would allow for "open-ended discussion" and future updating.
		In the introduction to their article Systematik der Musikinstrumente (Zeitschrift für Ethnologie, 1914), Hornbostel and Sachs recognized that instruments "are alive and dynamic, indifferent to sharp demarcation and set form, while systems are static and depend upon sharply drawn demarcations and categories."
		And when you take into consideration the fact that the name of each and every instrument may vary from place to place, people to people, musician to musician, the study and documentation of musical instruments can be exercises in frustration.
	www.shlomomusic.com /instrument_classification_essay.htm (619 words)

	Composer Biographies -Classical 102.1 KDFC
		Hood (1971) devised ‘organograms’ using symbolic language and diagrams incorporating performance techniques, musical function and social and cultural considerations; he also added the electrophone to the Hornbostel and Sachs divisions.
		History: The most comprehensive scholarly system for classifying instruments on a worldwide basis is that devised in 1914 by Hornbostel and Sachs.
		Drägner (1948) extended the Hornbostel and Sachs system, taking account of instruments musical and physiological functions.
	www.kdfc.com /new/composers_detail.cfm?id=201 (249 words)

	Ancient
		" Further, bones, numbered 111.1 in the Sachs-Von Hornbostel system are "...
		Sachs notes that "The clapper seems to have been an instrument frequently associated with the worship of Hathor and probably every woman had her clapper to worship the goddess, as today every Catholic women owns a rosary." (Sachs 1940: 89)
		The artist of ancient Greece "...interpreting in their art their impression of daily life..." show clappers of wood, bone, or ivory, many decorated with the head of Hathor, goddess of heaven, joy and death.
	www.rhythmbones.com /ancient.html (5745 words)

	Review: Issues in Organology
		Baines’s approach is more humanistic and positive than divisive: where Hornbostel and Sachs plowed through the field of instruments, nudging them into separate piles based on minute distinctions, Baines appears to gather up similar items, say ‘shawms,’ based on common characteristics (including social functions and performance techniques) in a variety of cultures.
		The emphasis is on instruments as artifacts; this emphasis is further strengthened by the presence of two “reference aids” in the back of the volume: a history and list of musical instrument collections around the world, by Laurence Libin, and a translation of Hornbostel and Sachs’s 1914 article setting forth their classification scheme.
		This approach works best in areas of historic or prehistoric diffusion, such as the Eurasian cultures documented in his earlier volumes.
	www.mcsr.olemiss.edu /~mudws/reviews/orgnology.html (1369 words)

	CLASSICAL MUSIC ARCHIVES: Definition of MUSICAL INSTRUMENTS
		by C. Sachs and E. von Hornbostel pubd.
		Note that the pf., though it has str., is percussive in its mechanism, so is not easily classified.
	www.classicalarchives.com /dict/instruments.html (146 words)

	Curt Sachs - Wikipedia, the free encyclopedia
		He was one of the founders of modern organology (the study of musical instruments), and is probably best remembered today for co-authoring the Sachs-Hornbostel scheme of musical instrument classification with Erich von Hornbostel.
		Curt Sachs (June 29, 1881- February 5, 1959) was a German musicologist.
		In 1933, Sachs was dismissed from his posts in Germany by the Nazi Party because he was a Jew.
	en.wikipedia.org /wiki/Curt_Sachs (389 words)

	Bbw clip Sexy Babes
		Sometimes trees grown in the Hornbostel-Sachs (or Sachs-Hornbostel) is a system of musical instrument classification divised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the Zeitschrift für Musik in 1914.
		Hence trees making rapid growth in the open have thicker sapwood for their size than trees of the same species growing in dense forests.
		A revised English translation was Face fucking Free teen facial movie published in the Galpin Society Journal Bbw clip in 1961.
	milf.milfhunter.cn /Bbw/Bbw_clip.html (917 words)

	Erich von Hornbostel - Wikipedia, the free encyclopedia
		He is remembered for his pioneering work in the field of ethnomusicology, and for the Sachs-Hornbostel system of musical instrument classification which he co-authored with Curt Sachs.
		Erich Moritz von Hornbostel (February 25, 1877- November 28, 1935) was an Austrian ethnomusicologist and scholar of music.
		Hornbostel was born in Vienna into a musical family.
	en.wikipedia.org /wiki/Erich_von_Hornbostel (326 words)

	Calling a Fiddle a Lute: The Hornbostel-Sachs System for the Classification of Musical Instruments
		Hornbostel and Sachs proposed a more flexible modular framework that would allow for "open-ended discussion" and future updating.
		In the introduction to their article Systematik der Musikinstrumente (Zeitschrift für Ethnologie, 1914), Hornbostel and Sachs recognized that instruments "are alive and dynamic, indifferent to sharp demarcation and set form, while systems are static and depend upon sharply drawn demarcations and categories."
		And when you take into consideration the fact that the name of each and every instrument may vary from place to place, people to people, musician to musician, the study and documentation of musical instruments can be exercises in frustration.
	www.shlomomusic.com /instrument_classification_essay.htm (619 words)

	Art Fresh:Category Top/Arts/Music/Musicology/Musicologists
		He was one of the founders of modern organology (the study of musical instruments), and is probably best remembered today for co-authoring the Sachs-Hornbostel scheme of musical instrument classification with Erich von Hornbostel.Sach was born in Berlin.
		In 1914 he and Erich Moritz von Hornbostel published the work for which they are probably now best known in Zeitschrift fýr Ethnologie, a new system of musical instrument classification.
		He reorganised and restored much of the collection, and his career as an organologist began.In 1913, Sachs saw the publication of his book Real-Lexicon der Musikinstrumente, probably the most comprehensive survey of musical instruments in 200 years.
	www.art-fresh.net /Category700810.html (718 words)

	Talk:Aerophone - Wikipedia, the free encyclopedia
		Well, Erich von Hornbostel and Curt Sachs specifically cite the harmonica (and so by extension all free reeds) as an example of a free aerophone in the original 1914 version of their scheme.
		Since the reed, not the air, produces the tone, it seems to me to be a blown idiophone.
	www.wikipedia.org /wiki/Talk:Aerophone (126 words)

	Musikinstrumentsystematik - Wikipedia, den fria encyklopedin
		Detta system adopterades av Erich von Hornbostel och Curt Sachs i början av 1900-talet.
		En femte kategori har tillkommit sedan dess: Elktroakustika instrument som elpiano.
	sv.wikipedia.org /wiki/Musikinstrumentsystematik (208 words)

	News
		are ‘...concussionidiophones or clappers, two or more complementary sonorous parts struck against each other.’(Von Hornbostel and Sachs 1961:14) Sachs adds that instraments of this type are extensions of striking or clapping hands or stamping feet.
		Sachs notes that ‘The clapper seems to have been an instrament frequently associated with the worship of Hathor and probably every woman had her clapper to worship the goddess, as today every Cathothic woman owns a rosary.’(Sachs 1940:89)
		After the demise of classical civilization there is a time gap of several centuries in the knowlege of the development of musical instraments.
	www.hrprod.com /misc.html (1939 words)

	The Classical Free-Reed, Inc. Taxonomy of Musical Instruments
		The Austrian musicologist, Erich Moritz von Hornbostel (1877-1935), and his German colleague, Curt Sachs (1881-1959), proposed in 1914 a system of classification for musical instruments which has been criticized and changed in details through the years, but never supplanted.
		Curt Sachs invented the term "plucked idiophone" for the instrument, which produces sounds due to the rigidity and elasticity of the material from which it is made.
		The following chart -- of my own design -- (which depicts the position of the free-reed instruments in relation to the entire body of musical instruments) is based upon their work.
	www.ksanti.net /free-reed/description/taxonomy.html (1825 words)

	Curt Sachs - Wikipedia, the free encyclopedia
		He was one of the founders of modern organology (the study of musical instruments), and is probably best remembered today for co-authoring the Sachs-Hornbostel scheme of musical instrument classification with Erich von Hornbostel.
		In 1914 he and Erich Moritz von Hornbostel published the work for which they are probably now best known in Zeitschrift für Ethnologie, a new system of musical instrument classification.
		In 1913, Sachs saw the publication of his book Real-Lexicon der Musikinstrumente, probably the most comprehensive survey of musical instruments in 200 years.
	en.wikipedia.org /wiki/Curt_Sachs (389 words)

	Classifying Musical Instruments
		The other way, first published in 1914 by Erich von Hornbostel and Curt Sachs, is to group instruments according to how their sounds are produced.
		Classify the instruments of the orchestra (see Orchestral Instruments), or the instruments in a group you are familiar with, according to Hornbostel and Sach's system.
		All the strings are bowed lutes (except for the harp - a harp - and the piano- a struck zither).
	cnx.rice.edu /content/m11896/1.6 (1514 words)

	Curt Sachs - Wikipedia, the free encyclopedia
		He was one of the founders of modern organology (the study of musical instruments), and is probably best remembered today for co-authoring the Sachs-Hornbostel scheme of musical instrument classification with Erich von Hornbostel.
		In 1914 he and Erich Moritz von Hornbostel published the work for which they are probably now best known in Zeitschrift für Ethnologie, a new system of musical instrument classification.
		In 1913, Sachs saw the publication of his book Real-Lexicon der Musikinstrumente, probably the most comprehensive survey of musical instruments in 200 years.
	www.wikipedia.org /wiki/Curt_Sachs (389 words)

	music
		Using the latter as a launching pad the system developed in 1914 by German-born Erich von Hornbostel and Curt Sachs is based on acoustic principles.
		This classification system is generally accepted and is the one we have decided to use to classify and associate our native or indigenous instruments.
		In this list we have included instruments still played today, instruments found up until fairly recently, and instruments which fell into disuse a long time ago; also included are instruments and toys used for different purposes.
	www.basqueclubs.com /Pages/music.htm (9444 words)

	Music 829F: History of Music Psychology
		The students were Erich Hornbostel, Otto Abraham and Curt Sachs.
		As a jew, Sachs left Hitler's Germany and emigrated to the United States where he became highly influential -- training innumerable musicologists.
		Three other students were seminal in developing Stumpf's ideal of comparative musicology-- later to meld into the field of ethnomusicology.
	www.music-cog.ohio-state.edu /Music829F/Biographies/german.geneology.html (201 words)

	LAMC: LAMúsiCa Vol.2 No. 3: From the LAMC Desk
		His main music teachers were Adolf Sandberger, Eugène d'Albert, Charles van den Borren, Ernst Buecken, Ludwig Schiedermair, Erich von Hornbostel, and Curt Sachs.
		In 1930, while visiting Latin America, he was invited by the goverment of Uruguay to organize several of the musical activities in the country.
		Of German birth, Francisco Curt Lange became by inspiration and choice a Latin American citizen.
	www.music.indiana.edu /som/lamc/publications/lamusica/vol2.3/lamcdesk.html (437 words)

	Sachs bei avana.de ♠
		Chart based on a 1914 scheme by Sachs and von Hornbostel classifies orchestral, folk, and electronic instruments into families.
		Edited by the directors of the Yale School of Management - The Goldman Sachs Foundation Partnership on Nonprofit Ventures, this important resource identifies best practices for generating a reliable...
		Ira Sachs Filmography - Movie World DB Ira Sachs Filmography - Movie World DB home...
	sachs.avana.de /Sachs.html (426 words)

	Curt Sachs - Wikipedia
		Daraufhin floh Sachs nach Paris und später in die Vereinigten Staaten, wo er sich in New York niederließ.
		1933 wurde Sachs von den Nationalsozialisten seines Amtes enthoben, da er ein Jude war.
		Literatur von und über Curt Sachs im Katalog der DDB
	de.wikipedia.org /wiki/Curt_Sachs (178 words)

	musica01_i.htm
		Using the latter as a launching pad the system developed in 1914 by German-born Erich von Hornbostel and Curt Sachs is based on acoustic principles.
		This classification system is generally accepted and is the one we have decided to use to classify and associate our native or indigenous instruments.
		The fifth group is that of the so-called electrophones (instruments that produce sound by electronic means), which will not be included in the present paper.
	www1.euskadi.net /kultura/musica/musica01_i.htm (380 words)

	Sachs bei avana.de ♠
		Chart based on a 1914 scheme by Sachs and von Hornbostel classifies orchestral, folk, and electronic instruments into families.
		Edited by the directors of the Yale School of Management - The Goldman Sachs Foundation Partnership on Nonprofit Ventures, this important resource identifies best practices for generating a reliable...
		Ira Sachs Filmography - Movie World DB Ira Sachs Filmography - Movie World DB home...
	sachs.avana.de /Sachs.html (426 words)

Try your search on: Qwika (all wikis)

Topic: Sachs-Hornbostel

Ads by Google

In the News (Sat 14 Nov 09)