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| | Bertolt Brecht - Wikipedia, the free encyclopedia |
 | | He created an influential theory of theatre, the epic theatre, wherein a play should not cause the spectator to emotionally identify with the action before him or her, but should instead provoke rational self-reflection and a critical view of the actions on the stage. |
 | | For this purpose, Brecht employed the use of techniques that remind the spectator that the play is a representation of reality and not reality itself, which he called the Verfremdungseffekt (translated as distancing effect, estrangement effect, or alienation effect). |
 | | Adaptation of Shakespeare's play Coriolanus, (1952-5), as Coriolan, to make it a tragedy of the workers not the individual and introduce the alienation effect, but he had second thoughts over it and in the end preferred Shakespeare's original, feeling it had these elements already. |
| en.wikipedia.org /wiki/Bertolt_Brecht (2319 words) |
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