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| | [EMLS 9.1 ([May, 2003]: 2.1-22 Elizabeth Cary's Mariam and the Critique of Pure Reason |
 | | Like Mariam, Alexandra, Pheroras, Graphina, and Sohemus, all of whom readily accept the claim that Herod is dead, Constabarus acts confidently in the assumed truth of the news. |
 | | Notwithstanding differences of sex and intention, let alone ontological status, Chillingworth and Salome share a fundamental position, in Cary's outlook and that of her daughter Lucy, as embodiments of the familiar archetype of the white devil or "painted sepulchre" (e.g. |
 | | Consequently, when the Chorus makes clear that Mariam is its sole target (3.3.249), we are inclined to question the validity of its allegations, especially the notion that Mariam has acted "out of glory" and desired to walk "on the ridge" when she had "spacious ground" on which to tread (3.3.246, 3.3.221-22). |
| www.shu.ac.uk /emls/09-1/hamlcary.html (5866 words) |
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