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Topic: Salviati

	Francesco Salviati
		Salviati's works, such as his decorations for the Palazzo Farnese in Rome, were characteristic of the mannerist style in their extreme complexity, display of chiaroscuro technique, elongated figures and spatial and pictorial ambivalence.
		In 1538 Salviati was engaged to join his recently arrived compatriot, Jacopino, in beginning a fresco decoration of the Oratory of S. Giovanni Decollato, a Florentine establishment in Rome of which the purpose was the charity of consoling prisoners condemned to execution.
		Salviati's initial contribution, the Visitation (dated 1538), is visibly not yet entirely mature, but the high creative intelligence it shows and the symptoms in it of a new phase of Maniera mark a clear stage in the accomplishment in Rome of high Maniera style.
	www.humrichfineart.com /salviati.html (1258 words)

	Salviate and the Sala d'Udienze Florence by Raichel Le Goff
		Salviati was born Francesco Rossi in Florence in 1510.
		Salviati makes the statue of Juno a focus of his narrative in the Triumph of Camillus and has emphasised this fable of the statue being life-like and able to speak by representing her as an animated figure who seems to turn toward Camillus from their lofty positions above the crowds.
		Salviati's narrative scenes accumulate the most learned and elaborate battery of archaeological reminiscence, as if for the edification of the Florentines who had not the advantage of a Roman education, and they are framed by allegories, no less learned, of almost hieroglyphic abstruseness.
	epublishingcorp.com /articlesRaichel/Art-Research/N-SALVIA.HTM (2432 words)

	GALILEI: PÁRBESZÉDEK
		Amikor a társaság a tiszteletre méltó Sagredo palotájában együtt volt, Salviati a szokásos üdvözlések kicserélése után a következõképpen kezdte mondanivalóját:
		Salviati rámutat arra, hogy csodálatos legfeljebb az emberi értelem, mely a számok lényegét fel tudja fogni (Platón), mindehhez viszont semmi köze a pythagoreusok naiv számmisztikájának.
		Tedd meg nekem azt a szívességet, Salviati, hogy nagyobb tisztelettel beszélj Arisztotelészrõl.
	mek.oszk.hu /00500/00557/00557.htm (16599 words)

	NonStarving Artists - Francesco Salviati at NGC (Site not responding. Last check: 2007-10-16)
		Francesco Salviati, a leading Mannerist painter of the mid-16th century, was born in 1510 in Florence and began his artistic career as an apprentice in the atelier of the master Andrea del Sarto.
		Salviati became one of Rome's leading second-generation Mannerists with his fluidly elegant style, characterized by sinuous outlines, spontaneous brushwork, and rich ornamental detail.
		Salviati was known for his imaginatively posed figures, and his distinctive style earned him fame in Italy and in France during his lifetime.
	feeds.russianews.net /?rid=44ce3f5e38c8555d&cat=723971d98160d438&f=1 (490 words)

	Espace presse (Site not responding. Last check: 2007-10-16)
		Therefore, Antonio Salviati should be credited with the revival of the glass industry in Venice at a time when most workshops were about to close their doors.
		The exhibition "Salviati meets London", organised in October 2000 in partnership with the Vessel Gallery in London was an expression of this new impetus.
		Salviati objects play primarily on contrast, whether in colours, in types of glass (transparent and opaque) or in finishes (gloss or matt).
	www.arc-international.com /uk/presse/fichiers/salviati/institutionnel.html (1658 words)

	Salviati Glass
		Salviati at Stanford: Venetian Glass of the 1890s, is open free to the public from September 18 through December 29.
		Maurizio Camerino and Silvio Salviati, partners in the firm that supplied the mosaic for the Church, gave a collection of jugs, jars, bottles, bowls, vases, and goblets to the memorial museum founded in 1885, with the university.
		Salviati masters of the glassblowing art made objects in chalcedony, filigree and mosaic glass as well as decorative vessels in a fantastic complexity of animal forms, including sea-horses, dolphins, hippogriffs and dragons.
	ccva.stanford.edu /SalviatiGlass.html (439 words)

	Dialogue of Two Chief World Systems - Galileo
		Salviati argues that there are no experiments on the earth which would preclude the daily rotation of the earth.
		Salviati attempts to show that the tides are caused by a combination of the earth's orbital motion and daily rotation.
		Salviati claims that the difference in speeds of the waters at points a and b constitute an acceleration, and hence the tidal flow to and fro is a consequence of the earth's motion.
	www.calstatela.edu /faculty/kaniol/a360/galileo_dialogue.htm (1646 words)

	Biography
		He was one of the leading fresco decorators of his day, specializing in learned and elaborate multi-figure compositions, typically Mannerist in their artificiality and abstruseness, and similar in style to those of his friend Vasari (although Salviati was an artist of higher caliber).
		His finest works are perhaps the frescoes on the story of the ancient tyrant Furius Camillus (1543-45) in the Sala dell' Udienza of the Palazzo Vecchio, Florence, intended as an allegory of Cosimo de' Medici's reign.
		Salviati also made designs for tapestries and was noted for his portraits, which were Florentine in their direct characterization but north Italian in their richness in colour.
	www.kfki.hu /~arthp/bio/s/salviati/biograph.html (186 words)

	Deutsches Ärzteblatt: Archiv "Klinische Studien und Statistik: Von der Wahrscheinlichkeit des Irrtums" ...
		Salviati: Wir nehmen es dir nicht übel, lieber Simplicio, dass du den Wein liebst, aber du solltest nicht versuchen, eine Tugend daraus zu machen.
		Simplicio: Bit-te, Salviati, erwarte nicht, dass wir eine solche Aussage ernst nehmen können.
		Salviati führt uns wie ein böser Geist an der Nase herum.
	www.aerzteblatt.de /v4/archiv/artikel.asp?id=41130 (2519 words)

	glass murano beads glass tableware vases antique glass collectibles venetian (Site not responding. Last check: 2007-10-16)
		Salviati’s heart is inspired with passion for contemporary, avant-garde design, playing with contrast and the use of new materials.
		Through continual collaboration with many young artists, designers, architects and scenographers, Salviati is able to reinterpret Murano’s glass-making traditions and reinvent the concept of tableware as an art, with luxury crystal for everyday use.
		Packaging as the art of presentation… The spotlight is turned on a set of presentation cases in Salviati colors: flutes, cocktail glasses, vodka and whisky glasses are presented in sets of two, four or six.
	www.salviati.com /press/fichiers/2004june.html (408 words)

	Magazine Antiques: Venetian art nouveau glass (Site not responding. Last check: 2007-10-16)
		Salviati opened his first glass factory and shop in Venice in 1859, and others soon followed his lead.
		In the early years Salviati concentrated on mosaics, glass tiles, and a very limited amount of blown chalcedony glass, a type of glass that imitated stone.
		In the Salviati catalogue of 1878-1883 there is a plethora of swans and dolphins.
	www.findarticles.com /p/articles/mi_m1026/is_2_157/ai_59616604 (1222 words)

	Francesco Salviati (Site not responding. Last check: 2007-10-16)
		Francesco Salviati began his artistic career in Florence as an apprentice in the atelier of Andrea del Sarto.
		Salviati's frescos, with their contorted compositions, saturated colours and abundant ornamentation, can be found in the Church of Santa Maria della Pace in Rome, among many other places.
		Salviati is also spoken of as a productive painter of portraits, but at present we know of very few portraits that can be reliably attributed to him.
	www.fng.fi /fng/html4/en/siff/guide/painting/cont/chap23/sect0/page58.htm (142 words)

	Francesco Salviati Online
		Francesco Salviati at the Metropolitan Museum of Art, New York City
		Francesco Salviati at the National Gallery of Art, Washington D.C. Portrait of a Lady, ca.1555
		All images and text on this Francesco Salviati page are copyright 1999-2005 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/salviati_francesco.html (222 words)

	Apollo: Francesco Salviati's ceiling painting for Palazzo Grimani rediscovered
		The attitude adopted by this figure echoes earlier contrapposto poses in works by Salviati, ranging from his most recent previous undertaking, the Visitation in the Oratorio di S Giovanni Decollato, Rome, by way of the Uffizi Adoration of the Shepherds, to the Incredulity of St Thomas in the Louvre.
		The ceiling octagon was the central element in an elaborate scheme, and was surrounded by flaming elements consisting of garlands and landscapes by Camillo Mantovano, together with a combination of painting and stucco by Giovanni da Udine.
		Both the formal language of the work and its subject-matter were inspired by antiquity, and motivated by the Grimani family's desire to harmonise the decoration with the collection of antique sculpture housed in their palace.
	www.findarticles.com /p/articles/mi_m0PAL/is_503_159/ai_112540502 (1204 words)

	Murano Magic: Salviati & C. s.p.a. and related firms
		Salviati and C. Salviati and C. Salviati and C. s.p.a.
		Antonio Salviati, after policy disputes with his English investors, withdrew (1877) from The Venice and Murano Glass and Mosaic Company, Salviati and C.
		The firm was reorganized as Salviati and C. s.p.a., with Renzo Camerino as head of the firm.
	www.boglewood.com /murano/producers/salviati.html (445 words)

	U.S. Senate: Art & History Home > Abraham Lincoln by Antonio Salviati
		Almost 20 years later Salviati’s firm gave a similar portrait to the United States in memory of the nation’s second assassinated president, James A. Garfield.
		The gift of the Lincoln portrait came early in Salviati’s career, which was dedicated to restoring to prominence the medieval art of mosaic.
		Salviati founded his “laboratory of mosaic art” in Venice in 1859.
	www.senate.gov /artandhistory/art/artifact/Other_39_00001.htm (447 words)

	Murano Magic: Compagnie di Vetri e Mosaici de Venezia e Murano and related firms
		Antonio Salviati, a lawyer from Vicenza, joined with Enrico Podio (as art director) and Lorenzo Radi (as technician) to found (1859) Salviati dott.
		The remarkable revival of Murano glassmaking in the 19th and 20th century is usually traced to the landmark founding of Salviati dott.
		Antonio for holloware and Salviati and C. for mosaic glass.
	www.boglewood.com /murano/producers/venicemurano.html (461 words)

	VILLA CORSI SALVIATI AT SESTO FIORENTINO
		Villa Corsi Salviati is not far from three magnificient villas belonging to The Medicis: Villa di Castello, Villa della Petraia, Villa di Careggi {see map 2}.
		Among these, a new direction was undertaken by the construction of greenhouses under Marquis Bardo Corsi Salviati for the cultivation of tropical and rare plants.
		In 1907, at the death of Marquis Bardo Corsi Salviati, the Sesto Villa passed into the hands of his grandson, Count Giulio Guicciardini, who began restoration of the villa and undertook the transformation of the garden in order to bring it back to its XVIII century splendor.
	www.gicas.net /villa.html (712 words)

	departures.com \| Diana Salviati (Site not responding. Last check: 2007-10-16)
		That passion came early in life, as did her love of plants and flowers: Salviati names her scarves after the flora that thrive outside Rome in the magnificent gardens of her ancestral home, created by legendary landscape designer Russell Page.
		Salviati's other love, travel, allows her to indulge in color and pattern from all over the globe.
		Her signature items are sheer neutral glamour: a solid silk-canvas mélange with the no-nonsense air of menswear (Salviati also produces a men's collection) and a linen-silk muffler that's half fl, half brown-and-gray striped, "to give the impression you're wearing two scarves," she says, "without the cumbersome weight."
	www.departures.com /fa/fa_0103_salviati.html (625 words)

	[No title] (Site not responding. Last check: 2007-10-16)
		How is the ship experiment supposed to apply against the motion of the earth (see Salviati's speech at the top of p.
		145-7 Salviati considers a polished uniform plane on which a movable body may be placed.
		186, second paragraph, Salviati embarks on a long discussion of what would happen if one is shut up in a cabin on a ship.
	www.stanford.edu /class/phil61/section1027.text (430 words)

	U.S. Senate: Art & History Home > James A. Garfield
		Salviati, whose manufacturing company was largely responsible for the rebirth of Venetian glasswork during the late 1800s, created mosaics in a medieval style that found favor among designers of buildings and memorials.
		In London, Salviati’s mosaic murals were installed in the Albert Memorial at Kensington Gardens, and in the cupola of St. Paul’s Cathedral.
		In the United States, Salviati mosaics decorate the church and the museum on the campus of Stanford University in California.
	www.senate.gov /artandhistory/art/artifact/Other_39_00002.htm (244 words)

	Mario Salviati
		She wonders who Salviati is, and learns that during the Second World War, Italian prisoners of war were brought to Yearsonend as laborers.
		Salviati was a skilled artisan, a stone mason who was put to work by Big Karl Bergh, Jonty's father, on a project to bring water to the town.
		As Ingi delves deeper into the mysteries of Yearsonend, she is inexplicably drawn to Mario Salviati, a deaf, dumb, and blind Italian stonecutter who holds the key to many of the town’s secrets.
	www.etiennevanheerden.co.za /salviati.htm (1597 words)

	Salviati - Venetian Glass History from Small Island Trader Crystal Shop (Site not responding. Last check: 2007-10-16)
		During the Renaissance, the great success of Venetian handicrafts in foreign markets quickly led to a growing export business, However, it also encouraged the migration of glass workers; a phenomenon which the Venetian Authorities fought fearing the spread of highly-specialized know- how with consequent damage to the local economy.
		Antonio Salviati, a lawyer in love with the mythical city, decided to, revitalize the Venetian glass industry.
		Today, Salviati remains one of the most exclusive exponents of glassmaking.
	www.smallislandtrader.com /crystal/salviati/history.htm (158 words)

	Giuseppe Porta (Getty Museum) (Site not responding. Last check: 2007-10-16)
		The serious tone and sculptural quality of Salviati's figure style remained with Porta for life.
		Arriving with Salviati in 1539, Porta spent most of his career in Venice, where his painting absorbed local influences.
		Salviati left in 1541, but Porta stayed on, becoming famous for his decorations on palazzo facades, none of which survive.
	www.getty.edu /art/collections/bio/a3303-1.html (177 words)

	Francesco Salviati : Salviati, Francesco, circle of
		Salviati, Francesco, circle of : Portrait of a prelate, 1500-luvun puoliväli, 68 x 60 cm, oil, canvas (S 41, Sinebrychoff) (30.6 kB)
		Earlier such a beard would not have been possible on an Italian priest, but in the 1530s the example set by the Pope had brought beards into fashion among the clergy.
		Kuusamo dated the painting as late 1540s - early 1550s and thought that it was related to the oeuvre of Francesco Salviati.
	www.fng.fi /fng/html4/en/siff/guide/painting/cont/chap23/sect1/page59.htm (445 words)

	Francesco Salviati (1510 - 1563) Artwork Images, Exhibitions, Reviews
		Salviati’s paintings were executed in a Mannerist style with lots of imaginatively posed figures.
		Paolo Salviati, Cortile nel Palazzo Ducale (Courtyard of the Ducal Palace, Venice), 19th century
		Giuseppe Porta (Salviati), The Disciples of Astronomy and the Mathematics of Chance, frontispiece from Le sorti, Venice: 1540, 16th century
	www.wwar.com /masters/s/salviati-francesco.html (454 words)

	Christie's - Francesco Salviati [1510-1563] - Featured on Artfact.com (Site not responding. Last check: 2007-10-16)
		The commission for the decoration of the hall, intended for the reception of diplomatic missions, had been awarded by Pope Pius IV to Francesco Salviati, Giuseppe Porta's teacher, in 1560, through the offices of his patron Cardinal Farnese.
		Porta, by birth a Tuscan, was taken to Rome at an early age and in 1535 was apprenticed to the Florentine Francesco Salviati, from whom he later took his name.
		A third study, in fl and red chalk, for the group in the lower left corner of the fresco was formerly in the Collection of Michel Gaud, sold Sotheby's, Monaco, 20 June 1987, lot 72.
	www.artfact.com /features/houseLot.cfm?iid=2Rk2E0kj (907 words)

	Salviati : Murano glass, jewellery, lead crystal, tabletop items, table accessories (Site not responding. Last check: 2007-10-16)
		September 2004, Salviati teamed up with London gallery Vessel, for the second edition of Salviati meets London.
		In 2000, the first Salviati exhibition at Vessel was a roaring international success.
		Most of the pieces were snatched up by collectors from the very inauguration of the event.
	www.salviati.com /events-news (89 words)

	persone / Giovanni Salviati (Site not responding. Last check: 2007-10-16)
		Finché visse il papa i rancori fra il cardinale Ippolito e il duca Alessandro per la gestione del potere a Firenze rimasero sotterranei (anche se mal celati) ma alla sua morte scoppiarono in aperta ribellione, soprattutto quando i cardinali fiorentini Salviati, Ridolfi, Gaddi e gli Strozzi si schierarono dalla parte del cardinale.
		Sembra che il suo compito consistesse nel propinare del veleno al cardinale Salviati, che nutriva, fra l'altro, vecchi rancori contro il duca.
		Il 26 maggio 1535 il Berni morì in casa Cybo, molto probabilmente vittima di quello stesso veleno che rifiutò di servire al Salviati (pp.
	www.nuovorinascimento.org /n-rinasc/ipertest/html/orlando/salviati.htm (215 words)

	Dialogus de rebus scholasticis
		Salviati: - Invero, egregio amico, neppur questo io scorgo nella bolla che ho in mano.
		Simplicio: - Et io dico, Salviati, che i molti e valenti uomini che mi sono di scorta, fra i quali tre sono in particolar modo valentissimi et eminentissimi, e tali che la sapienza loro ho per legge fermissima e quasi divina, ciò pure hanno coonestato.
		Salviati: - Invero, caro Simplicio, tengo per certo che pecore, bovi et altri animali usi a procedere in armento bisogno hanno di scorta, uomini d’esto nome degni tale bisogno non hanno.
	www.pavonerisorse.to.it /riforma/dialogus.htm (567 words)

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