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	Samuel Palmer - LoveToKnow 1911
		SAMUEL PALMER (1805-1881), English landscape painter and etcher, was born in London on the 27th of January 1805.
		An illness led to a residence of seven years at Shoreham in Kent, and the characteristics of the scenery of the district are constantly recurrent in his works.
		In 1861 Palmer removed to Reigate, where he died on the 24th of May 1881.
	www.1911encyclopedia.org /Samuel_Palmer (401 words)

	BBC - Painting the Weather - Palmer
		Palmer painted from an early age, but it was his meeting with William Blake in 1824 that intensified the spiritual “visionary” qualities of his work in which landscapes were treated as visions of paradise.
		Palmer was only 14 when he first exhibited landscapes at the Royal Academy.
		Palmer experimented with all kinds of materials in his paintings including soot and flour.
	www.bbc.co.uk /paintingtheweather/csv/artist/palmer.shtml (151 words)

	Samuel Palmer of the William PALMER family of Manchester, Washtenaw Co., MI
		Samuel Palmer was born in 1785 in Columbia Co., NY, which was then part of Albany Co. His parents were Gamaliel and Sabra Brown Palmer.
		Samuel was elected the first clerk of Somerset Township in 1823 and served as supervisor from 1824 to 1826.
		Samuel's will, dated 31 Aug 1844, directed that a one-acre plot on the corner of the southeast quarter of section five, with all of the buildings on it, be given to his wife, Clarissa, so this is probably the location of the first family home.
	members.tripod.com /~deemamafred/sampalmer.html (2016 words)

	Samuel Palmer - HighBeam Encyclopedia
		Palmer is also known for his Italian and English landscapes in watercolor, his illustrations of Spenser and Milton, his translations of Vergil's Eclogues, and his etchings.
		Samuel Palmer's luminous garden: the subject of a recent survey at the Metropolitan Museum of Art, London-born Samuel Palmer produced intimate, hallucinatory landscapes that convey his reverence for nature during the 19th-century Industrial Revolution.(Biography)
		A vision sustained: the British Museum's Samuel Palmer exhibition triumphantly dispels the myth that his inspiration waned as he grew older.
	www.encyclopedia.com /doc/1E1-Palmer-S.html (519 words)

	Samuel Palmer
		English landscape painter and etcher, born in London on the 27th of January 1805.
		Among the best and most important paintings executed by Palmer during his later years was a noble series of illustrations to John Milton's L'Allegro and Il Penseroso.
		One of his latest efforts was the production of a series of etchings to illustrate his English metrical version of Virgil's Eclogues, which was published in 1883, illustrated with reproductions of the artist's watercolors and with etchings, of which most were completed by his son, A. Palmer.
	www.nndb.com /people/547/000096259 (398 words)

	Samuel Palmer - Art - Review - Metropolitan Museum - New York Times
		The first big Palmer show in nearly 80 years, it is a collaboration between the British Museum and the Met, and has been organized by a team led by William Vaughan, a longtime scholar of Romanticism.
		Palmer is the least known, and most idiosyncratic, of the great Romantic landscape painters who flourished in Britain in the first half of the 19th century.
		Palmer was embraced by artists who fell outside the accepted boundaries of the epic and linear course of modernism.
	www.nytimes.com /2006/03/17/arts/design/17palm.html?pagewanted=1&ei=5090&en=8b62d96a9408fae6&ex=1300251600&partner=rssuserland&emc=rss (947 words)

	Samuel Palmer (1713-1789)
		Samuel grew up in Bradford among many siblings and cousins, all descendants of Joseph Palmer and Sarah Jackman who were among the original founders of Bradford, which was originally "set off" and established from the Town of Rowley.
		Samuel soon got connected with other men of Andover, Bradford, Haverhill, Rowley, Newbury and other nearby places in 1740 and 1741 who were solicited to settle land in what was then and remains to this day the western part of Methuen.
		Samuel and Anne and their small family moved to the western part of the Town of Methuen about 1741.
	seiz2day.com /sbmerk/family/samuelpalmer.html (1557 words)

	theArtWolf.com - Samuel Palmer at the National Gallery
		Samuel Palmer: A dream in the Appenine, c.1864.
		MARCH 2006: The National Gallery of London is currently organizing an exhibition devoted to the English landscape painter Samuel Palmer.
		Samuel Palmer (1805-1881) forms, along with painters such as John Martin (1798-1854) or Francis Damby (1793-1861), that fantastic second generation of English romantic artists that appears after the pivotal figures of Joseph Mallord William Turner and John Constable.
	www.theartwolf.com /samuel_palmer.htm (140 words)

	Samuel Palmer, RWS 1805-1881: An Overview (Site not responding. Last check: 2007-11-04)
		Palmer was William Blake's most important follower and a member of the'Ancients'.
		Palmer was the son of a bookseller and first studied art under William Wate, a minor drawing master.
		Raymond Lister's exhibition Samuel Palmer and 'The Ancients' was held at the Fitzwllliam Museum in Cambridge in 1984 and provides further biographical and bibliographical information about this major artist.
	www.victorianweb.org /painting/palmer (328 words)

	handprint : samuel palmer
		Palmer's earliest major works from his Shoreham years, painted in solitude and in company with The Ancients, are among the most lyrical in modern art.
		By the late 1850's, Palmer began to work back towards brilliant colors and his earlier heightened sense of poetry — partly under the influence of the bright colors used by Linnell, William Holman Hunt and others, and partly out of a desire to please the public and sell more paintings.
		A critic noted in 1877 that Palmer was the only successor to J.M.W. Turner in attempting "the higher poetical landscape" rather than "literal transcripts from nature." The vivid colors carried through the wispy clouds and across the grassy knoll where two shepherds sit lend the scene a preternatural beauty.
	www.handprint.com /HP/WCL/artist47.html (1215 words)

	A Review of Two Works Related to Samuel Palmer
		Furthermore, Palmer's comments would also seem to demand that the editor identify a specific painting, since the artist's mention that he received enjoyment from "the poetic heat and movement of feet upon the sands" suggests that Frost had painted another version of the subject chosen by Richard Dadd and R. Huskisson.
		Nonetheless, despite generally scrupulous editing, The Letters of Samuel Palmer are somewhat disappointing, for although we learn a great deal about the artist's later development and his often trying relationship with Linnell, there are few new letters from the Shoreham years, the period of his greatest creativity.
		The basic difficulty is that having asserted that individual elements in particular pictures function as signifying units (or bits of information), such as a felled tree, he fails to perceive that a linguistic structure requires a syntax, a system of relations, as well as individual words.
	www.victorianweb.org /cv/Reviews/palmer.html (1417 words)

	Samuel Palmer (1805 - 1881) Artwork Images, Exhibitions, Reviews
		Palmer’s relationship with the poet and artist shaped the mystical themes of his work thereafter.
		Samuel Palmer, The Herdsman"s Cottage or Sunset, 1850
		Samuel Palmer, "Scarce with her rosy fingers had the dawn...", first illustration for Eclogue 8, opposite page 76 in the book An English Version of the Eclogues of Virgil by Samuel Palmer (London: Seeley & Company, 1883), 1883
	wwar.com /masters/p/palmer-samuel.html (1641 words)

	Amazon.co.uk: Samuel Palmer: Vision and Landscape: Books: William Vaughan,Elizabeth E. Barker,Colin Harrison (Site not responding. Last check: 2007-11-04)
		Samuel Palmer was active during the great flowering of British landscape painting in the first half of the nineteenth century.
		For all of us out there who think Samuel Palmer is one of the absolute greats of art and also one of the most over-looked, here is a superb resume in beautiful detail.
		What is truly wonderful about Samuel Palmer is the unwavering vision in his art which morphs throughout his life from wilful abandon to convention then back again.
	www.amazon.co.uk /Samuel-Palmer-Landscape-William-Vaughan/dp/0714126411 (943 words)

	Samuel Palmer - Search Results - MSN Encarta
		Samuel Palmer - Search Results - MSN Encarta
		A picture has been said to be something between a thing and a thought.
		Samuel, two books of the Old Testament that provide the primary source for the history of Israel during the 11th and 10th centuries bc.
	encarta.msn.com /Samuel_Palmer.html (98 words)

	The Metropolitan Museum of Art - Special Exhibitions: Samuel Palmer (1805—1881): Vision and Landscape (Site not responding. Last check: 2007-11-04)
		Samuel Palmer ranks among the most important British landscape painters of the Romantic era.
		This exhibition—the first major retrospective of Palmer's work in nearly 80 years—celebrates the 200th anniversary of his birth and unites approximately 100 of his finest watercolors, drawings, etchings, and oils from public and private collections in the United Kingdom, Canada, Australia, the Netherlands, and the United States.
		The exhibition highlights the artist’s celebrated early work, executed in a visionary style inspired by William Blake, and reexamines Palmer’s vibrant middle-period Italian studies and masterful late watercolors and etchings.
	www.metmuseum.org /special/se_event.asp?OccurrenceId={28321E9A-B028-4573-9594-FAA9C673D1F2} (202 words)

	Samuel Palmer (british Artists) Summary
		Samuel Palmer (1805-1881) is one of the best-loved but least understood figures in British art.
		A romantic at heart, he lived through most of the Victorian age, increasingly at odds with the world around him, yet sustained by his belief in the abiding values of beauty, poetry, and landscape.
		This book is the first to critically examine Palmer's career, and to present his work within the artistic and cultural context of his times.
	www.shvoong.com /books/123592-samuel-palmer-british-artists (118 words)

	Samuel Palmer (Getty Museum)
		A bookseller's son, Samuel Palmer was a delicate and withdrawn child who began a love affair with poetry that remained a lifelong inspiration for his art.
		Precocious, he exhibited at the Royal Academy at the age of fifteen in 1820.In 1822 Palmer met artist John Linnell, whom he described as "a good angel from Heaven to pluck me from the pit of modern Art." Linnell introduced him to the art of such masters as Albrecht Dürer.
		The visionary artist William Blake, whom Palmer met in 1824, became his hero.Poor health required Palmer to leave London in 1826.
	www.getty.edu /art/gettyguide/artMakerDetails?maker=3396&page=1 (215 words)

	Samuel Palmer and 'The Ancients' - Cambridge University Press
		$21.99 (C) It is many years since a major exhibition in England was devoted to the work of the whole of Samuel Palmer’s circle, ‘The Ancients’, a group of young men which included, among others, the painters George and Welby Sherman, all of whom were much influenced by William Blake.
		Most recent exhibitions devoted to Palmer himself have stressed his early work of about 1835–35 - much of it done in the village of Shoreham in Kent - at the expense of his still interesting later work.
		This fully annotated and illustrated catalogue considers all of these matters and in addition notes the strong literary influences on the work of Palmer, in particular that of the poems of John Milton.
	www.cambridge.org /us/catalogue/catalogue.asp?isbn=0521278473 (163 words)

	Amazon.com: Samuel Palmer: The Sketchbook of 1824: Books: Martin Butlin,Samuel Palmer,William Vaughan (Site not responding. Last check: 2007-11-04)
		Samuel Palmer, 1805-1881: Vision And Landscape by William Vaughan
		Child prodigy Samuel Palmer was just fourteen years old when he first exhibited at London's Royal Academy in 1819.
		All of the sketchbook's 162 surviving pages—newly photographed in color, finely reproduced, and printed on paper resembling that of the original—are presented in their original sequence and at their actual size.
	www.amazon.com /Samuel-Palmer-Sketchbook-Martin-Butlin/dp/0500976511 (950 words)

	Palmer's literary landscapes \| csmonitor.com
		My tutor was enthusiastic and pointed me in the direction of "the influence of prints of Samuel Palmer." Things came together.
		In 1962, Palmer's only surviving sketchbook from his "visionary period" was published in a small facsimile edition.
		Palmer and some of his friends at the time lived in or periodically visited the nearby village of Shoreham and called themselves "The Ancients." Palmer believed art should be "visionary." The Ancients were strongly influenced by William Blake.
	www.csmonitor.com /2005/1019/p18s04-hfes.html (741 words)

	Amazon.ca: Samuel Palmer: Books: Martin Butlin,William Vaughan (Site not responding. Last check: 2007-11-04)
		Its pages vividly illustrate the crucial period when Palmer was a nineteen-year-old artist in rural Kent trying to establish his mature style.
		No other surviving source provides such an immediate record of Palmer's processes of discovery, or gives such insight into the self-searching, artistic, and spiritual struggles that were soon to be resolved in his celebrated moonlit landscapes of the 1820s and 1830s.
		Martin Butlin provides authoritative page-by-page commentaries, notes, and an introduction to Palmer's life, while William Vaughan places the sketchbook in the context of the art and aesthetic of its time.
	www.amazon.ca /Samuel-Palmer-Martin-Butlin/dp/0500976511 (482 words)

	Samuel Palmer. The Willow. The Herdsman's Cottage, or, Sunset. Etchings. (Site not responding. Last check: 2007-11-04)
		As published by A. Palmer, The Life and Letters of Samuel Palmer, Painter and Etcher.
		Includes a catalogue of the exhibited works and etchings of Samuel Palmer.
		To order, to request an image, or to be placed on the email list, please contact Jane Allinson (allinson@earthlink.net) or send a fax.
	www.allinsongallery.com /palmer/index.html (161 words)

	SAMUEL PALMER (1805-1881) - Online Information article about SAMUEL PALMER (1805-1881)
		CLOUD (from the same root, if not the same word, as " clod," a word common in various forms to Teutonic languages for a mass or lump; it is first applied in the usual sense in the late 13th century; the Anglo-Saxon chid is only used in the sense of " a ma
		Cloud " and the "Skylark," paintings in oil, which was Palmer's usual See also:
		Among the best and most important paintings executed by Palmer during his later years was a See also:
	encyclopedia.jrank.org /PAI_PAS/PALMER_SAMUEL_1805_1881_.html (590 words)

	Palmer's ebullient, early vision flouted restraint \| csmonitor.com
		Palmer's swift and varied array of marks have a life of their own, independent of the subject.
		It was a world of imagination, poetry, and (as he was fervently religious) a sense of a paradise only hinted at by things seen.
		In a letter dated May 17, 1829, Palmer writes of his "delight in the glory of the season" and adds: "Tho' living in the country I really did not think there were those splendours in visible creation which I have lately seen." This painting describes those splendors better than his words.
	www.csmonitor.com /2002/0520/p22s02-hfes.html (478 words)

	Samuel Palmer Online
		Original works by Samuel Palmer available for purchase at art galleries worldwide
		Samuel Palmer at the National Gallery of Art, Washington D.C. 4 works by Samuel Palmer
		All images and text on this Samuel Palmer page are copyright 2007 by John Malyon/Artcyclopedia, unless otherwise noted.
	www.artcyclopedia.com /artists/palmer_samuel.html (343 words)

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