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Topic: Samy Molcho

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	Bettina Staudt
		In 1981, shortly after she graduated from highschool in Germany, she attended the International Summer Academy for Pantomime and Body Language in Vienna, Austria, directed by Samy Molcho.
		Professor Samy Molcho, who is named the worlds most reknowned Pantomime artist of the 20
		Two of Molcho’s statement resonated in her, “Body language is just like any other spoken language, except it doesn’t lie” and “the body is the glove of the soul and its language is the word of the heart”.
	www.regenerationtherapy.com /page5.html (607 words)

	Lebenslauf (Site not responding. Last check: 2007-11-03)
		1980 – 1984 she lived in Vienna and studied Pantomime with Samy Molcho.
		Evolving from pantomime she found her way to body language, which she studied with Samy Molcho as well.
		In addition to the seminar topic body language, which she presents for well-known companies, she holds workshops in pantomime and Indian temple dance.
	www.ireneorda.ch /english/htm/lebenslauf.htm (294 words)

	Documentaries
		A very tall, red haired art student follows his fiancée, a Persian almond eyed beauty, to Teheran, learns Persian like the locals and builds the most beautiful wooden house.
		A journey from Vienna to Israel with Samy Molcho whose parents, Spanish Jews, live in Tel Aviv.
		A Lutheran priest has an obsession with fossils and petrifactions while his wife suffers from the fact that all drawers in her house are all filled with stones.
	www.percyadlon.com /films/documentaries.html (1247 words)

	Press
		ZONTA-Club - financial support for youth home: local newspaper report
		Seminar with Samy Molcho: local newspaper report 13.12.03
		Baking biscuits and pastries for Christmas with children from underprivileged families: local newspaper report 24.12.03
	www.zonta-pforzheim.de /html/press.html (104 words)

	Jens Bjørneboe: The theater tomorrow
		Both work through direct ridicule of illusory tricks.
		Mimes such as Marceau, Barrault and Samy Molcho have in common that they are all great observers, indeed great realists; what makes them so is precisely their irony and their distance—their contempt for illusion and its technical method: naturalism.
		The theater's degeneration can almost always be detected in the use of outward things: in the overuse of machines, technology and equipment.
	home.att.net /~emurer/texts/theater.htm (4441 words)

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