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	Sandy Pearlman - Wikipedia, the free encyclopedia
		Sandy Pearlman (born Samuel C. Pearlman, August 8) is an American music producer, manager, poet, and songwriter.
		Pearlman is presently an adjunct Professor of music technology at McGill University in Montreal.
		Pearlman produced BÖC's "(Don't Fear) The Reaper" and a character representing Pearlman was portrayed by Christopher Walken in the Saturday Night Live parody skit of the making of the song.
	en.wikipedia.org /wiki/Sandy_Pearlman (456 words)

	Producer - Sandy Pearlman
		Sandy was one of the founders of emusic, a San Francisco based multimedia/on-line music-based company that focused on “The Convergence of Music and Technology” (to borrow a title from the lecture Sandy gave to the Stanford Music Department).
		Sandy is currently serving as the technology mastermind to various internet companies and is a visiting scholar at McGill University.
		Sandy is considered one of the leading experts on the intersection of multimedia and music.
	www.breathingprotection.com /sandy_pearlman.htm (447 words)

	Be The Media: Notes from “The Song Need Not Be the Same”
		Pearlman laments the heyday of the record business, when “insane entrepreneurs” who were passionate about both the music and the business.
		Pearlman says the great old days of radio (late 1960s, early 1970s) were cool because stations actually cared about adding material to the collective cultural palate.
		Pearlman: “We accept the idea that the world is devolving into a nihilistic chaosium,” with groups fragmenting into single-issues with dogged conviction.
	www.mediageek.org /btm/archives/2005/05/notes_from_the.html (1244 words)

	Classic Rock Revisited (Site not responding. Last check: 2007-11-07)
		Sandy Pearlman was the band’s manager and early visionary.
		Pearlman was already one step ahead of both the record company and the band.
		Pearlman and Gawlick unfurled the scrolls and they went the entire length of the school buildings at Stony Brook.
	classicrockrevisited.com /BlueOysterCultAlbumArt/BOCTyranny.htm (1421 words)

	Book A Band -Blue Öyster Cult (Site not responding. Last check: 2007-11-07)
		Sandy Pearlman became interested in rock music around the time of the British Invasion, and was a pioneering voice of rock criticism, opening a new field for creative writers like Lester Bangs.
		Both Pearlman and his friend Richard Meltzer were contributors for seminal magazine "Crawdaddy!," the first magazine that dedicated itself to analysis of rock music and its culture.
		Pearlman (along with Meltzer and Wiesenthal) had been a student at Stony Brook, and was becoming increasingly involved in the music scene.
	www.bookaband.com /browseBands/band.cfm?BandId=6012 (536 words)

	What's the Download - An Interesting Proposal - 5 Cents Per Song
		Pearlman proposes putting all recorded music on a robust search engine -- Google would be an ideal choice, but even iTunes might work -- and charging an insignificant fee of, say, five cents a song.
		Pearlman added that nothing concrete is in the works with Apple beyond talks, and he has not yet spoken with Google.
		Pearlman was careful to add, though, that he doesn't see his plan killing off demand for CDs.
	www.whatsthedownload.com /msgboards/topic.asp?TOPIC_ID=567 (843 words)

	Sandy Pearlman - AOL Music
		Sandy Pearlman?s credits read like a who?s who of rock radio.
		Sandy Pearlman (born Samuel C. Pearlman, August 8) is an American music...
		Pearlman graduated from the State University of New York at Stony Brook in 1966,...
	music.aol.com /artist/sandy-pearlman/113089/main (116 words)

	Canadian Music Week 2004
		Consultant on these issues to overweight multinational entertainment conglomerates, stressing out on declining market share and growing irrelevancy: Sandy Pearlman is one of the crucial prime movers in the ever tightening embrace of Music by Technology and Technology by Music.
		The National Public Radio special on Heavy Metal, The Karamazov Vista, was basically the Sandy Pearlman show.Ý In 1992Ý (when Nirvana ruled the Earth) KIRO TV (CBS Seattle) produced a program on his views regarding the Seattle rock scene.
		Most recently Sandy Pearlman has been at the forefront of the developing ACS (Alternative Compensation Systems) project.
	www.cmw.net /cmw2004/spsandy_pearlman.htm (527 words)

	[No title]
		Pearlman's influence is strongly present in the first four records, but began to diminish after the Agents of Fortune album, and eventually he parted ways with the band for good.
		Pearlman now is Vice President of Media and Artist Development for GoodNoise Corporation, a new record company, and produces bands out of a studio in Northern California.
		Pearlman, who was working with 415 Records at the time, considered them for signing to the label.
	www.blueoystercult.com /Studio/SWbios.html (2230 words)

	Canadian Music Week 2005
		Consultant to overweight multinational entertainment conglomerates, stressing out on declining market share and growing irrelevancy: Sandy Pearlman is one of the crucial prime movers in the ever tightening embrace of Music by Technology and Technology by Music.
		One of the first of the teen age Rock Critic cabal (see "Almost Famous"), he paid his way through school in the early 70s with his writing, actually inventing the use of the term "Heavy Metal" for that music, during his sojourn as an editor and writer at Crawdaddy magazine.
		Pearlman's recent work in this field has put him at the forefront of the developing Alternative Compensation project.
	www.cmw.net /spsandy_pearlman.htm (747 words)

	Compare Prices and Read Reviews on Imaginos - Blue Oyster Cult at Epinions.com
		The album began as a collaboration between Sandy Pearlman and drummer Al Bouchard.
		Pearlman and Bouchard worked on the album for three years and then presented it to CBS, who hated it and refused to release it.
		The album was shelved for a few years, then In 1986, Sandy Pearlman and Steve Schenk approached CBS and suggested that they get Eric Bloom and Donald Roeser to play and sing on it and release it as a Blue Oyster Cult album.
	www.epinions.com /content_157109161604 (964 words)

	Sandy Pearlman: London 23 June 2005
		On June 23rd 2005, Sandy Pearlman was booked for a lecture entitled "Fast, Cheap and Out of Control" at the Purcell Rooms in London's South Bank Centre (Royal Festival Hall).
		She spoke for about 5 minutes on her friendship with Sandy Pearlman and his work with BOC, the Clash, etc. Patti described him as a 'great thinker' who impresses people with his wide knowledge of both popular and 'high' culture.
		Sandy left to meet up with Patti Smith and the Capitaine and I headed to the nearest pub for a post Pearlman beer.
	www.hotrails.co.uk /blueskybag/features/sandypearlman_050623.htm (1061 words)

	Hyde Street Studios - History
		Eventually these consoles were replaced with more cooperational equipment, including a 48x48 Amek 2500, a 40x16x34 API and the recently installed Neve 8048 in Studio A. Additionally, Alexander's large collection of vintage tube microphones, tube compressors and other exotic gear gave the studio an edge over local competition.
		In 1986 Alexander leased Studio C to Sandy Pearlman, who ran it as Alpha and Omega Studio until 1991.
		Pearlman used it for his own projects, including those on his short-lived MCA-distributed label Popular Metaphysics, and also sub-leased it to other producers and artists.
	www.hydestreet.com /history_unusual.html (312 words)

	Blue Oyster Cult - Biography Article - Rockpages.gr (Site not responding. Last check: 2007-11-07)
		Pearlman, who was the manager of Blue Oyster Cult at the same time booked the famous “Black And Blue” tour with both of the bands exchanging the headliner role every night.
		In September 1988 they released “Imaginos”, a concept album with lyrics by Sandy Pearlman and Albert Bouchard, which was going to be launched in 1975, but this plan was abandoned.
		The difficulty in understanding what their songs are about was a result of other writers like Sandy Pearlman, ο Richard Meltzer who also was their singer when they were under the name Soft White Underbelly, science fiction novelist John Shirley, even Patti Smith, providing songs for Blue Oyster Cult.
	www.rockpages.gr /tributes/blueoystercult-en.htm (3724 words)

	Sandy pearlman - mediacastermagazine.com - Mediacaster - 11/12/2006 (Site not responding. Last check: 2007-11-07)
		Sandy pearlman - mediacastermagazine.com - Mediacaster - 11/12/2006
		Sandy Pearlman, he went on to become known for his work [as a producer] with Blue Oyster Cult, formerly the Soft White Underbelly.
		Sandy Pearlman Sandy Pearlman (born Samuel C. Pearlman, August 8) is an American music producer, manager, poet, and songwriter.
	globalinfogroup.com /glig/sandy-pearlman.html (504 words)

	The Wolf Den
		Sandy Pearlman liked the symbol and had it put on all the albums, and it has become BOC's logo (and the tattoo I have on my left forearm) This symbol is also similiar to the Greek symbol of chaos.
		It seems that Sandy Pearlman watched a man and a woman exchange a kiss in a bar.
		Suzy was originally one of Sandy Pearlmans girlsfriends.
	www.wolfdenftp.com /boc1.htm (500 words)

	Boulder Weekly \| Buzz \| OverTones (Site not responding. Last check: 2007-11-07)
		The band hooked up with veteran producer and industry maverick Sandy Pearlman at a South By Southwest gig in 1997.
		Pearlman has a long history in the business-producer (Blue Oyster Cult, Clash, Pavlov's Dog), critic (Crawdaddy), manager (Black Sabbath, The Dictators) and all-around svengali.
		I was flying out to California for weeks at a time, and I even lived in San Rafael for awhile during all of this.
	www.boulderweekly.com /archive/082202/overtones.html (1297 words)

	J. Ross Publishing Inc. ::Executive Team::
		Sandy Pearlman has over 25 years of publishing experience and an extensive and diverse background in all phases of document preparation for publication.
		Sandy has hands-on experience in producing books, technical documentation, journals, and magazines in a wide variety of subject matter, including business, management, scientific, technical, medical, self-help, psychology, and publications of interest to the general public.
		Sandy has a B.S. and a Master's degree in Education from Ohio University.
	www.jrosspub.com /team.html (777 words)

	Blue Oyster Cult Record Album Vinyl
		The members of the band began to come together in the mid-1960s, as a college band called "Soft White Underbelly", at Stony Brook University, a branch of the State University of New York on Long Island, New York, at the prompting of critic Sandy Pearlman.
		Pearlman was very influential for the band, getting them gigs, their first record with Columbia, and using his poetry as the basis of many of their songs, including "Astronomy".
		It was suggested to Pearlman by rock critic Richard Meltzer.
	www.e-profession.com /records/B_O_C_record.htm (370 words)

	Sandy Pearlman - Fast, Cheap and Out of Control \| Patti Smith's Meltdown 2005 \| Contemporary Music \| Royal Festival ...
		Sandy Pearlman - Fast, Cheap and Out of Control
		Sandy Pearlman - Fast, Cheap and Out of Control
		A talk from producer, creator, songwriter, manager and theorist for many of the most important bands and musical trends of the last 25 years, incuding Blue Oyster Cult and The Dictators, the evening will focus on the future of the music business in the digital age.
	www.rfh.org.uk /main/events/94535.html (83 words)

	Big Pics (Site not responding. Last check: 2007-11-07)
		space team finished a demo for Reprise Records with the infamous Sandy Pearlman.
		The band was captured on tape with a certain rawness, a feel that much reflects there live shows.
		Five songs were recorded with certain hopes of finishing what will be their third album.
	www.spaceteamelectra.com /ste_pictures/sandy/frame.htm (46 words)

	Democracy Cell Project - Forums -> The Song Need Not Be the Same Session (Site not responding. Last check: 2007-11-07)
		Sandy Pearlman, producer of The Clash and Blue Oyster Cult
		In this session, along with Sandy Pearlman, whom she has "always known," reminisced about the early days of rock and roll.
		They talked about how censorship with responsibility can work, as long as people agree on certain standards.
	www.democracycellproject.net /forum/index.php?showtopic=586 (533 words)

	Give 'em Enough Rope - The Clash - Song Listings
		For their second album, the Clash worked with the American hard rock producer Sandy Pearlman, best-known for his work with Blue Öyster Cult and the Dictators.
		The teaming was quite controversial within the punk community, and the sound of Give 'Em Enough Rope is considerably cleaner, yet the more...
		The teaming was quite controversial within the punk community, and the sound of Give 'Em Enough Rope is considerably cleaner, yet the more direct sound hardly tamed the Clash.
	www.mp3.com /albums/3393/summary.html (475 words)

	Blue Oyster Cult Songatorium
		Also - each song is followed by a tick or a cross to indicate if it is known that that song has ever been played live or not.
		Murray Krugman and Sandy Pearlman / David Lucas (Associate Producer)
		Murray Krugman, Sandy Pearlman, David Lucas and BOC
	www.hotrails.co.uk /songatorium (1704 words)

	BLUE OYSTER CULT
		Fans will likely remember the heavier tracks and forget the rest, which is the shortest path to appreciating this album.
		TRANSMANIACON MC (Sandy Pearlman/Albert Bouchard/Donald Roeser/Eric Bloom) 3:20
		BEFORE THE KISS, A REDCAP (Sandy Pearlman/Murray Krugman/Allen Lanier/Donald Roeser) 4:57
	www.connollyco.com /discography/boc/blue.html (357 words)

	Sandy Pearlman (Site not responding. Last check: 2007-11-07)
		'''Sandy Pearlman''' was the original producer, manager and a songwriter for the Blue Öyster Cult.
		* BÖC reviews by Robert Christgau in The Village Voice * Sandy Pearlman's web-site
		There is some secret that your capacity as a medical man." The doctor was preparing to go, when Mascarin arrested his progress.
	sandy-pearlman.kiwiki.homeip.net (306 words)

	Electronic Music Mailing List Archives: cecdiscuss (Site not responding. Last check: 2007-11-07)
		+---Re: [Fwd: [CIRMMT] Sandy Pearlman: The Future of the Music Industry] Eliot Handelman (02/03/04)
		+------Re: [Fwd: [CIRMMT] Sandy Pearlman: The Future of the Music Industry] Eliot Handelman (02/04/04)
		+------------------------Re: [Fwd: [CIRMMT] Sandy Pearlman: The Future of the Music Industry] Richard Wentk (02/05/04)
	elists.resynthesize.com /cecdiscuss/2004/02 (1347 words)

	[No title] (Site not responding. Last check: 2007-11-07)
		1) What magazine did Sandy Pearlman write for during the 60s?
		3) Name three artists Sandy Pearlman has produced.
		Visit the Revvolution Records web-site to learn about Irving Azoff's new company.
	ccrma.stanford.edu /CCRMA/Courses/192d:1997/study_week9.html (131 words)

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