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| | Sandy Skoglund |
 | | Skoglund takes months to set up the room size installations which she furnishes with a few familiar objects, modeled from clay, painted, and repeated, until they overflow the space, like the hangers in this piece or cats in another of her works. |
| | The difference between the installation and the photograph, which is the real end result of her work, is that the photographs contain people. |
| | Skoglund says her work is based on a Frankensteinian model where the human beings have created a world that is out of control and turns on them. |
| www.wfu.edu /academics/art/ac_skoglund_hangers.htm (111 words) |
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