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Sans-serif - Wikipedia, the free encyclopedia In typography, a sans-serif or sans serif typeface is one that does not have the small features called "serifs" at the end of strokes. One of these outmoded terms for sans serif is gothic, which is still used in Japanese typography and sometimes seen in font names like “New Century Gothic”. Serifs help guide the eye along the line; the lack of serifs makes sans-serif fonts harder to read in large blocks of text. en.wikipedia.org /wiki/Sans-serif   (397 words)

Usability News - 5.2 2003 -- A Comparison of Two Computer Fonts: Serif versus Ornate Sans Serif Sans serif fonts consist of only primary line strokes and are therefore simpler in shape, e.g. The prediction for the current study based on the evidence provided from previous research was that the serif font would be faster to read, easier to comprehend and preferred to the ornate sans serif font. This is interesting, as the participants did not distinguish between serif and sans serif in terms of perceived legibility. psychology.wichita.edu /surl/usabilitynews/52/UK_font.htm   (1726 words)

Code Style: CSS font-family property glossary Sans serif font styles have no serifs and generally have minimal contrast, their strokes are very even and sometimes heavy. Sans serif fonts typically have little or no contrast, serif and cursive fonts usually have higher contrast. An alternative term for sans serif type faces, which were considered ugly when first used from the 1850s. www.codestyle.org /css/font-family/Glossary.shtml   (1468 words)

Typography for instructional media Research shows that 12-point Times (serif) text on a PC is read faster than 10-point Arial (sans serif); however, participants across two studies preferred 12-point sans serif fonts (Bernard, 2000; 2001). As shown by this font scale from typogranism, bold sans serif is heavier than a regular serif font. Results of multiple studies of legibility and reading speed show that there is little difference between serif and sans serif fonts. coe.sdsu.edu /eet/articles/typography2/start.htm   (853 words)

Poynter Online - Sans Serif: User's Guide in Brief The rise in popularity of sans serif faces in the 1920s was due in part to the philosophy of Bauhaus designers of "form follows function," and "less is more." This was partially a response to the rise in technology and industrial manufacturing. Sans serif type is often used alone or in combination with serif type in headlines. A common characteristic of sans serif typeface is the uniform weight of strokes with little contrast of thick and thin. www.poynter.org /column.asp?id=47&aid=51617   (666 words)

Alex Poole - Literature Review - Serif vs. Sans Serif Legibility Serifs are used to guide the horizontal "flow" of the eyes; The lack of serifs is said to contribute to a vertical stress in sans serifs, which is supposed to compete with the horizontal flow of reading (De Lange et al., 1993) Part 2 reviews the evidence for and against the legibility of serif and sans serif typefaces. Alex Poole - Literature Review - Serif vs. Sans Serif Legibility www.alexpoole.info /academic/literaturereview.html   (3314 words)

Serif Fonts Serif fonts are inspired by architectural embellishments, particularly under roof overhangs. Serif fonts were created for reading up close at small sizes. The majority of those setting type prefer Times for the body text of a document, claiming that the serifs help the eye to move smoothly and swiftly over the text. www.ric.edu /mrodrigues/webguide/serif.htm   (189 words)

The World of Fonts. Sans Serif History - webreference.com Thus, the 20th century process of sans serif humanization is a negation, a mirror image, a contrasting parallel for the earlier process of serif dehumanization in 15th-19th centuries---just as sans serif itself is a contrasting match for serif. Conversely, sans serif fonts started from Futura with its artificial look, then were for a long time dominated by neutral "transitional" Helvetica, and recently a number of distinctively liberal (and, in some classifications, even termed "humanist") sans serif faces became popular. Of course, sans serif proliferation was also due to the higher demand for display typefaces in all media, the demand which is much more severe than at any time in the past. www.webreference.com /dlab/9802/sansserif.html   (1119 words)

Sans Serif Type Sans serif type styles developed in the early 20th century. Because of its high readability, sans serif is frequently used in headlines and on large graphic advertisements (like billboards) Sans serif faces have little or no variation between thick and thin strokes. www.r-mw.com /type/sans.html   (142 words)

What are "Serif" and "Sans-serif" fonts? Sans-serif fonts (from the French word "sans" that means without) are all those fonts which have letters with straight lines and no curls or appendixes. Serif fonts are more legible (epsecially from afar) as the readers' eye spends less time distinguishing between different letters/numbers. Serif fonts are mostly used in newspapers and books when text is small and tight. www.masterviews.com /2002/01/15/what_are_serif_and_sansserif_fonts.htm   (871 words)

Sans-serif typeface category. Sans serif font families. Sans serif fonts are used to set text, but seldom for long passages, because an alleged lack of legibility. Sans serif characters tend to be direct and clear, with no serifs to add unnecessary tidbits to the shape. Sans serif fonts do not have finishing strokes on the arms, arm stems and tails of characters. www.fontmenu.com /site/sans-serif.html   (202 words)

Serif and sans-serif fonts Serif fonts, all other things being equal, are easier to read than sans-serif fonts. This article distinguishes between serif and sans-serif fonts and discusses when each is more appropriate. Without the serif, the brain has to spend longer identifying the letter because the shape is less distinctive. www.betterwritingskills.com /tip-w017.html   (245 words)

sansserifmusic :: wmbr 88.1 fm :: home sans serif: a refreshing little icebox filled with modern-flavored treats. sansserifmusic.org   (40 words)

Sans Serif Fonts - Linotype Font Inspirations Sans serif fonts have a wide spectrum of possible applications and fresh new typefaces are constantly being developed. Classic sans serif fonts like Helvetica and Univers have been experiencing a renaissance in recent years and are currently all the rage, especially in advertising. We also introduce you to a number of sans serif fonts that are relative newcomers but can hold their own with the classics. www.linotype.com /5-2207-5/sansseriffonts.html?PHPSESSID=6d16760b7f470094eb272c57316435c8   (463 words)

ITC Stone Overview The Humanist Sans is a full-fledged member of the itc Stone super family having the same x-height, stroke weights, and proportions as the original Sans, Serif and Informal designs. Serif, Sans, and Informal and now Humanist Sans are designed as integrated parts of a superfamily. In the Humanist Sans package it has been renamed, but it is exactly the same font as that used for the original Stone Sans Italic. www.stonetypefoundry.com /html_pages/ITCStoneOverview.html   (221 words)

Creative Behavior - Typography - Sans serif vs serif typefaces Serif typefaces have been with us since ancient Roman times, while the sans serif typeface is an invention of the past century. Sans serif typefaces, for the most part, are pure and clean in form. Geometric sans serif faces (Futura, Univers) are closer to the archetypical alphabet we learn when we are first learning to write, so they tend to have a more informal feel. www.creativebehavior.com /index.php?PID=29   (337 words)

CAP Online Sans frontiers: the making of Decennie Express, a new sans serif font from Jack Yan The design and style magazine There are some common letters: the e and o are common in both serif and sans serif book versions—the commonality is, after all, the whole reason for doing subfamilies—but most characters have their own designs.' The overall feel of the original Décennie is preserved, nonetheless. Even Shannon, which I think is a beautiful sans serif typeface, has optically correct but the italics are based clearly on the romans. With the trend towards subfamilies, and the preference of sans serif types online, a sans serif version of Décennie was created, beginning at the end of 1998. www.jyanet.com /cap/2000/0122fe0.shtml   (1006 words)

Be A Design Group: Serif vs. Sans Sans Serif make word recognition slower at best, and more difficult at worst because the “i’s” get lost among the “m’s” without more the reader needing to concentrate more. The suggestion to use a sans serif font seemed crazy to Denny who was relying on information published in 1977 (Why Johnny Can’t Read). Here is a link to Denny’s story about how he changed his newsletter’s font from Serif to Sans Serif based on the research of one of his readers. www.beadesigngroup.com /blog/archives/2004/07/serif_vs_sans.html   (1766 words)

Serif vs. Sans Serif Sans serif type is superior for legibility and should be used whenever possible before using serif type. sans serifs are more fun to alter and i think there is more of a need for these faces. Sans serif are more stylistic and works well on short context (i.e., titles, headings, etc). rosendorf.us /blogdorf/archive/2006/01/18/1456.aspx   (802 words)

LaTeX sans serif math fonts with sfmath.sty The package cmbright.sty already provides sans serif math fonts, so sfmath.sty is not really necessary except if the different handling of bold math fonts is desired: cmbright.sty does not provide bold maths, whereas with sfmath.sty bold (but upright) maths is provided. There is a visual difference between the ec sans serif text fonts and the cm sans serif math fonts, especially at larger font sizes. Lower-case greek letters are not available in sans serif shape (they don't have real serifs, but cannot be expected to harmonize with the sans serif latin letters). dtrx.de /od/tex/sfmath.html   (1315 words)

Bordini typeface family. A Sans-serif typeface a la Grotesk The early "Grotesk" sans serif typefaces are ancestors of the modern Helvetica and Arial. Bordini is an attempt at reviving the early spirit of sans-serif typefaces. They were called that way by typographers shocked by the absence of serifs, mandatory at the time. www.fontmenu.com /site/_Bordini.html   (186 words)

Typotheque: Fedra Sans Fedra Sans is a multilingual contemporary sans serif typeface developed for a visual identities, designed to work equally well on paper and on the computer screen. Fedra Sans appears to work exceptionally well in small point sizes, while it is elegant and distinguishable in larger ones. www.typotheque.com /fedra_sans   (46 words)

Typography: serif vs. sans-serif - KuraFire Network i was taught in college that sans serif was on the web and serif for print; however lately in the tech comminicator community there have been discussions as to the validity of the claim that sans serif is more readable. Serif typefaces are easier to read when they are 12 pt or less because the serif acts as a bridge and flow tool to guide the eyes to go to the next letter and the next word. There is certainly a written rule for serif and san serif typefaces. kurafire.net /log/archive/2005/07/23/typography-serif-vs-sans-serif   (2117 words)

creativepro.com - dot-font: Not Your Father's Sans Serif Optima is famous for being a not-quite-sans; although it has no serifs, its strokes are subtly modulated, so that the ends of apparently straight strokes are slightly wider than the middle of the same strokes. , which he created in the 1950s, is often called a humanist sans serif, even though it's based not on handwriting but on the lettering carved into the floor of the church of Santa Croce in Florence. It's part of the cult of simplification and streamlining that inspired radical designers early in the 20th century to take up sans serif as the "modern" letter form, the letter for the Machine Age. www.creativepro.com /story/feature/17185.html   (967 words)

Typography: serif vs. sans-serif 456 Berea Street In Typography: serif vs. sans-serif, Faruk Ateş talks about the pros and cons of serif and sans-serif typefaces on websites. Serifs at small sizes on a poor monitor will always be harder to read, whatever the quality of smoothing technologies. I'm sure I read a study somewhere that concluded serif fonts were better for legibility as they gave the reader more styling cues with which to establish each letter's identity - but that doesn't seem to hold true for fonts displayed on screen, where simplicity seems to improve legibility, especially at small sizes. www.456bereastreet.com /archive/200508/typography_serif_vs_sansserif   (1596 words)

Is there a TRUE definition for "sans serif"? Typophile Goudy Sans and ITC Serif Gothic were both created by their respective designers in order to “be different” from the norm, and as such, were named by the designers themselves to reflect the intent. Fonts such as Goudy Sans, Optima, Officina and newer faces such as Sebastian and Vialog seem to really be pushing the boundaries of the definition. At Agfa-Compugraphic, Goudy Sans was expanded to six-weights and released initially for phototypesetters, and afterwards, digital imagesetters. www.typophile.com /node/12668   (583 words)

Monotype: Gill Sans Because the characters of the Gill Sans alphabet are based on classic roman letterforms and not geometric shapes, they are remarkably legible. Gill Sans reflects Eric Gill’s craftsmanship ethos, even though it was developed by “industrialized” methods-the result is an entire family of true typographic gems. All the related fonts of the Gill Sans family work well together, but they are not “mechanically” produced from a single design in the way that Helvetica and Univers are. www.monotypefonts.com /Library/HiddenGems.asp?show=gillsans   (524 words)

creativepro.com - dot-font: The Human Side of Sans Serif Meta is more typographic and less calligraphic than some of the more recent humanist sans serifs, but anyone looking at the lowercase "g" can see that this is meant to function as, among other things, a text face. It is quite simply a monoline, sans serif version of Claude Garamond's 16th-century French type -- or rather, of the revivals based on Jean Jannon's 17th-century interpretation. 1938 serif face Haarlemmer, which Blokland digitized in the 1990s, and turns them into a sans serif companion -- something that van Krimpen himself was the first to do, though with another of his typefaces( www.creativepro.com /story/feature/17292.html   (1436 words)

Serif and Sans-Serif Typefaces Never mix more than one serif typeface with one sans-serif typeface. Serif typefaces are great for longer text because they help the reader's eye to focus more easily on the words being displayed. Serif typefaces are like the ones in this paragraph (if your browser is set with default fonts). www.pageresource.com /zine/font1.htm   (273 words)

Production First Software Encyclopedia of Typography and Electronic Communication : S Sans serif originated in the 19th century, but only became popularized in the 20th century. Serifs may be bracketed (even though mainly square) or completely unbracketed. Square Serif A style developed during the 19th century. ourworld.compuserve.com /homepages/profirst/s.htm   (7225 words)

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