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The Bird Man - The New York Review of Books |
 | | Calatrava is the first to admit this, as he often cites his debt to Antoni Gaudí, although he clearly has no affinity for the eccentric, handmade quality of the Catalan master's buildings, with their bizarre admixtures of materials, textures, and colors. |
 | | Calatrava's confident and awe-inspiring public works tap into a deep-seated desire for a future quite different from the one we are facing, a yearning that does much to explain his extraordinary success. |
 | | Calatrava, for his Planetarium of 1991– 1996 at the City of Arts and Sciences in Valencia, took designs by both architects and altered them in a way, it is safe to venture, that no other architect of his stature today would dare. |
| www.nybooks.com /articles/18554 (5027 words) |
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