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	Untitled Document (Site not responding. Last check: 2007-11-01)
		The scenic designer oversees construction, supervises all painting of flats, platforms, and furniture pieces, and may often design properties.
		At the discretion of the designer, he/she may be requested to draft blueprints, do layouts, supervise crews, and oversee the painting of the set(s).
		He/she handles all paperwork generated by the lighting designer, oversees and advises the lighting crew in light hang and focus, attends all technical rehearsals and performances, and supervises and contributes to light strike.
	www.smcm.edu /drama/Handbook/shoppositions.htm (1692 words)

	Scenic design - Wikipedia, the free encyclopedia
		Scenic designers have traditionally come from a variety of artistic backgrounds, but nowadays, generally speaking, they are trained professionals, often with M.F.A. degrees in scenic design.
		The scenic designer is responsible for collaborating with the theatre director and other members of the production staff to create an environment for the production and then communicating the details of this environment to the technical director, charge artist and props master.
		Scenic designers are responsible for creating scale models of the scenery, renderings, paint elevations and scale drawings as part of their communication with other production staff.
	en.wikipedia.org /wiki/Scenic_designer (156 words)

	Designer - Wikipedia, the free encyclopedia
		Designer is a broad term for a person who designs any of a variety of things.
		Designer is also the title for a person practicing in one of the design fields, such as architecture or engineering, but who is not licensed in that field.
		Examples include: automotive designer, costume designer, fashion designer, graphic designer, industrial designer, interior designer, landscape designer, scenic designer, systems designer and web designer.
	en.wikipedia.org /wiki/Designer (138 words)

	Chapter 10
		For example, a lighting designer cannot establish the areas to be lit until the scenic designer finalizes both the wall and furniture placement, while a makeup designer should wait on designing wigs until the costume designer decides whether to use hats or not.
		The scenic designer is responsible for setting the tone and style of the period with the directors commanding image in mind.
		After the designer has read the script, talked with the director and shared their ideas with the production team, the sound designer then goes out and does research to find their source sounds this is called sampling.
	www.class.uidaho.edu /thea101/Chapters/chapter_10.htm (6751 words)

	Th4399 Theatre: Special Projects/ Scenic Designers
		The scenic designer must meet all design presentation goals and objectives agreed upon with the faculty advisor and the director.
		The scenic designer must meet with the design team for an additional six weekly production meetings to update the design team on the progress of the execution of the design.
		The scenic designer must provide all technical information agreed upon with their advisor, and shop supervisor if appropriate, in order to allow their respective shops to execute the design in a timely fashion.
	www.d.umn.edu /~aweaver/ScenicDesignerContract.html (296 words)

	Main Page
		The challenge of New Voices for the scenic designer is to conceive, as it were, a new "Globe" for a modern festival.
		While designers are encouraged to use any number of computer modeling programs to generate an accurate, visually stimulating rendering, we do not accept magnetic media of any sort.
		Designers are encouraged to make use of pre-existing pieces as much as possible.
	www.wpi.edu /Academics/Depts/HUA/TT/NV/scenic.html (980 words)

	Gabrielle Lizette DuBois Portfolio (Site not responding. Last check: 2007-11-01)
		In the next year I intend to complete my BA in theatre arts with a design and technology concentration at UW-Parkside and be accepted into a graduate school for scenic design.
		Theatrical design is one of the few professions where every project is completely different from the last.
		For each show I design I like to find an image (from perhaps an artist, photographer, architect, etc.) which visually summarizes my view of the play and my goals for the design in order to communicate with the director.
	www.gldubois.com (361 words)

	CCM - Scenic Design
		The study of mankind and his surroundings - past, present, and future - is of ongoing importance for a familiarity of periods and styles and for a strong sense of history.
		The focus of theater throughout history is the human condition, and the scenic designer creates the visual 'world' - realistic, suggestive, or abstract - in which to dramatize this, whether a serious play, and entertaining musical, or a dramatic opera.
		Career opportunities include scenic design for stage plays, musicals, opera, dance, and revues; television, videos, and film; exhibitions and displays; themed attractions, environments, and special events.
	www.ccm.uc.edu /tdp/scenicdesign_bot.html (127 words)

	The Theatre School Student Resources -- Production Manual (Site not responding. Last check: 2007-11-01)
		NOTE: It is the scenic designer who has the responsibility to produce the properties for a New Directors Series.
		Assist the designer with all paperwork as designated by the designer.
		Evaluate designer's sketches and floor plan, acting as a resource for the designer in determining materials and specific methods of construction.
	theatreschool.depaul.edu /resources/chapter6.htm (1133 words)

	Rhyannon Richardson - Set designer and scenic artist
		As the resident designer I was responsible for the design and realisation of all TIE touring productions.
		The main part of my work was the design and implementation of set and costumes from initial sketches to scale models and working drawings.
		As head of Scenic Art I was responsible for the finish of the sets to a deadline and to the designers' specifications.
	website.lineone.net /~rhyannon/cv.html (957 words)

	The Penn State Thespians (Site not responding. Last check: 2007-11-01)
		Scenic Designer - The scenic designer works with the director to design the set and creates support documents such as ground plans and elevations.
		Scenic Artist - The scenic artist works in conjunction with the scenic designer to paint the set, mix colors, and work with the technical director to coordinate set hours.
		The costume designer is expected to create renderings of the costumes prior to their creation.
	www.clubs.psu.edu /up/pennstatethespians/staffdescr.html (640 words)

	Gary Panter work (Site not responding. Last check: 2007-11-01)
		One of the coolest was designing Pee Wee's Playhouse for CBS television with Paul and Ric Heitzman and Wayne White and scores of other artists.
		We needed to make a place that would have room for the cast and crew to do their jobs and was exciting to be in.
		I designed and oversaw the construction of the sculptural elements and did all of the decorative painting.
	www.garypanter.com /work_comart_env.html (256 words)

	Cornell College - Department of Theatre and Communications Studies (Site not responding. Last check: 2007-11-01)
		The scenic artist may be required to supervise crew members as assigned to paints by the Technical Director.
		The scenic artist may be required to touch up scenery during the run of the show.
		Props master reports directly to the scenic designer before the show opens and to the stage manager after the show opens.
	www.cornellcollege.edu /theatre/handbook.shtml (1311 words)

	Entertainment Design: Metamorphosing Metamorphoses: scenic designer Daniel Ostling discusses moving Mary Zimmerman's ... (Site not responding. Last check: 2007-11-01)
		It is also a play where all of the collaborators were in the same room at the same time; the design team was able to integrate the scenic, lighting, costume, and sounds elements into a seamless environment.
		The scenic elements have undergone a number of changes (you might say metamorphoses) as the show traveled across the country--from Chicago to San Francisco to Seattle to LA to New York--culminating in March with a remounting on Broadway at Circle in the Square.
		Ostling's scenic design is reminiscent of paintings by Magritte and the dream states they evoke.
	www.findarticles.com /p/articles/mi_m0CVQ/is_4_36/ai_84393285 (1541 words)

	Job Descriptions \| Production Team \| Student Responsibilities \| Office of Undergraduate Productions \| Yale College
		The Scenic Designer is responsible for developing the overall look of the stage environment after working with the director to establish an overall aesthetic concept from which to proceed.
		If it is determined that the design is over budget, it is the designer’s responsibility, in conjunction with the producer, director, and TD to modify elements of the design until it meets the budget guidelines set by the Producer and to provide updated drawings.
		If the design cannot be executed within the specified budget it is the responsibility of the Producer to either increase the budget or to require the Designer and Director to identify changes or cuts that will bring the project within the established budget.
	www.yale.edu /oup/responsibilities/production/jobs.html (2783 words)

	Amazon.com: Books: Scenic Art for the Theatre (Site not responding. Last check: 2007-11-01)
		Scenic Art for the Theatre is a visual and written guide to the tools and techniques used in modern scene painting.
		The authors guide the reader through the complex role of the scenic artist, discussing his or her relationship with the scenic designer and production staff; the variety of tools used in scenic artistry including paints, materials, and surfaces; and the techniques, both traditional and non-traditional.
		Scenic Art for the Theatre is written in easy-to-understand language for both the student and the professional.
	www.amazon.com /exec/obidos/tg/detail/-/0240801873?v=glance (1098 words)

	Theatre Arts Practicum Positions
		The Designer is responsible for the successful completion of lighting, including the process of returning all items to their proper sources: owned, rented or borrowed.
		The Designer will work closely with the costume and scenic designer and will determine what falls into the realms of props, costume and scenery respectively, prior to beginning of collection/construction.
		The designer will also work with the director and stage manager prior to start of rehearsal period to determine rehearsal prop needs and will provide them to company by appropriate date set by director.
	www.sas.upenn.edu /theatrearts/practicums_available.html (1060 words)

	Southern Illinois University at Carbondale (Site not responding. Last check: 2007-11-01)
		The art of set or scenic design is a collaborative process involving working with the director, costume, lighting and sound designers, technical director properties and paint artisans in translating the work of the playwright into a physical representation of the words, plot, characters, and themes.
		The design is not truly completed until all the components of actors, costumes, lighting, sound, and scenery are assembled on stage in front of an audience.
		Assistant Professor of Scenic Design, Department of Theater, Southern Illinois University Carbondale, IL 1989-92.
	www.ronaldnaversen.com /vita.htm (4429 words)

	Michael P. Amico, Faculty, Theatre, Fine Arts, Miami, Florida - Barry University
		Previously, he has held the position of Head of Design for the Theater program at Kansas State University and has served on the design faculty for theater departments at the University of South Florida, Florida International University, and the University of Florida.
		As a scenic artist, he has painted scenery for opera, theme parks and Broadway.
		He is a member of United Scenic Artists Local 829 as both a Scenic Designer and Scenic Artist.
	www.barry.edu /finearts/theatre/faculty/amico.htm (443 words)

	Traveling scenic designer has room to create at the Merrimack - The Boston Globe
		The person in charge of creating this space is Marjorie Bradley Kellogg, who's been a scenic designer for more than 30 years on and off Broadway, in regional theater, and internationally.
		She and costume designer Claudia Stephens flew in for about a week to fit the show to the new space.
		After attending Vassar, she apprenticed to legendary scenic designer Ming Cho Lee, the man she says most shaped her aesthetic.
	www.boston.com /news/globe/living/articles/2004/01/09/traveling_scenic_designer_has_room_to_create_at_the_merrimack (843 words)

	I Am Not A Lighting Designer
		Live Design's TQ Now offers up to date information on designers, technicians, and manufacturers involved in all aspects of theatre--lights, sound, sets, costumes, projections, makeup, etc--from around the world, with special emphasis on project profiles and technical how-tos.
		While the best designs can blur the lines enough so the audience can't always perceive where the lighting ends and the scenery begins, I have to believe that it would most certainly improve any audience member's experience to recognize the different components that work together to create that seamless world.
		Many times, a projection designer is called in to work on a show as something of a problem solver, whether it is a stage direction in the script that conventional scenery just cannot pull off, the transitions in a show needing more pizzazz, or the director wanting a film clip directly inserted into the show.
	livedesignonline.com /mag/am_not_lighting (1570 words)

	RGJ.com - Scenic designer designs murals in homes
		As a professional scenic artist “all her life,” Rush spent most of her career in New York working for the entertainment industry.
		Her set designs in “Ghostbusters” was so real that residents of a building that she created a facade for actually thought it was crumbling.
		After a couple years of working as a freelance artist, she was hired by Stage Craft, a multimillion dollar company, involved in designing sets and backdrops for rock groups on tour as well as corporate conventions, marketing tours, themed environments and theatrical productions.
	www.rgj.com /news/stories/opinion/974088249.php (893 words)

	Scenic Design for LYSISTRATA
		Van Tinkham (Scenic Designer) is from Ogden, Utah, where he is the scenic and lighting designer for Weber State University.
		The arrangement of the space is a slightly skewed interpretation of a Greek theatre space, seemed to fit the action, and the original plan altered very little during the design process.
		The look of the set came to be through a more lengthy process to reflect the city-under-siege atmosphere of the original and include scaffolding, as if the structure of the building/city needed support and was under repair (by women who were not necessarily trained in construction).
	www.indiana.edu /~thtr/2002/lysistrata/set.html (487 words)

	CCM - Scenic Design
		He designed and painted ETC's distinctive facade, now a downtown landmark, to spur the renovation of Vine Street in 1992.
		Prior to joining the faculty of CCM Ruggaber was an Associate Professor of Scenic Design at UNC Charlotte.
		Eighteen of his scenic designs have been nominated for awards and The Metrolina Theatre Association in N.C. recognized his design for Crimes of the Heart at UNC Charlotte for Outstanding Set Design by an academic institution.
	www.ccm.uc.edu /tdp/scenicdesign_facstaff.html (375 words)

	Open Directory - Arts: Performing Arts: Theatre: Stagecraft: Set Design: Designers (Site not responding. Last check: 2007-11-01)
		Bower, Alan - Design work by Alan Bower, UK theatrical designer and scenic artist for theatre, television and corporate events.
		Bown, Abi - Theatre designer and illustrator based in the UK specialsing in theatre for children, puppetry and small Props.
		Burgess, Paul - Designer and director with design experience at Shakespeares Globe in London, theatres across the world and small education and community plays.
	dmoz.org /Arts/Performing_Arts/Theatre/Stagecraft/Set_Design/Designers (1576 words)

	Steve Gilliam
		Director of Theatre and Professor of Drama at Trinity Univerisity in San Antonio,Texas, and Resident Scenic Designer for The MUNY in St. Louis.
		The Gilliams have design credits with Chicago's Light Opera Works; Georgia's Springer Opera House; Six Flags Theme Parks in New Jersey, Houston, San Antonio and Dallas; Colorado Shakespeare Festival; Kansas City Starlight Theatre; Opryland Theme Park; Village Theatre in Seattle; Baltimore's Cockpit-In-Court; and ARTS San Antonio.
		Gilliam has been resident scenic designer for the past eleven seasons of music theatre at the MUNY in St. Louis.
	www.trinity.edu /sgilliam (248 words)

	Job Opportunities (Site not responding. Last check: 2007-11-01)
		The Costume Designer is responsible to make, hire, purchase, beg, borrow or otherwise obtain costumes for all actors in the production.
		It is up to them to ensure that the costumes are kept in good repair and that they are all present and complete in time for dress rehearsal, as well as handling the return or storage of all costume elements when the production is struck.
		The Sound Designer is responsible for developing an atmosphere consistent with the feel of the production using sound effects and music.
	home.comcast.net /~daak/theatre/jobopps.html (609 words)

	Scott Kirkham, Scenic Designer: Bio (Site not responding. Last check: 2007-11-01)
		He applied for and was granted an assistantship to Florida State University’s School of Theatre and began work on his MFA in Scenic Design.
		Scott designed the set for A Streetcar Named Desire at Players Guild and the sets and lights for the Guilds' Children's series including The Velveteen Rabbit and The Adventures of Beatrix Potter.
		Scott is the resident designer for FMPAT and the resident scenic designer for ICT Children's Theatre.
	www.scottscenic.com /AboutMe.htm (533 words)

	Timothy P
		Duties: Designer of sets and props,(Lighting Designer and Technical Director until 1990) and scenic artist for up to four Theatre Division and two Opera Theatre productions a year.
		Supervise student scenic designers and props and paint crews; teach Introduction to Theatre Design, Theatre Design I, Theatre Design II (theatre graphics), Theatre Design III (computer applications for theatre), Theatre Design IV (scene design), and Asian Theatre.
		Duties: Designer and Scenic Artist of sets and props for one main stage production, as well as the "Green Show" and general display, signage and festival decoration.
	jan.ucc.nau.edu /~tpb2/resume3.html (1047 words)

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