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Topic: School of Ferrara (Painting)

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	Italian Renaissance - Wikipedia, the free encyclopedia
		From the early 15th century to the middle of the 16th century, the center of innovation in sacred music was in the Low Countries, and a flood of talented composers came to Italy from this region.
		By far the most famous composer of church music in 16th century Italy was Palestrina, the most prominent member of the Roman School, whose style of smooth, emotionally cool polyphony was to become the defining sound of the late 16th century, at least for generations of 19th- and 20th century musicologists.
		Other Italian composers of the late 16th century focused on composing the main secular form of the era, the madrigal: and for almost a hundred years these secular songs for multiple singers were distributed all over Europe.
	en.wikipedia.org /wiki/Italian_Renaissance (5644 words)

	Italian Painting Early Renaissance, 1400-1500 (Continued)
		PADUAN SCHOOL: It was at Padua in the north that the influence of the classic marbles made itself strongly apparent.
		SCHOOLS OF VERONA AND VICENZA: Artistically Verona belonged with the Venetian provinces, because it was largely an echo of Venice except at the very start.
		They made up the Muranese school, though this school was not strongly marked apart either in characteristics or subjects from the Venetian school, of which it was, in fact, a part.
	www.oldandsold.com /articles08/art-11.shtml (2857 words)

	Dosso Dossi - Wikipedia, the free encyclopedia
		The painting of Aeneas in the Elysian Fields was part of the Camerino d'Alabstro of Alfonso I in the Este Castle, decorated with canvases o bacchanalia and erotic subjects including Feast of the Gods by Giovanni Bellini and a painting by Titian.
		The frieze paintings were based on the Aeneid, this scene is book 6, lines 635-709, wherein Aeneas is guided over the bridge into the Elysian Fields by Cumaean Sibyl.
		Paintings regrading Hercules were commonly made for the Duke Ercole II.
	en.wikipedia.org /wiki/Dosso_Dossi (452 words)

	Francesco del Cossa. Biography. - Olga's Gallery
		His masterpieces are the allegories of the Months that he painted for the salon in the Schifanoia Palace in Ferrara (c.
		Palazzo Schifanoia belonged to the Ferrara dynasty of d’Este.
		Twelve fields, extending from a painted pedestal right up to the ceiling, were each assigned to one month of the year.
	www.abcgallery.com /I/italy/cossabio.html (395 words)

	Biography
		Painter of the school of Ferrara-Bologna, notable as one of the first Ferrarese artists to adopt a soft, atmospheric style of painting.
		Costa was trained at Ferrara, probably under Cosmè Tura, who was the first important native-born Ferrarese painter.
		In 1506, soon after the expulsion of the ruling Bentivoglio family from Bologna, he was summoned as court painter to Mantua to succeed Andrea Mantegna.
	www.wga.hu /bio/c/costa/biograph.html (224 words)

	Paintings
		This painting, datable to around 1480, is characterised by the intentional simplicity of style typical of Foppa, visible in the isolation of the figures in relation to their background.
		This painting from around 1460 is one of the highest achievements of the Venetian master's early career, when his art was still strongly influenced by the style of his brother-in-law Andrea Mantegna.
		This painting by Cosmè Tura, who was the most representative figure of the Fifteenth century pictorial school of Ferrara, was part of the series of decorations for the study of Palazzo Belfiore near Ferrara.
	www.museopoldipezzoli.it /PP_inglese/museo/collezioni/pittura/rinascimento.html#botticellicompianto (4252 words)

	[No title]
		Up until the XII century, Ferrara was merely an urban agglomeration, without a center or clearly defined features, intersected by a network of canals, bridges and ferries.
		It was in the year 1264 that the magnificent epoch of domination by the Estense family was initiated, during which the Court of Ferrara became one of the most important in all of Europe.
		The presence of canals, bridges and ferries became a memory of the distant past, and were replaced by long, broad, straight streets, intersecting according to a precise geometric plan, but blending perfectly with the meandering streets in the medieval zones, thereby uniting the "old" city with the "new".
	www.cnafe.it /english/ourtown.htm (751 words)

	CATHOLIC ENCYCLOPEDIA: Francesco Cossa
		The first record we have of him is in 1456 when he was an assistant to his father, Cristofano del Cossa, at that time employed in painting the carvings and statues on the high altar in the chapel of the bishop's palace at Ferrara.
		Here he painted his two masterpieces, one, the Virgin and Child with two saints and a portrait of Alberto de'Catanei, produced in 1474; the other, the fresco of the Madonna del Baracano, representing the Virgin and Child with the portraits of Giovanni Bentivoglio and Maria Vinziguerra, painted in 1472.
		He executed some glass paintings in Bologna, the best of which is a beautiful circular window, in the church of San Giovanni in Monte, representing St. John in Patmos; this bears his signature.
	www.newadvent.org /cathen/04417a.htm (384 words)

	[No title]
		This he does in what he says was a common phrase that "poetry is vocal painting, and painting, silent poetry."[36] The false analogy, "_ut pictura poesis_," establishing, as it does, a sanction in criticism for the static in drama, flourished until Lessing exposed it in his _Laocoon_.
		The same tradition is upheld by Charles Butler, who in his Latin school rhetoric (1600) defines rhetoric as the art of ornate speech and divides it into _elocutio_, a discussion of the tropes and figures, and _pronuntiatio_, the use of voice and gesture.[149] And John Barton is worse.
		Thus in Guarino's school at Ferrara (1429-1460) the _Ad Herennium_ was regarded as the quintessence of pure Ciceronian doctrine of oratory, and was made the starting point and standing authority in teaching rhetoric.
	www.ibiblio.org /pub/docs/books/gutenberg/1/0/1/4/10140/10140-0.txt (16527 words)

	Biography
		Italian painter, the first major artist of the School of Ferrara, where he was appointed court painter to the Estes in 1452.
		Tura was mainly a religious painter, his work including two huge shutters (1469) for the organ of Ferrara Cathedral, now in the Museo del Duomo; they represent The Annunciation and St George and the Princess.
		In Ferrara he provided paintings for the cathedral (1458), the Biblioteca del Pico (1465-67), the Sacrati Chapel (1468), and the Belriguardo Chapel (1472).
	www.wga.hu /bio/t/tura/biograph.html (170 words)

	Recorder Home Page > Recorder Iconography > Artists, C
		Two (one on each side of the painting) hold recorders: that on the left holds hers by her side in her left hand, her right hand holding a music book steady in her lap; that on the right holds her instrument two-handed as if to play it.
		Adoration of the Shepherds, painting, Giovanni Benedetto Castiglione (1609-1670).
		The only other paintings of similarly large size are also early works, and there is a marked difference in the high quality of these paintings compared to many of the later works on a smaller format, some of which have the appearance of studio assistance.
	www.recorderhomepage.net /artc.html (16048 words)

	Bologna - Ferrara \| Footprint Guides
		Ferrara is also the Italian capital of bikes.
		The castle was begun at the end of the 14th century, commissioned by Nicolo II d'Este.
		Like that of Modena, Ferrara's cathedral is a mixture of the Gothic and Romanesque.
	www.footprintguides.com /Bologna/Ferrara.php (368 words)

	Holy Family with St. John
		The painting was probably produced in the northern Italian region of Emilia, possibly at Ferrara.
		The painting can be included among mannerist works created in the area around Parma and Ferrara in the second half of the 16th century.
		The closest comparison is definitely the Holy Family of the Nicholson collection, where we find the same elongated bodies, the same pink and white of the skin, and a similar stiffness of the figures that is slightly less evident in Boston CollegeÕs Holy Family with St. John.
	www.bc.edu /bc_org/avp/cas/artmuseum/collection/italpaint/1988_60info.html (407 words)

	romeguide - Borghese Galery - Ferrara and Veneto school (Site not responding. Last check: 2007-10-20)
		The extraordinary spirituality of the Portrait of a Boy, painted in 1530, recalls to memory St. John the Baptist.
		The painting entitled Tobiolo and the Angel, reveals the particular Savoldo’s care for the technique of light and shade.
		The original colours of the painting came to light after the latest repair which removed the thick coat of paint of the I 9th century.
	www.romeguide.it /borghese/room15.html (168 words)

	History of The School of Athenss
		The School of Athens was painted for Pope Julius II in 1509.
		Raphael painted this fresco in the pope's Stanza della Segnatura meant to be his library.
		Pope Julius II liked "The School of Athens" so much he hired him to paint the entire room.
	www.asds.org /2005A/G/pg4.htm (237 words)

	CATHOLIC ENCYCLOPEDIA: Innocenzo di Pietro Francucci da Imola
		When but twelve years of age he arrived at the latter city to study painting as a bursar of his native town, which, by an ordinance dated 17 March, 1506, had voted him an annual subsidy of ten baskets of grain.
		On the 7 May I took into my school Nocentio Francuccio of Imola, on the recommendation of Felesini and Gombruti." It is probable that Innocenzo went to Florence and that he studied for some time under the direction of Mariotto Albertinelli.
		Thus did the master's influence radiate quite beyond the limits of his school, and artists like Garofalo and Bagnacavallo were to be seen establishing at a distance from that school — at Ferrara and at Bologna — veritable foci of Raphaelesque imitation.
	www.newadvent.org /cathen/07693a.htm (830 words)

	artnet.com: Resource Library: Paolo da San Leocadio (Site not responding. Last check: 2007-10-20)
		He was trained in the school of Padua-Ferrara, where among others he was influenced by Andrea Mantegna, Cosimo Tura and Francesco del Cossa.
		In 1472 he was contracted with the Neapolitan Francesco Pagano (fl 1471–89) to paint the frescoes of the high altar of Valencia Cathedral with themes devoted to the Life of the Virgin, the earliest examples of Renaissance painting in Spain (destr.
		The Vitruvian organization of these compositions and their rational and intelligent use of space and of gradations of light and colour are further evidence that he introduced new Italian pictorial concepts to Spain.
	www.artnet.com /library/06/0651/T065134.asp (270 words)

	Coastal school briefs - 10/22/03 North County Times - North San Diego and Southwest Riverside County columnists (Site not responding. Last check: 2007-10-20)
		Joining 16,000 other high school seniors from throughout the country, Kerry Vaughan of Carlsbad and Bryant Foreman of Rancho Santa Fe recently were named semifinalists in the 2004 National Merit Scholarship competition.
		The small charter high school provides students with the opportunity to attend college classes and experience internships with area businesses, which helps them make choices after high school.
		Torrey Pines High School recently welcomed students and their parents back to campus for another school year on Back to School Night.
	www.nctimes.com /articles/2003/10/22/news/community/10_21_0320_41_57.txt (1219 words)

	Tura, Cosmé on Encyclopedia.com (Site not responding. Last check: 2007-10-20)
		He was a leading master of the school of Ferrara and court painter to the city's ruling Este family.
		Combining material splendor with asceticism, his stylistically idiosyncratic paintings are frequently filled with sharply portrayed natural details—diversified landscapes, squirrels, monkeys, fruits, etc.—that serve as both plastic and iconographic elements.
		George Slaying the Dragon (cathedral, Ferrara); Christ on the Cross (Milan); St.
	www.encyclopedia.com /html/T/Tura-C1os.asp (529 words)

	Olga's Gallery - New Additions
		Pieter de Hooch is a Dutch painter, one of the main representatives of the Delft school of the XVII century.
		Flemish School of Painting, Part II article was sent to the subscribers of our monthly mailing list.
		Flemish School of Painting, Part I article was sent to the subscribers of our monthly mailing list.
	www.abcgallery.com /newadd01.html (1646 words)

	Search Results for Ferrara - Encyclopædia Britannica
		city, capital of Ferrara provincia, Emilia-Romagna regione, northern Italy, on the Po di Volano, a branch channel of the Po River, northeast of Bologna.
		University of Ferrara: Unit of Audiology and ENT
		Brief examination of Giovanni Bellini's painting, as well as a description of the private study of Alfonso d'Este, duke of Ferrara, where the painting originally hung.
	www.britannica.com /search?query=Ferrara&submit=Find&source=MWTEXT (492 words)

	UMass Amherst - 2005/06 Graduate School Bulletin: Art History Courses
		The artistic and cultural achievements of the Romans—portraiture, illusionistic wall painting, and the development of vast interior spaces in architecture—as well as the creation of a multi-ethnic empire extending from England to Egypt.
		Development of architecture, sculpture, painting and minor arts from 1050 to 1400 in France, England and Italy; society in which these art forms developed.
		Architecture, sculpture and painting from 1600-1750, especially in Rome; painting of the Bolognese school; spread of the Baroque style.
	www.umass.edu /grad_catalog/arthist/courses.html (1087 words)

	Full Editorial from Current Issue (Site not responding. Last check: 2007-10-20)
		A painting of musicians attributed to Caravaggio was confiscated by the Nazis in Czechoslovakia.
		Two other Italian paintings in Belgrade were bought by Goering from dealers in Florence: a Madonna and Child by Veneziano and a Madonna and Child with Angels attributed to the School of Ferrara.
		In 1948 Mimara donated 148 paintings and sculptures to the Strossmayer Gallery in Zagreb, and in 1973 he presented a substantial part of his collection to the Croatian Republic, on the condition that a building be constructed in Zagreb to house it.
	www.artnewsonline.com /currentarticle.cfm?type=feature&art_id=975 (5294 words)

	Tura, Cosmè (Cosimo) (Site not responding. Last check: 2007-10-20)
		Italian painter of the early Renaissance, founder of the Ferrara school of painting, born in Ferrara.
		Between 1452 and 1456 he was probably in Venice and Padua; in Padua he may have studied with the Italian painter Andrea Mantegna.
		Tura was the official portraitist to the Este family, the ducal house of Ferrara.
	www.cartage.org.lb /en/themes/Biographies/MainBiographies/T/tura/tura.htm (112 words)

	Hotel Listings & Destination Guide for Europe & Russia - Europe - Italy
		The movement, which established a school in Ferrara, was influenced by Surrealism, and had in particular a penchant for the presence of unexpected, out-of-place objects; de Chirico's Metaphysical Interiors show rooms littered with all the fetishes of modern civilization.
		Another representative of this "school", which flourished mainly between the late Sixties and the mid-Seventies, is Mario Merz (b1925), who uses found objects and materials (glass sheets, twigs, metal scraps) to create installations that convey a sense of fragility and danger.
		Although there is nothing truly ground-breaking about the Italian sculpture or painting of the last few years, there are a couple of interesting artists who have been well-received in the international forum.
	www.eztrip.com /dg_viewLocation_formId-78298.html (1511 words)

	Recorder Home Page > Recorder Iconography > Artists, B
		In the first painting a young shepherd lounging on what looks like a rumpled bed holding his recorder, his dog in the background, whilst an old crone gestures meaningfully with her thumb towards a young woman as if to say where his duty lies.
		One of a series of paintings located in the cloister of the abbey of Pedralbes in St Michael's Chapel, which served as the day-cell for Francesca Saportella, the second abbess and niece of Queen Elisenda, the abbey's founder.
		The resemblance of this painting to the engraving by Troÿen (see below), an anonymous painting in Carbisdale Castle Youth Hostel (see below), and to one of the paintings depicted in The Gallery of Archduke Leopold in Brussels (1640) by Teniers II is remarkable, though the details of the recorder differ somewhat in each case.
	www.recorderhomepage.net /artb.html (15138 words)

	Ya Might Be From
		As you were driving to school you cursed the fact that yours was the only one that did not call a snow day only to further see that they didn't even have the decency to plow your spot.
		You are a girl, and due to the excessive amount of walking to and from classes, your feet have been ripped apart at least once by wearing high-heels to school, despite the numerous amount of Band-Aids the nurse gave you.
		Your school is the only school you know where junior prom is bigger than senior prom.
	filebox.vt.edu /users/swohltma/br.htm (2865 words)

	University of Delaware: CONANT POSTER COLLECTION
		Howard Sommers Conant, a painter and educator, was born in Beloit, Wisconsin in 1921.
		He was educated at the Art Students League, the University of Wisconsin (B.S. in painting) and the University of Buffalo (D.Ed.).
		His paintings are in the collections of the Milwaukee Art Museum, University of Arizona and the University of Wisconsin.
	www.lib.udel.edu /ud/spec/graphics/findaids/conant.htm (1085 words)

	romeguide - Borghese Galery - School of Ferrara (Site not responding. Last check: 2007-10-20)
		Originally this small room was dedicated to the paintings of the Ferrarese School (I6th century), so much beloved by Cardinal Borghese as well as by many other Roman noblemen.
		The Ferrarese School paintings were valuable and not too expensive because the town of Ferrara became the property of the Vatican in 1597, when the powerful Cardinal Vincenzo Bentivoglio influenced the purchase and bringing to Rome of these paintings.
		In this room one can see the masterpieces of the main painters from Ferrara, in the Renaissance: Mazzolino, Garofalo, Ortolano while the paintings of Dossi are in Room No. 15.
	www.romeguide.it /borghese/room11.html (149 words)

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