| |
| | [No title] |
 | | , with every possible pitch equally accessible throughout its entire compass, and every possible degree of loudness equally accessible throughout its dynamic range, and incredible range of possible timbres and noises, which in the normal linguistic use of the speaking voice are referred to as vowels and consonants. |
 | | (The piano-tuner can change pitches of the strings continuously, so while tuning, pitch is analog, but the pianist of course is taught to ignore that.) The same highly-digital musical notation is used for voice, violin, piano, harpsichord, and organ, so this analog-vs.-digital question is submerged in a fog of confusion for most of us. |
 | | They don't quite make the theoretical pitches, and upon this form of digital control is superimposed a different digital sequence, the harmonic or overtone series produced by the player's lips and technique. |
| sonic-arts.org /darreg/dar12.htm (2275 words) |
|